- [upper left]: Henry Holiday: Detail from the draft to a depiction (1876) of the Baker’s visit to his uncle in Lewis Carroll’s The Hunting of the Snark (engraved by Joseph Swain).
- [upper right]: John Everett Millais: Detail (Mary) from Christ in the House of His Parents aka The Carpenter’s Shop (1850).
Location: Tate Britain (N03584), London.
* Deborah Mary Kerr (1986): John Everett Millais’s Christ in the house of his parents, p.34
* Éva Péteri (2003): Victorian Approaches to Religion as Reflected in the Art of the Pre-Raphaelites, Budapest 2003, ISBN 978-9630580380
* Albert Boime (2008): Art in an Age of Civil Struggle, 1848-1871 p. 225-364: The Pre-Raphaelites and the 1848 Revolution
- [lower left]: Larger segment from the final print.
- [lower right]: Larger segment from Millais’ painting.
See also the dark-purple frames in a comparison of four images.