This perhaps is the first reference in academia to my findings: Chapter 7 Surrealist Entanglements (excerpts which refer to my findings) in Marysa Demoor‘s book A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements, Springer Nature, 2022-03-21.
(Review by Marnix Verplancke, translated by Kate Connelly.)
Sadly, the author failed to specify the source to which she referred when she wrote about Henry Holiday’s pictorial references in Lewis Carroll’s The Hunting of the Snark: It’s my article Nose is a Nose is a Nose in the LCNSA Knight Letter (№ 99, Fall 2017, p. 30~31). I found Holiday’s pictorial references to Gheeraerts’ Image Breakers in 2009. Actually, a reference from another Snark illustration by Henry Holiday to Gheeraert’s print started my Snark hunt in December 2008.
Marysa Demoor probably found my article mentioned in a footnote to an entry to the Wikipedia. Lemma: Henry Holiday. (By the way, the WP then said that “in January 1874, Holiday was commissioned by Lewis Carroll to illustrate The Hunting of the Snark.” Marysa Demoor wrote “January 1874” in footnote #20 on p. 199. But according to Carroll’s notes it must have been shortly after 1875-07-07. The WP was wrong. I fixed that.)
509 The Bandersnatch fled as the others appeared
510 Led on by that fear-stricken yell:
511 And the Bellman remarked “It is just as I feared!”
512 And solemnly tolled on his bell.
※ Lewis Carroll (text) and Henry Holiday (illustration)
※ Marcus Gheeraerts the Elder
※ Marcus Gheeraerts the Younger
※ On Borrowing
2022-05-31 (my 5696×4325 assemblage: 2013)
My first Snark encounter was in 2005. Then, after almost four years, I entered the Snark hunting grounds in December 2008. http://www.artandpopularculture.com/User:Goetzkluge could give you an idea where I was in 2010.
The image shows illustrations by Henry Holiday (from The Hunting of the Snark, 1876) and Marcus Gheeraerts the Elder (Allegory of Iconoclasts, aka The Image Breakers, around 1567): In the “mouth” of Gheeraerts’ “head” a praying priest is depicted. The shape of the priest also is visible in the “mouth” of Holiday’s vanishing “Baker”.
There is more — with acknowledgments to Mahendra Singh, to John Tufail and to the Internet.
And there are more big heads.
Articles in this blog about Henry Holiday’s illustration to the chapter The Vanishing.
2017-08-28, updated: 2022-10-21
2017-09-17, update: 2022-01-20
Message to the Public Domain Review (2019-10-10): You are using my comparison (from December 2008) without proper referencing. This was my first discovery of one of Henry Holiday’s allusions. This finding started my Snark hunt. I think that Public Domain Review should specify the source (my proposal).
(February 2021: Now there is a link “thought by some” in publicdomainreview.org/collection/the-art-of-hidden-faces-anthropomorphic-landscapes)
Image (2019-10-10) from https://publicdomainreview.org/collection/the-art-of-hidden-faces-anthropomorphic-landscapes#17-0:
Marcus Gheeraerts the Elder’s allegory of iconoclasm, ca.1566 — Source.
The next picture is an illustration by Henry Holiday for Lewis Carroll’s The Hunting of the Snark. The face hidden in the darkness of the trees is thought to be based on Geheert’s iconoclasm image above.
The tenth of Henry Holiday’s original illustrations to Lewis Carroll’s The Hunting of the Snark, 1876 — Source.
By the way, it’s not “the 10th” of Henry Holiday’s original illustrations to Lewis Carroll’s The Hunting of the Snark. Holiday contributed only nine (not ten) illustrations to The Hunting of the Snark and two illustrations for the book cover. The Ocean Chart probably had been made by a typesetter, not by Henry Holiday.
And there are various way’s to write Gheeraert’s name. 😉
For discussion: Twitter | Flickr 2009
2019-10-10, updated: 2021-02-18
2017-09-06, update: 2019-06-04
Help! I am seeing pigs!
In some of his illustrations to Lewis Carroll’s The Hunting of the Snark, Henry Holiday alluded to The Image Breakers, a 16th century print made by Marcus Gheeraerts the Elder. I see at least one of Holiday’s pigs in that print (spoiler) and also something which Henry Holiday could have turned into a Moritz bass tuba.
2019 is the year of the pig. Does that make me see pigs everywhere, or did Henry Holiday see that pig in Gheeraert’s print too?
Actually, I have to confess that I saw the pig already in 2009. But I didn’t mark it then:
Marcus Gheeraerts the Elder was born on 1636-01-19.
It were Henry Holiday's illustrations to Lewis Carroll's "The Hunting of the Snark" which introduced Marcus Gheeraets' art to me.https://t.co/DhiHH0Usu0 pic.twitter.com/EkD8DIGXYt
— Goetz Kluge (@Bonnetmaker) January 19, 2019
Could Marcus Gheeraerts the Younger have inspired Henry Holday, when Holiday designed the front cover to Lewis Carroll's "The Hunting of the Snark" (1876)?https://t.co/qPI81p6vCk pic.twitter.com/DcIEufaM9w
— Goetz Kluge (@Bonnetmaker) January 20, 2019
A Snark article in the Knight Letter
(with lots of help from the editors Chris Morgan and Mark Burstein)
Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99
When I wrote this article, I failed to mention that already in 1973 Elizabeth Sewell pointed out in The Field of Nonsense that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear (MG058). I am sorry for not having mentioned that.
I posted my article online with permission of the Knight Letter editors. In the online copy, I fixed the wrong URL kl.snr.de. It’s kl.snrk.de. Furthermore, four additional images have been attached to my online version.
2018-02-09, update: 2018-12-30: Reference to Elizabeth Sewell
2018-12-30, updated: 2022-08-01
From Mahendra Singh’s The Dream Book of Mr. Pyridine