2018-10-03, updated: 2019-06-17
Also in this issue, Goetz Kluge makes the case that a seventeenth-century engraving may have influenced Henry Holiday’s last illustration for The Hunting of the Snark. Goetz’s excellent blog about all things Snark is at http://snrk.de/
Preface to the Knight Letter № 100, LCSNA, 2018
On pages 55~56 you find a few lines which I wrote about the Baker and Thomas Cranmer in The Hunting of the Snark.
Incidentally, in parallel to my little note in the Knight Letter № 100 on the Baker’s “hot” names and on Henry Holiday’s pictorial reference to Thomas Cranmer’s burning, a paper »Life, Eternity and Everything, Hidden Eschatology in the Works of Lewis Carroll« suggesting textual references from The Hunting of the Snark to Thomas Cranmer’s Forty-Two Articles has been published in The Carrollian (July 2018, № 31, p.25~41), a journal of the Lewis Carroll Society in the UK. The author, Karen Gardiner, is an Anglican priest. She also knows the objections of Revd. C.L. Dodgson (aka Lewis Carroll) angainst the dogma addressed by Article № 42 of Thomas Cranmer’s Forty-Two Articles.
Karen Gardiner (2018) and I (2015), as well as Angus MacIntyre (1994) and Mary Hibbs (2017), we all suggested that there are such references to Thomas Cranmer and his Forty-Two Articles (the Baker’s forty-two boxes) – coming from different starting points and different backgrounds. As for me, initially I just looked for Lewis Carroll’s (C.L. Dodgson’s) textual references as guidance for finding pictorial references in Henry Holiday’s illustrations.
2018-07-28, updated 2019-06-09
2017-09-06, updated 2019-06-04
2017-12-17, updated 2019-03-10
As I reported in the Associations Blaster (2014-03-08), Charles Lutwidge Dodgson and Henry Holiday kept a Snark as a pet. They fed it with »greens«, but as growing greens led to horrible electricity bills, Dodgson and Holiday could not afford to keep their Snark any longer. It took many years until 2014, before in Colorado planting greens became legal and affordable enough to breed Snarks again. I assumed then that we would see more of these beasts in the future.
Since I predicted that in 2014, more and more biotopes for Snarks had been created, not only in Colorado. The top of the tide seems to have been approached in 2017, when the White House too became a habitat especially for those Snarks, who were able to quickly adapt to such a challenging environment. In order to survive there, Snarks now are born as Boojums right away.
Luckily, there still are regions where most Snarks just are Snarks (Audio):
Let us take them in order.
- “The first is the taste,
Which is meagre and hollow, but crisp:
Like a coat that is rather too tight in the waist,
With a flavour of Will-o’-the-wisp.
- “Its habit of getting up late you’ll agree
That it carries too far, when I say
That it frequently breakfasts at five-o’clock tea,
And dines on the following day.
- “The third is its slowness in taking a jest.
Should you happen to venture on one,
It will sigh like a thing that is deeply distressed:
And it always looks grave at a pun.
- “The fourth is its fondness for bathing-machines,
Which it constantly carries about,
And believes that they add to the beauty of scenes –
A sentiment open to doubt.
- “The fifth is ambition.
It next will be right
To describe each particular batch:
※ those that have feathers, and bite,
※ And those that have whiskers, and scratch.
“For, although common Snarks do no manner of harm,
Yet, I feel it my duty to say,
Some are Boojums –” The Bellman broke of in alarm,
For the Baker had fainted away.
“He remarked to me then,” said that mildest of men,
“ ‘If your Snark be a Snark, that is right:
Fetch it home by all means – you may serve it with greens,
And it’s handy for striking a light.
(“That’s exactly the method,” the Bellman bold
In a hasty parenthesis cried,
“That’s exactly the way I have always been told
That the capture of Snarks should be tried!”)
Among the forks mentioned above (used to hunt the Snark and carried by this landing crew of a naval expedition) is a tuning fork. Charles Darwin used a tuning-fork to let spiders dance and, for dissection (don’t tell the spiders), lace-needles together with his microscope. And, just in case that the maker of the Ocean Chart missed something, a telescope can be quite helpful.
2017-09-18, edited 2019-03-04
In this image one of the elements has been marked (orange frame) which Henry Holiday borrowed from a 17th century painting (by an anonymous artist). This might be a bit different from the borrowing described by T. S. Eliot in 1920. In the example shown here, the borrowing of the pictorial allusion is inconspicuous. It doesn’t enrich Holiday’s illustration. It’s only purpose might be that of a signpost pointing to another work of art.
2017-09-27, updated 2019-02-25
[…] PLEDGE MUSIC – the crowd-funding platform that has for so many years offered a route to market for independent artists, have reported that they are in a cash-flow crisis and seeking a buyer. That leaves us unable to fund our SNARK project. […]
Mike Batt‘s latest Snark project is to make the first-ever recording of the FULL-LENGTH version of his musical The Hunting Of The Snark, based on Lewis Carroll’s famous nonsense poem. He invites you in his PledgeMusic campain to support to finance this ambitious recording.
2018-10-15, update: 2019-02-22
2017-11-25, update: 2019-02-06