My 1st Snark Trophy

My first Snark encounter was in 2005. Then, after almost four years, I entered the Snark hunting grounds in December 2008. http://www.artandpopularculture.com/User:Goetzkluge could give you an idea where I was in 2010.

The image shows illustrations by Henry Holiday (from The Hunting of the Snark, 1876) and Marcus Gheeraerts the Elder (Allegory of Iconoclasts, aka The Image Breakers, around 1567): In the “mouth” of Gheeraerts’ “head” a praying priest is depicted. The shape of the priest also is visible in the “mouth” of Holiday’s vanishing “Baker”.

There is more — with acknowledgements to Mahendra Singh, to John Tufail and to the Internet.

And there are more big heads.

Articles in this blog about Henry Holiday’s illustration to the chapter The Vanishing.

 
2017-08-28, updated: 2023-11-03

Surrealist Entanglements

This perhaps is the first reference in academia to my findings: Chapter 7 Surrealist Entanglements (excerpts which refer to my findings) in Marysa Demoor‘s book A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements, Springer Nature (Palgrave Macmillan), 2022-03-21.
(Review by Marnix Verplancke, translated by Kate Connelly.)

What Marysa Demoor’s wrote about Henry Holiday’s pictorial references in Lewis Carroll’s The Hunting of the Snark confirms what I wrote my article Nose is a Nose is a Nose in the LCNSA Knight Letter (№ 99, Fall 2017, p. 30~31). I found Holiday’s pictorial references to Gheeraerts’ Image Breakers in 2009. Actually, a reference from another Snark illustration by Henry Holiday to Gheeraerts’ print started my Snark hunt in December 2008.

Henry Holiday’s references to Gheeraerts are also mentioned in Marysa Demoor’s article Een culturele brexit? Grotesk! (2022-05-07) in the Belgian De Standaard.

Professor Demoor didn’t specify her sources for what she wrote about Henry Holiday’s references to Marcus Gheeraerts the Elder, William Sidney Mount and Benjamin Duchenne.

 
Mastodon | Reddit

 
2022-11-21, updated: 2023-01-11

The Bandersnatch fled
as the others appeared

509    The Bandersnatch fled as the others appeared
510        Led on by that fear-stricken yell:
511    And the Bellman remarked “It is just as I feared!”
512        And solemnly tolled on his bell.

Lewis Carroll (text) and Henry Holiday (illustration)
Marcus Gheeraerts the Elder
Marcus Gheeraerts the Younger
On Borrowing

 
2022-05-31 (my 5696×4325 assemblage: 2013)
update: 2022-11-08

“Thought to be based on Gheeraert’s iconoclasm image”

Message to the Public Domain Review (2019-10-10): You are using my comparison (from December 2008) without proper referencing. This was my first discovery of one of Henry Holiday’s allusions. This finding started my Snark hunt. I think that Public Domain Review should specify the source (my proposal).

(February 2021: Now there is a link “thought by some” in publicdomainreview.org/collection/the-art-of-hidden-faces-anthropomorphic-landscapes)

Image (2019-10-10) from https://publicdomainreview.org/collection/the-art-of-hidden-faces-anthropomorphic-landscapes#17-0:

Marcus Gheeraerts the Elder’s allegory of iconoclasm, ca.1566 — Source.

The next picture is an illustration by Henry Holiday for Lewis Carroll’s The Hunting of the Snark. The face hidden in the darkness of the trees is thought to be based on Geheert’s iconoclasm image above.

The tenth of Henry Holiday’s original illustrations to Lewis Carroll’s The Hunting of the Snark, 1876 — Source.


By the way, it’s not “the 10th” of Henry Holiday’s original illustrations to Lewis Carroll’s The Hunting of the Snark. Holiday contributed only nine (not ten) illustrations to The Hunting of the Snark and two illustrations for the book cover. The Ocean Chart probably had been made by a typesetter, not by Henry Holiday.

And there are various way’s to write Gheeraert’s name. 😉

For discussion: Twitter | Flickr 2009

 
2019-10-10, updated: 2021-02-18

Pigs and a Tuba

Help! I am seeing pigs!

In some of his illustrations to Lewis Carroll’s The Hunting of the Snark, Henry Holiday alluded to The Image Breakers, a 16th century print made by Marcus Gheeraerts the Elder. I see at least one of Holiday’s pigs in that print (spoiler) and also something which Henry Holiday could have turned into a Moritz bass tuba.

2019 is the year of the pig. Does that make me see pigs everywhere, or did Henry Holiday see that pig in Gheeraert’s print too?

Actually, I have to confess that I saw the pig already in 2009. But I didn’t mark it then:

 
2019-02-14

Nose is a Nose is a Nose

A Snark article in the Knight Letter
(with lots of help from the editors Chris Morgan and Mark Burstein)


Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99

When I wrote this article, I failed to mention that already in 1973 Elizabeth Sewell pointed out in The Field of Nonsense that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear (MG058). I am sorry for not having mentioned that.

I posted my article online with permission of the Knight Letter editors. In the online copy, I fixed the wrong URL kl.snr.de. It’s kl.snrk.de. Furthermore, four additional images have been attached to my online version.

read more

 


2009


2018-02-09, update: 2018-12-30: Reference to Elizabeth Sewell

 
2018-12-30, updated: 2022-08-01

The Image Breakers

  • [left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday’s illustration (woodcut by Joseph Swain) to the chapter The Banker’s Fate in Lewis Carroll’s The Hunting of the Snark.
  • [right]: a slightly horizontally compressed rendering of The Imagebreakers (1566-1568, aka Allegory of Iconoclasm), an etching by Marcus Gheeraerts the Elder.

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