Eternal Disconnect

All men shall not be saved at the length. They also are worthy of condemnation, who endeavour at this time in restore the dangerous opinion that all men, by they never so ungodly, shall at length be saved, when they have suffered pains for their sins a certain time appointed by God’s justice.

Article 42 on eternal damnation in Thomas Cranmer’s Forty-Two Articles (1552)

 

No one shall speak to the Man at the Helm, and the Man at the Helm shall speak to no one.

Rule 42 (possibly mocking Cranmer’s Article 42), with the second part of the sentence having been “completed” by the Bellman in Lewis Carroll’s The Hunting of the Snark (1876)

 

Pope Francis said eternal damnation is not a torture chamber but distance from God.

Vatican Radio, 2016-11-25 (archive)

 
If something like eternal damnation (Article 42) would exist, then that also would be an eternal disconnect (Rule 42) between the Abrahamic god and those who adhere to that god.
 


What are those Forty-Two Articles?

The Forty-Two Articles were intended to summarise Anglican doctrine, as it now existed under the reign of Edward VI, who favoured a Protestant faith. Largely the work of Thomas Cranmer, they were to be short formularies that would demonstrate the faith revealed in Scripture and the existing Catholic creeds. Completed in 1552, they were issued by Royal Mandate on 19 June 1553. The articles were claimed to have received the authority of a Convocation, although this is doubtful. With the coronation of Mary I and the reunion of the Church of England with the Catholic Church, the Articles were never enforced. However, after Mary’s death, they became the basis of the Thirty-nine Articles. In 1563, Convocation met under Archbishop Parker to revise the articles. Convocation passed only 39 of the 42, and Elizabeth reduced the number to 38 by throwing out Article XXIX to avoid offending her subjects with Catholic leanings. In 1571, the Article XXIX, despite the opposition of Bishop Edmund Gheast, was inserted, to the effect that the wicked do not eat the Body of Christ. This was done following the queen’s excommunication by the Pope Pius V in 1570. That act destroyed any hope of reconciliation with Rome and it was no longer necessary to fear that Article XXIX would offend Catholic sensibilities. The Articles, increased to Thirty-nine, were ratified by the Queen, and the bishops and clergy were required to assent.

Source: Wikipedia, 2018-03-15
 

Henry VIII was succeeded by his son, Edward VI, in 1547. During Edward’s reign, the Church of England adopted a stronger Protestant identity. The Book of Common Prayer of 1549 authorised a reformed liturgy, and this prayer book was revised in 1552 to make it more explicitly Protestant. To make the English Church fully Protestant, Cranmer also envisioned a reform of canon law and the creation of a concise doctrinal statement, which would become the Forty-two Articles. Work on a doctrinal statement was delayed by Cranmer’s efforts to forge a doctrinal consensus among the various Protestant churches to counter the work of the Catholic Council of Trent. When this proved impossible, Cranmer turned his attention to defining what the Church of England believed.
        The Forty-two Articles were drafted by Cranmer and a small group of fellow Protestants. The title page claimed that the articles were approved by Convocation when in reality they were never discussed or adopted by the clerical body. They were also never approved by Parliament. The articles were issued by Royal Mandate on 19 June 1553. The articles were to be short formularies that would demonstrate the faith revealed in Scripture and the existing ecumenical creeds. The theology of the articles has been described as a “restrained” Calvinism.
        Edward died in 1553. With the coronation of Mary I and the reunion of the Church of England with the Catholic Church, the articles were never enforced. However, after Mary’s death, they became the basis of the Thirty-nine Articles. In 1563, Convocation met under Archbishop Parker to revise the articles. Convocation passed only 39 of the 42, and Elizabeth reduced the number to 38 by throwing out Article XXIX to avoid offending her subjects with Catholic leanings. In 1571, despite the opposition of Bishop Edmund Gheast, Article XXIX was re-inserted, declaring that the wicked do not eat the Body of Christ. This was done following the queen’s excommunication by the Pope Pius V in 1570. That act destroyed any hope of reconciliation with Rome and it was no longer necessary to fear that Article XXIX would offend Catholic sensibilities. The Articles, increased to Thirty-nine, were ratified by the Queen, and the bishops and clergy were required to assent.

Source: Wikipedia, 2021-03-28
 
 


Eternal damnation still was a controversial issue in the era of the Oxford Movement.

ON APPEAL FROM THE ARCHES COURT OF CANTERBURY.
[…] An Article setting forth extracts of a review of a work that a Clergyman of the Church of England had reviewed, charging that he had therein advisedly declared, that after this life there would be no judgment of God, awarding either eternal happiness or eternal misery, contrary to the Three Creeds, the Absolution, the Catechism, and the Burial and Commination Service: Held not established by the passages of the work pleaded. It is not penal for a Clergyman to express a hope of the ultimate pardon of the wicked [2 Moo. P.C. (N.S.) 432, 433]. […]

Source: 15 E.R. (Essays and Reviews) 943; Date: 1863-06-26; Court: Privy Court; Appellant: Rev. Rowland Williams, D.D.; Respondent: Rev. Walter Kerr Hamilton, Lord Bishop of Salisbury; Appellant: Rev. Henry Bristow Wilson, Clerk; Respondent: Rev. James Fendall, Clerk
 

The Deacon C. L. Dodgson (aka Lewis Carroll) objected to the belief in eternal punishment in 1897, but his article on Eternal Punishment was not published during his lifetime. In that article, one of Dodgson’s points is that “αἰών” should be translated as “of indefinite duration”, not as “eternal”. (See p. 52 in Robert D. Sutherland’s Language and Lewis Carroll, 1970.) The controversy on eternal punishment seems not to have ended yet.

I assume, that Carroll’s “forty-two” serves as a reference to Thomas Cranmer’s Forty-Two Articles. And Revd. Karen Gardiner suggested in The Carrollian (July 2018, № 31, p.25~41), that this is a reference mainly to Article 42 (about eternal damnation) in Cranmer’s Forty-Two Articles.

The main argument of Gardiner’s June 2018 paper is “that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Rule 42 in the preface of The Hunting of the Snark and Rule 42 in Alice’s trial scene highlight the doctrine of eternal punishment that Carroll was so concerned about.”«But if Rule 42 is not just a random number, preferred by some inexplicable reason by Carroll, but is actually a theological nod to a discarded article of faith, then the riddle may be solved. The rule may indeed be the oldest (that is, from 1553 rather than 1571) and so the King, in some senses, is correct. But Alice is also correct. This rule has already been rejected as unnecessary and flawed and therefore cannot be used by the court to justify ejecting her.

It is therefore this paper’s argument that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Rule 42 in the preface of the

Today, “42” mostly is known as an answer to an unknown question. That answer had been revealed in a popular travel guide and invented by Douglas Adams as an answer to that unknown question. Of course neither Lewis Carroll nor Douglas Adams would have provided us with spoilers which could help us to understand their “42”. Holding your readers responsible for their interpretations is much more fun to writers like Adams and Carroll. Therefore Adams told us that the “42” just popped up in his mind out of the air when he enjoyed the view of his garden. And Carroll told us that the last line “For the Snark was a Boojum, you see!” in The Hunting of the Snark popped up in his mind during a walk near Guilford (incidentally the birthplace of Ford Prefect, and then again not his real birthplace).

Lewis Carroll’s Snark and Douglas Adams’ Guide (the BBC radio series) have more in common than just having fits instead of chapters. But among both authors, it probably was only the Deacon Dodgson to whom “42” had a special relevance in the history of the church, that vessel which had been snarked so many times.

 
Links:

 
ex Twitter

 
2017-12-25, updated: 2024-03-06

Article 42 in the 42 Articles


The helmsman used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, “No one shall speak to the Man at the Helm,” had been completed by the Bellman himself with the words “and the Man at the Helm shall speak to no one.“ So remonstrance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.

Lewis Carroll, The Hunting of the Snark, Preface


#42. All men shall not be saved at the length. They also are worthy of condemnation, who endeavour at this time in restore the dangerous opinion that all men, by they never so ungodly, shall at length be saved, when they have suffered pains for their sins a certain time appointed by God’s justice.

Article 42 in Thomas Cranmer’s Forty-Two Articles


As far as I understand, some Christians define eternal damnation as being separated from God for ever. (Even as an atheist I am capitalizing that first letter. I respect others’ beliefs.) That sounds like what “Rule 42” of the Bellman’s “Naval Code” (capitalized first letters as in Carroll’s Snark) says.
        Thomas Cranmer’s 42th Article about eternal damnation didn’t make it into the 39 Articles of the Anglicans, but the debate continued. The Deacon C.L. Dodgson was opposed to the dogma of eternal damnation.
        In 1994, Angus MacIntyre suggested (The Reverend Snark, Jabberwocky 23, p. 51~52): “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” I learned about MacIntire’s suggestion in an article by Karen Gardiner, an Anglican priest. In June 2018 she suggested that in The Hunting of the Snark, Carroll/Dodgson addressed the Article 42 in Thomas Cranmer‘s Articles (Life, Eternity, and Everything: Hidden Eschatology in the Works of Lewis Carroll, July 2018, p.25~41 in THE CARROLLIAN, No. 31).
        My approach to a possible reference in The Hunting of the Snark to the 42 Articles was different. It started with discovering a pictorial reference in one of Henry Holiday’s Snark illustrations to Thomas Cranmer’s burning. If I look back at what came into my mind in the year 2014, it was Henry Holiday who made me curious to learn more about the articles 27, 41 and 42 and whether they might have been an issue for the Dodgson, the Deacon.

 


There is a reference to this blog page in Karen Gardiner’s PhD thesis A New Evaluation: The Theological Influence of F. D. Maurice on the Imaginative Works of Lewis Carroll (2022-09).

  • The version referenced on 2022-05-24 is in archive.org.
  • The correct link is “snrk.de/article-42-in-the-42-articles/”. It doesn’t end with “-​-articles/”. Luckily the web server knows where to find the right page.

 
2018-07-08, updated: 2023-09-18

Hideously Ugly

Jun 13, 1862: Saw Millais’ “Carpenter’s Shop” at Ryman’s. It is certainly full of power, but hideously ugly: the faces of the Virgin and Christ being about the ugliest.

I found this quote in Lewis Carroll’s Diaries on Twitter.

And I found the following quote from Charles Dickens in Pre-Raphernalia, Raine Szramski‘s blog with “Pre-Raph Sketchbook Cartoons”.

You behold the interior of a carpenter’s shop. In the foreground of that carpenter’s shop is a hideous, wry-necked, blubbering, red-headed boy, in a bed-gown, who appears to have received a poke in the hand, from the stick of another boy with whom he has been playing in an adjacent gutter, and to be holding it up for the contemplation of a kneeling woman, so horrible in her ugliness, that (supposing it were possible for any human creature to exist for a moment with that dislocated throat) she would stand out from the rest of the company as a Monster, in the vilest cabaret in France, or the lowest ginshop in England.

Two almost naked carpenters, master and journeyman, worthy companions of this agreeable female, are working at their trade; a boy, with some small flavor of humanity in him, is entering with a vessel of water; and nobody is paying any attention to a snuffy old woman who seems to have mistaken that shop for the tobacconist’s next door, and to be hopelessly waiting at the counter to be served with half an ounce of her favourite mixture. Wherever it is possible to express ugliness of feature, limb, or attitude, you have it expressed. Such men as the carpenters might be undressed in any hospital where dirty drunkards, in a high state of varicose veins, are received. Their very toes have walked out of Saint Giles’s.

 

Perhaps Dickens initially saw the reproduction of Millais’ painting in the Illustrated London News (1850-05-11) and couldn’t forget that first impression. It seems that the engraver of the reproduction was a bit biased against Millais’ Carpenter’s Shop. (Twitter | Mastodon)


 

Whether ugly or not, Henry Holiday probably liked the painting of his teacher. He might have alluded to Millais’s Christ in the House of His Parents when he illustrated Lewis Carroll’s The Hunting of the Snark.

 

Category: Christ in the House of his Parents

 
2019-06-14, update: 2022-12-29

On Borrowing

One of the surest tests [of a poet’s superiority or inferiority] is the way in which a poet borrows. Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different than that from which it is torn; the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest.

T. S. Eliot, p. 114 in The Sacred Wood: Essays on Poetry and Criticism, 1920

 
Likewise, a good illustrator welds the theft into a whole of feeling which is unique, utterly different and sometimes even funnier than that from which it is torn.

And Lewis Carroll may have borrowed from Thomas Gray.

 

All art is infested by other art.

(Leo Steinberg, in Art about Art, 1979)

 

Gustave Doré was an inspired master thief too:Segments from:
※ Plate I (mirror view) of Gustave Doré’s illustrations to Miguel de Cervantes’ Don Quixote (1863),
※ Matthias Grünewald’s Temptation of St Anthony (c. between 1512 and 1516, a panel of the Isenheim Altarpiece, now located at Musée Unterlinden, Colmar, France).

 
The borrowing never ends:

 
2018-02-18, update: 2022-09-05

Snark Themes for Firefox

Two chocolate colored Snark themes for the Firefox browser:

For those who prefer a dark blue Snark hunt:

More Firefox themes: Snark without image | Boojum (grey)
Thunderbird theme: The Hunting of the Snark
(Non-Snark Firefox themes: Ergodark | Pullepum | William Blake on Steroids | Mike Batt
)

Source of the scan: archive.org

I can’t make a Yoda theme for the Firefox browser, because Yoda is not my IP. I am using a design by Henry Holiday instead. It was published as an illustration to The Hunting of the Snark in 1876, so Holiday didn’t copy it from Star Wars.

 
Left image (2016): Concept art by Prince Mahlangu, Johannesburg, South Africa.
Right image (1876): Illustration by Henry Holiday (engraved by Joseph Swain) to Lewis Carroll’s The Hunting of the Snark.

 
For comments: Twitter | Reddit | Flickr | Carroll forum

How to make Firefox themes: Mozilla | gitlab.com/AtomRidge/

 
2017-08-28, updated: 2021-12-12

 


PS: I have to admit that at work I use my “Ergodark” theme instead of any of my Snark themes.
2021-02-01: >1000 users.

“Edward VI and the Pope” on Twitter

EDWARD VI 1537-1553 was the long-awaited heir of King Henry VIII, the object of his father’s life long policy, to secure the Tudor dynasty.

His religious education was in the hands of Thomas Cranmer.

One result was Edward’s complete & thorough conversion to Protestant Reform. pic.twitter.com/z3NAidGbpq

— SPIRITUAL LIVES (@ken_kalis) December 21, 2019

2019-12-21

 

Thomas Cranmer, compiler of the first Book of Common Prayer, was burned at the stake #OnThisDay 1556 https://t.co/TnjHqhQEf0

— In Our Time (@BBCInOurTime) March 21, 2019

01
 

The Revd. C.L. Dodgson under his pen name "Lewis Carroll" wrote "The Hunting of the Snark". It also is about Thomas Cranmer. The illustrator Henry Holiday gave us quite clear hints: https://t.co/nSx3ValV65

cc: @monarchomach

— Goetz Kluge (@Bonnetmaker) March 23, 2019

02
 

About references from "The Hunting of the Snark" to Thomas Cranmer:
※ Angus MacIntyre (1994),
※ Goetz Kluge (2015 https://t.co/zMvRzqMjvO, 2018 https://t.co/BFTGACMfFA, @Bonnetmaker)
※ Mary Hammond (2017, @Hg4words)
※ Karen Gardiner (2018, @KarenGardiner19) pic.twitter.com/eAaCXDhmt0

— Goetz Kluge (@Bonnetmaker) March 17, 2019

03 (comment to 02)
 

"Edward VI and the Pope: An Allegory of the Reformation." (NPG London)

In this 16th century anti-papal propaganda painting Henry VIII is on the left side. Thomas Cranmer is 2nd from left in the upper row on the right side.

More: https://t.co/h24cchf4YTpic.twitter.com/Dsn8MEdj9u

— Goetz Kluge (@Bonnetmaker) March 23, 2019

04
 

In one of his illustrations (https://t.co/4vu78zj7Jr) to Lewis Carroll's "The Hunting of the Snark", Henry Holiday alluded to the painting "Edward VI and the Pope".

More: https://t.co/hcIThF1al1 pic.twitter.com/INhRxoDly9

— Goetz Kluge (@Bonnetmaker) March 23, 2019

05
 

I think that also in another illustration (https://t.co/8RYeUCHtTn) to "The Hunting of the Snark" with a depiction of the Baker's 42 boxes (Cranmer's 42 Articles?), Holiday alluded to the depiction of iconoclasm in "Edward and the Pope".

More: https://t.co/eTIRJW9Moa pic.twitter.com/hTJnmslkvC

— Goetz Kluge (@Bonnetmaker) March 23, 2019

06
 

Margaret Aston wrote a wonderful book on the painting too. The King and the bedpost

— Justin Champion (@monarchomach) March 23, 2019

07
 

I read that book. It's a marvel. I tried to contact Margaret Aston, but I was too late. https://t.co/3FJuRjYPlZ pic.twitter.com/pMiuRgXMPv

— Goetz Kluge (@Bonnetmaker) March 23, 2019

08
 

https://t.co/FKhe3YPN6t

— Goetz Kluge (@Bonnetmaker) March 23, 2019

09
 

And the Bedpost ended up in "The Hunting of the Snark" as well. I think that Henry Holiday alluded not only to the "Edward VI and the Pope" painting but also to the painting to which "Edward VI and the Pope" alluded.
There perhaps is an chain of allusions. https://t.co/f7SReLHeXJ pic.twitter.com/fz0esGdShS

— Goetz Kluge (@Bonnetmaker) March 23, 2019

10
 

Correction: … the print to which "Edward VI and the Pope" alluded …

— Goetz Kluge (@Bonnetmaker) March 24, 2019

11
 

https://t.co/f7SReLHeXJ pic.twitter.com/nS2SlS86Dc

— Goetz Kluge (@Bonnetmaker) March 23, 2019

12 (2019-03-23)

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