Eternal Disconnect

All men shall not be saved at the length. They also are worthy of condemnation, who endeavour at this time in restore the dangerous opinion that all men, by they never so ungodly, shall at length be saved, when they have suffered pains for their sins a certain time appointed by God’s justice.

Article 42 on eternal damnation in Thomas Cranmer’s Forty-Two Articles (1552)

 

No one shall speak to the Man at the Helm, and the Man at the Helm shall speak to no one.

Rule 42, with the second part of the sentence having been “completed” by the Bellman in Lewis Carroll’s The Hunting of the Snark (1876)

 

Pope Francis said eternal damnation is not a torture chamber but distance from God.

Vatican Radio, 2016-11-25 (archive)

 
If something like eternal damnation (Article 42) would exist, then that also would be an eternal disconnect (Rule 42) between the Abrahamic god and those who adhere to that god.
 


What are those Forty-Two Articles?

The Forty-Two Articles were intended to summarise Anglican doctrine, as it now existed under the reign of Edward VI, who favoured a Protestant faith. Largely the work of Thomas Cranmer, they were to be short formularies that would demonstrate the faith revealed in Scripture and the existing Catholic creeds. Completed in 1552, they were issued by Royal Mandate on 19 June 1553. The articles were claimed to have received the authority of a Convocation, although this is doubtful. With the coronation of Mary I and the reunion of the Church of England with the Catholic Church, the Articles were never enforced. However, after Mary’s death, they became the basis of the Thirty-nine Articles. In 1563, Convocation met under Archbishop Parker to revise the articles. Convocation passed only 39 of the 42, and Elizabeth reduced the number to 38 by throwing out Article XXIX to avoid offending her subjects with Catholic leanings. In 1571, the Article XXIX, despite the opposition of Bishop Edmund Gheast, was inserted, to the effect that the wicked do not eat the Body of Christ. This was done following the queen’s excommunication by the Pope Pius V in 1570. That act destroyed any hope of reconciliation with Rome and it was no longer necessary to fear that Article XXIX would offend Catholic sensibilities. The Articles, increased to Thirty-nine, were ratified by the Queen, and the bishops and clergy were required to assent.

Source: Wikipedia, 2018-03-15
 

Henry VIII was succeeded by his son, Edward VI, in 1547. During Edward’s reign, the Church of England adopted a stronger Protestant identity. The Book of Common Prayer of 1549 authorised a reformed liturgy, and this prayer book was revised in 1552 to make it more explicitly Protestant. To make the English Church fully Protestant, Cranmer also envisioned a reform of canon law and the creation of a concise doctrinal statement, which would become the Forty-two Articles. Work on a doctrinal statement was delayed by Cranmer’s efforts to forge a doctrinal consensus among the various Protestant churches to counter the work of the Catholic Council of Trent. When this proved impossible, Cranmer turned his attention to defining what the Church of England believed.
        The Forty-two Articles were drafted by Cranmer and a small group of fellow Protestants. The title page claimed that the articles were approved by Convocation when in reality they were never discussed or adopted by the clerical body. They were also never approved by Parliament. The articles were issued by Royal Mandate on 19 June 1553. The articles were to be short formularies that would demonstrate the faith revealed in Scripture and the existing ecumenical creeds. The theology of the articles has been described as a “restrained” Calvinism.
        Edward died in 1553. With the coronation of Mary I and the reunion of the Church of England with the Catholic Church, the articles were never enforced. However, after Mary’s death, they became the basis of the Thirty-nine Articles. In 1563, Convocation met under Archbishop Parker to revise the articles. Convocation passed only 39 of the 42, and Elizabeth reduced the number to 38 by throwing out Article XXIX to avoid offending her subjects with Catholic leanings. In 1571, despite the opposition of Bishop Edmund Gheast, Article XXIX was re-inserted, declaring that the wicked do not eat the Body of Christ. This was done following the queen’s excommunication by the Pope Pius V in 1570. That act destroyed any hope of reconciliation with Rome and it was no longer necessary to fear that Article XXIX would offend Catholic sensibilities. The Articles, increased to Thirty-nine, were ratified by the Queen, and the bishops and clergy were required to assent.

Source: Wikipedia, 2021-03-28
 
 


Eternal damnation still was a controversial issue in the era of the Oxford Movement.

ON APPEAL FROM THE ARCHES COURT OF CANTERBURY.
[…] An Article setting forth extracts of a review of a work that a Clergyman of the Church of England had reviewed, charging that he had therein advisedly declared, that after this life there would be no judgment of God, awarding either eternal happiness or eternal misery, contrary to the Three Creeds, the Absolution, the Catechism, and the Burial and Commination Service: Held not established by the passages of the work pleaded. It is not penal for a Clergyman to express a hope of the ultimate pardon of the wicked [2 Moo. P.C. (N.S.) 432, 433]. […]

Source: 15 E.R. (Essays and Reviews) 943; Date: 1863-06-26; Court: Privy Court; Appellant: Rev. Rowland Williams, D.D.; Respondent: Rev. Walter Kerr Hamilton, Lord Bishop of Salisbury; Appellant: Rev. Henry Bristow Wilson, Clerk; Respondent: Rev. James Fendall, Clerk
 

The Deacon C. L. Dodgson (aka Lewis Carroll) objected to the belief in eternal punishment in 1897, but his article on Eternal Punishment was not published during his lifetime. In the article, one of Dodgson’s points is that “αἰών” should be translated as “of indefinite duration”, not as “eternal”. (See p. 52 in Robert D. Sutherland’s Language and Lewis Carroll, 1970.) The controversy on eternal punishment seems not to have ended yet.

I assume, that Carroll’s “forty-two” serves as a reference to Thomas Cranmer’s Forty-Two Articles. And Revd. Karen Gardiner suggested in The Carrollian (July 2018, № 31, p.25~41), that this is a reference mainly to Article 42 (about eternal damnation) in Cranmer’s Forty-Two Articles.

Today, “42” mostly is known as an answer to an unknown question. That answer had been revealed in a popular travel guide and invented by Douglas Adams as an answer to that unknown question. Of course neither Lewis Carroll nor Douglas Adams would have provided us with spoilers which could help us to understand their “42”. Holding your readers responsible for their interpretations is much more fun to writers like Adams and Carroll. Therefore Adams told us that the “42” just popped up in his mind out of the air when he enjoyed the view of his garden. And Carroll told us that the last line “For the Snark was a Boojum, you see!” in The Hunting of the Snark popped up in his mind during a walk near Guilford (incidentally the birthplace of Ford Prefect, and then again not his real birthplace).

Lewis Carroll’s Snark and Douglas Adams’ Guide (the BBC radio series) have more in common than just having fits instead of chapters. But among both authors, it probably was only the Deacon Dodgson to whom “42” had a special relevance in the history of the church, that vessel which had been snarked so many times.

 
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2017-12-25, updated: 2023-01-24

Snarks Have Five Unmistakable Marks

How can we recognize a Snark? The Bellman explains it (🎶🎶🎶): A Snark is not necessarily evil, but you are in trouble once it turns into a Boojum.

    “Come, listen, my men, while I tell you again
        The five unmistakable marks
    By which you may know, wheresoever you go,
        The warranted genuine Snarks.

    “Let us take them in order.

  1.     The first is the taste,
            Which is meagre and hollow, but crisp:
        Like a coat that is rather too tight in the waist,
            With a flavour of Will-o’-the-wisp.
  2.     “Its habit of getting up late you’ll agree
            That it carries too far, when I say
        That it frequently breakfasts at five-o’clock tea,
            And dines on the following day.
  3.     “The third is its slowness in taking a jest.
            Should you happen to venture on one,
        It will sigh like a thing that is deeply distressed:
            And it always looks grave at a pun.
  4.     “The fourth is its fondness for bathing-machines,
            Which it constantly carries about,
        And believes that they add to the beauty of scenes –
            A sentiment open to doubt.
  5.     “The fifth is ambition.
    1.  


          It next will be right
              To describe each particular batch:
          Distinguishing
             
      those that have feathers, and bite,
             
      And those that have whiskers, and scratch.

          “For, although common Snarks do no manner of harm,
              Yet, I feel it my duty to say,
          Some are Boojums –” The Bellman broke of in alarm,
              For the Baker had fainted away.
       

       
          “He remarked to me then,” said that mildest of men,
              “ ‘If your Snark be a Snark, that is right:
          Fetch it home by all means – you may serve it with greens,
              And it’s handy for striking a light.

          “ ‘You may seek it with thimbles—and seek it with care;
              You may hunt it with forks and hope;
          You may threaten its life with a railway-share;
              You may charm it with smiles and soap –’ ”

          (“That’s exactly the method,” the Bellman bold
              In a hasty parenthesis cried,
          “That’s exactly the way I have always been told
              That the capture of Snarks should be tried!”)

          “ ‘But oh, beamish nephew, beware of the day,
              If your Snark be a Boojum! For then
          You will softly and suddenly vanish away,
              And never be met with again!’
       

       
          “I engage with the Snark — every night after dark —
              In a dreamy delirious fight:
          I serve it with greens in those shadowy scenes,
              And I use it for striking a light:

          “But if ever I meet with a Boojum, that day,
              In a moment (of this I am sure),
          I shall softly and suddenly vanish away —
              And the notion I cannot endure!”

       
      Important: The descriptions above are opinions of the Bellman, the Baker and the Baker’s Uncle. The views of these characters are not necessarily Lewis Carroll’s views: “I do not hold myself responsible for any of the opinions expressed by the characters in my book.” (Lewis Carroll, Sylvie and Bruno Concluded). However, the “delirious fight” “every night after dark” could be a reference to the author’s own “mental troubles“.

       
      Among the forks mentioned above (used to hunt the Snark and carried by this landing crew of a naval expedition) is a tuning fork (held by the Banker). Charles Darwin used a tuning-fork to let spiders dance, and for dissection (don’t tell the spiders) he used lace-needles together with his microscope (like the one carried by the beaver).

       
      2017-09-18, edited 2022-11-29

Snark Themes for Firefox

Two chocolate colored Snark themes for the Firefox browser:

For those who prefer a dark blue Snark hunt:

More Firefox themes: Snark without image | Boojum (grey)
Thunderbird theme: The Hunting of the Snark
(Non-Snark Firefox themes: Ergodark | Pullepum | William Blake on Steroids | Mike Batt
)

Source of the scan: archive.org

I can’t make a Yoda theme for the Firefox browser, because Yoda is not my IP. I am using a design by Henry Holiday instead. It was published as an illustration to The Hunting of the Snark in 1876, so Holiday didn’t copy it from Star Wars.

 
Left image (2016): Concept art by Prince Mahlangu, Johannesburg, South Africa.
Right image (1876): Illustration by Henry Holiday (engraved by Joseph Swain) to Lewis Carroll’s The Hunting of the Snark.

 
For comments: Twitter | Reddit | Flickr | Carroll forum

How to make Firefox themes: Mozilla | gitlab.com/AtomRidge/

 
2017-08-28, updated: 2021-12-12

 


PS: I have to admit that at work I use my “Ergodark” theme instead of any of my Snark themes.
2021-02-01: >1000 users.

“Edward VI and the Pope” on Twitter

EDWARD VI 1537-1553 was the long-awaited heir of King Henry VIII, the object of his father’s life long policy, to secure the Tudor dynasty.

His religious education was in the hands of Thomas Cranmer.

One result was Edward’s complete & thorough conversion to Protestant Reform. pic.twitter.com/z3NAidGbpq

— SPIRITUAL LIVES (@ken_kalis) December 21, 2019

2019-12-21

 

Thomas Cranmer, compiler of the first Book of Common Prayer, was burned at the stake #OnThisDay 1556 https://t.co/TnjHqhQEf0

— In Our Time (@BBCInOurTime) March 21, 2019

01
 

The Revd. C.L. Dodgson under his pen name "Lewis Carroll" wrote "The Hunting of the Snark". It also is about Thomas Cranmer. The illustrator Henry Holiday gave us quite clear hints: https://t.co/nSx3ValV65

cc: @monarchomach

— Goetz Kluge (@Bonnetmaker) March 23, 2019

02
 

About references from "The Hunting of the Snark" to Thomas Cranmer:
※ Angus MacIntyre (1994),
※ Goetz Kluge (2015 https://t.co/zMvRzqMjvO, 2018 https://t.co/BFTGACMfFA, @Bonnetmaker)
※ Mary Hammond (2017, @Hg4words)
※ Karen Gardiner (2018, @KarenGardiner19) pic.twitter.com/eAaCXDhmt0

— Goetz Kluge (@Bonnetmaker) March 17, 2019

03 (comment to 02)
 

"Edward VI and the Pope: An Allegory of the Reformation." (NPG London)

In this 16th century anti-papal propaganda painting Henry VIII is on the left side. Thomas Cranmer is 2nd from left in the upper row on the right side.

More: https://t.co/h24cchf4YTpic.twitter.com/Dsn8MEdj9u

— Goetz Kluge (@Bonnetmaker) March 23, 2019

04
 

In one of his illustrations (https://t.co/4vu78zj7Jr) to Lewis Carroll's "The Hunting of the Snark", Henry Holiday alluded to the painting "Edward VI and the Pope".

More: https://t.co/hcIThF1al1 pic.twitter.com/INhRxoDly9

— Goetz Kluge (@Bonnetmaker) March 23, 2019

05
 

I think that also in another illustration (https://t.co/8RYeUCHtTn) to "The Hunting of the Snark" with a depiction of the Baker's 42 boxes (Cranmer's 42 Articles?), Holiday alluded to the depiction of iconoclasm in "Edward and the Pope".

More: https://t.co/eTIRJW9Moa pic.twitter.com/hTJnmslkvC

— Goetz Kluge (@Bonnetmaker) March 23, 2019

06
 

Margaret Aston wrote a wonderful book on the painting too. The King and the bedpost

— Justin Champion (@monarchomach) March 23, 2019

07
 

I read that book. It's a marvel. I tried to contact Margaret Aston, but I was too late. https://t.co/3FJuRjYPlZ pic.twitter.com/pMiuRgXMPv

— Goetz Kluge (@Bonnetmaker) March 23, 2019

08
 

https://t.co/FKhe3YPN6t

— Goetz Kluge (@Bonnetmaker) March 23, 2019

09
 

And the Bedpost ended up in "The Hunting of the Snark" as well. I think that Henry Holiday alluded not only to the "Edward VI and the Pope" painting but also to the painting to which "Edward VI and the Pope" alluded.
There perhaps is an chain of allusions. https://t.co/f7SReLHeXJ pic.twitter.com/fz0esGdShS

— Goetz Kluge (@Bonnetmaker) March 23, 2019

10
 

Correction: … the print to which "Edward VI and the Pope" alluded …

— Goetz Kluge (@Bonnetmaker) March 24, 2019

11
 

https://t.co/f7SReLHeXJ pic.twitter.com/nS2SlS86Dc

— Goetz Kluge (@Bonnetmaker) March 23, 2019

12 (2019-03-23)

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