2017-12-17, update: 2019-02-17
But perhaps Holiday’s ruff – and the pose of the Fit Five drawing – was inspired by the Elizabethan drama inherent in Millais’ Boyhood of Raleigh, (1869).
Louise Schweitzer, One Wild Flower (2012)
2017-09-04, updated 2019-01-05
left]: Henry Holiday: Segment from a depictionof the Baker’s visit to his uncle (1876) in Lewis Carroll’s The Hunting of the Snark (engraved by Joseph Swain).
[center]: Doesn’t this thumb look more like a piece of cloth rather than like a thumb?
[right]: John Everett Millais: Redrawn Segment from Christ in the House of His Parents aka The Carpenter’s Shop (1850), at present on display at Tate Britain (N03584).
See also: https://snrk.de/page_sphinx#4panels
Bycatch from my snark hunt:
Bycatch from my Snark hunt:
- [left]: John Everett Millais: Detail from Christ in the House of His Parents aka The Carpenter’s Shop (1850).
Location: Tate Britain (N03584), London.
- [right]: Philip Galle after Maarten van Heemskerck: Detail from redrawn print Ahasuerus consulting the records (1564).
Location: Rijksmuseum, Amsterdam
Of course this could be incidental. It is said, that Joseph’s head was modelled after the head of Millais’ father.