In some of his illustrations to Lewis Carroll’s The Hunting of the Snark, Henry Holiday alluded to The Image Breakers, a 16th century print made by Marcus Gheeraerts the Elder. I see at least one of Holiday’s pigs in that print and also something which Henry Holiday could have turned into a Moritz bass tuba.
2019 is the year of the pig. Does that make me see pigs everywhere, or did Henry Holiday see that pig in Gheeraert’s print too?
Actually, I have to confess that I saw the pig already in 2009. And it wasn’t just that:
A Snark article in the Knight Letter
(with lots of help from Chris Morgan and Mark Burstein)
Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99
When I wrote this article, I failed to mention that already in 1973 Elizabeth Sewell pointed out in The Field of Nonsense that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear (MG058). I am sorry for that.
I posted my article online with permission of the Knight Letter editors. In the online copy, I fixed the wrong URL kl.snr.de. It’s kl.snrk.de. Furthermore, four additional images have been attached to my online version.
2018-02-09, update 2018-12-30: Reference to Elizabeth Sewell
I entered the Snark hunting grounds in December 2008. http://www.artandpopularculture.com/User:Goetzkluge could give you an idea where I was in 2010.
Illustrations by Henry Holiday (from The Hunting of the Snark, 1876) and Marcus Gheeraerts the Elder (Allegory of Iconoclasts, aka The Image Breakers, around 1567): In the “mouth” of Gheeraerts’ “head” a praying priest is depicted. The shape of the priest also is visible in the “mouth” of Holiday’s vanishing “Baker”.
There is more — with acknowledgments to Mahendra Singh, to John Tufail and to the Internet.
2017-08-28, updated: 2018-12-30
From Mahendra Singh’s The Dream Book of Mr. Pyridine