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Three 150th Snark anniversaries

There are three important 150th anniversaries of “The Hunting of the Snark”. Pan Macmillan (including Picador), the BBC and The Guardian already missed two of them.

  • 25 October 2025: Naming
    • On 25 October 1875, Carroll decided to use “The Hunting of the Snark” as the title of his Snark tragicomedy (which in Henry Holiday’s view started out as a tragedy).
  • 1 April 2026: Birth
    • On 29 March 1876 at Macmillan, Carroll prepared 80 presentation copies for family and friends. (As far as I understand, these copies contained an additional poem: the Easter Greeting.)
    • On 1 April 1876, Macmillan officially published the poem with Henry Holiday’s illustrations.

There are more Snark related entries in Carroll’s notes.


 
Microblog: Bluesky

 
2024-06-05, update: 2025-12-06

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The Queen and the Snark

My article “The Queen and the Snark” has been published in the magazine ILLUSTRATION (Volume 21, Issue 80, dated Summer 2024, but published in February 2025). From the editorial of the magazine: “[…] and we
have one essay which finds half-hidden allusions in Henry Holiday’s visual interpretation of Carroll’s The Hunting of the Snark. Is any of this real? It is up to you, the reader, to decide.”

I fully agree with that: Since the end of 2008 I think that Holiday’s illustrations are an important contribution to the interpretation of Carroll’s tragedy. They are as important as the text of the poem.

As of today, the Cellopress page for issue 80 still is empty.

Only after I wrote the article, I found a map in Henry Holiday’s front cover illustration.

For comments: Facebook | Bluesky | ipernity | Substack | reddit

Related links: Letters in the Waves? | When the Queen met the Boojum | Nose is a Nose is a Nose

 
2025-01-01, update: 2025-09-19

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The Vanishing

Image based on an illustration by Henry Holiday and a page of the British Museum:

Almost four months before Lewis Carroll’s The Hunting of the Snark was officially published on the 1st of April 1876, the illustrator Henry Holiday still thought of that ballad as a “tragedy“. In the end, the collaboration between the author and the illustrator yielded a tragicomedy. The sad end still is there, albeit very well hidden from child readers: The burning of Thomas Cranmer.

Nonsense literature like Carroll’s can be read repeatedly. Carroll’s nonsense is crossover literature. At different ages you would read the Snark tragicomedy differently. Likewise, you would look at Henry Holiday’s illustrations differently. Carroll wrote his Snark tragicomedy in a way which protects the young reader from understanding the sad end of the final “fit” The Vanishing too early.

 
2021-09-02, updated: 2022-02-28

Michael Sporn’s Snark

It seems that since 1876 most readers of The Hunting of the Snark assume that the Snark hunting party consists of ten members. But in Michael Sporn‘s beautiful animated Snark film (1989), there are only nine Snark hunters, not ten, because the “Boots — a maker of Bonnets and Hoods” is boarding the Bellman’s vessel as a single person.

I learned about this from u/DrSousaphone on Reddit.

 
2021-01-29, updated: 2026-03-30

Are there 9 or 10 Snark Hunters?

Related update (2026-03-30): https://snrk.de/michael-sporns-snark/


“The human understanding, once it has adopted opinions, either because they were already accepted and believed, or because it likes them, draws everything else to support and agree with them. And though it may meet a greater number and weight of contrary instances, it will, with great and harmful prejudice, ignore or exclude them by introducing some distinction, in order that the authority of those earlier assumptions may remain intact and unharmed.”

Francis Bacon (from Novum Organum, 1620)

 
Since 1876, most readers of The Hunting of the Snark assume that the Snark hunting party consists of 10 members.

However, probably for a good reason, only 9 members can be seen in Henry Holiday’s illustrations (engraved by Joseph Swain) to Lewis Carroll’s ballad. Since 1876 almost all Snark readers have accepted that there seems to be no Boots in any of Holiday’s illustrations. I think that the Snark hunting party consists of 9 members only (including the Beaver). But if you, as almost everybody else, prefer 10 Snark hunters, that’s fine too. Lewis Carroll gave us a choice – incidentally or intentionally in the 9th and the 10th line of his tragicomedy.

Let us take all the crew members in order of their introduction:

  1. The Bellman, their captain.
  2. The Boots, a maker of Bonnets and Hoods.
    (A correct non-sequential interlaced portmanteau can be built from Bonnets and Hoods.)

    The correct non-sequential interlaced portmanteau 'Boots' can be built from 'Bonnets and Hoods'.

The lines 9 and 10 from Lewis Carroll's 'The Hunting of the Snark' are ambiguous:
009  The crew was complete: it included a Boots —
010  A maker of Bonnets and Hoods —

Two interpretations are possible:
• The usual interpretation is that this is the introduction of two crew members: The 'Boots' and the 'maker of Bonnets and Hoods'.
• Alternatively, the two lines also can be interpreted as the introduction of a 'Boots', who is a 'maker of Bonnets and Hoods'.

The table below shows the names N of all crew members and how some properties P of the members are positioned besides the names of the members.

crew | 10 members | 9 members
----------------------------------
Bellman| PNP|PNP
Boots | N | NP
maker of Bonnets and Hoods | N | -
Barrister | NP | NP
Billiard-marker | NP | NP
Broker | NP | NP
Banker | NP | NP
Beaver | NP | NP
Baker | PNP | PNP
Butcher | PNP | PNP

See also: https://snrk.de/boots-bonnetmaker/#9or10 and the much larger page https://snrk.de/page_boots-bonnetmaker/
  3. The Barrister, brought to arrange their disputes, but repeatedly complained about the Beaver’s evil lace-making.
  4. The Broker, to value their goods.
  5. The Billiard-marker, whose skill was immense, might perhaps have won more than his share. From John Tufail I learned that in Henry Holiday’s illustration the Billiard-marker is preparing a cheat.
  6. The Banker, engaged at enormous expense, had the whole of their cash in his care.
  7. The Beaver, that paced on the deck or would sit making lace in the bow and had often (the Bellman said) saved them from wreck, though none of the sailors knew how.
  8. The Baker, also addressed by “Fry me!”, “Fritter my wig!”, “Candle-ends” as well as “Toasted-cheese”, and known for joking with hyenas and walking paw-in-paw with a bear.
  9. The Butcher, who only could kill Beavers, but later became best friend with the lace-making animal.

More about the cast of Lewis Carroll and Henry Holiday’s Snark tragicomedy:
9 or 10 hunters?
  Care and Hope
  The Snark
  The Boojum

Microblog: Bluesky for any comments.

2017-11-06, updated: 2026-03-30

Drugs

Lewis Carroll needed a clear mind for whatever he wrote. Drugs like laudanum would not have been helpful during writing.

The drug link is a homespun thing. You’ll find it on a host of random forums.

But the experts are usually sceptical. Carroll wasn’t thought to have been a recreational user of opium or laudanum, and the references may say more about the people making them than the author.

“The notion that the surreal aspects of the text are the consequence of drug-fuelled dreams resonates with a culture, particularly perhaps in the 60s, 70s and 80s when LSD was widely-circulated and even now where recreational drugs are commonplace,” says Dr Heather Worthington, Children’s Literature lecturer at Cardiff University.

Source: Is Alice in Wonderland really about drugs?
(by Sophie Robehmed, BBC magazine 2012-08-20)

 

Let me be perfectly clear here: Lewis Carroll didn’t do recreational drugs. Certainly there were drug references in Alice’s Adventures in Wonderland and these were picked up on by people with interests in that area, particularly in the late sixties. That is not to say that Carroll never took Laudanum for a medical problem on the advice of a doctor. There is NO direct proof (in his letters or his diaries) that he ever took narcotic drugs. You might ask yourself why students insist that he did and why some teachers teach that he did.

Source: lewiscarroll.org (2002)

 

People watching a movie and going “This is so weird, it must have been drugs!!” has directly led to a cultural mass acceptance of AI generated garbage. An insult to the human soul from the very beginning. A refusal to believe that a human being can create anything challenging or unusual, might as well cede all art to the machines.

This is how I feel whenever someone assumes Lewis Carroll was on drugs. People don’t believe that some people just have fucking amazing imaginations and are extremely creative.

Source (for logged-in Bluesky users): dialog between @surlaw.bsky.social and @raccoon-overlord.bsky.social (2025-11-16)

 
More links:

 


2019-12-12, update: 2026-03-28

Snarks Have Five Unmistakable Marks

How can we recognize a Snark? The Bellman explains it (🎶🎶🎶): A Snark is not necessarily evil, but once it turns into a Boojum, you are in trouble.

Some cards from the ZZOTA card game SNARK! by JJ Secker and Xanna Eve Chown    “Come, listen, my men, while I tell you again
        The five unmistakable marks
    By which you may know, wheresoever you go,
        The warranted genuine Snarks.

    “Let us take them in order.

  1.     The first is the taste,
            Which is meagre and hollow, but crisp:
        Like a coat that is rather too tight in the waist,
            With a flavour of Will-o’-the-wisp.
  2.     “Its habit of getting up late you’ll agree
            That it carries too far, when I say
        That it frequently breakfasts at five-o’clock tea,
            And dines on the following day.
  3.     “The third is its slowness in taking a jest.
            Should you happen to venture on one,
        It will sigh like a thing that is deeply distressed:
            And it always looks grave at a pun.
  4.     “The fourth is its fondness for bathing-machines,
            Which it constantly carries about,
        And believes that they add to the beauty of scenes –
            A sentiment open to doubt.
  5.     “The fifth is ambition.
    1.  


          It next will be right
              To describe each particular batch:
          Distinguishing
             
      those that have feathers, and bite,
             
      And those that have whiskers, and scratch.

          “For, although common Snarks do no manner of harm,
              Yet, I feel it my duty to say,
          Some are Boojums –” The Bellman broke of in alarm,
              For the Baker had fainted away.
       

       
          “He remarked to me then,” said that mildest of men,
              “ ‘If your Snark be a Snark, that is right:
          Fetch it home by all means – you may serve it with greens,
              And it’s handy for striking a light.

          “ ‘You may seek it with thimbles—and seek it with care;
              You may hunt it with forks and hope;
          You may threaten its life with a railway-share;
              You may charm it with smiles and soap –’ ”

          (“That’s exactly the method,” the Bellman bold
              In a hasty parenthesis cried,
          “That’s exactly the way I have always been told
              That the capture of Snarks should be tried!”)

          “ ‘But oh, beamish nephew, beware of the day,
              If your Snark be a Boojum! For then
          You will softly and suddenly vanish away,
              And never be met with again!’
       

       
          “I engage with the Snark — every night after dark —
              In a dreamy delirious fight:
          I serve it with greens in those shadowy scenes,
              And I use it for striking a light:

          “But if ever I meet with a Boojum, that day,
              In a moment (of this I am sure),
          I shall softly and suddenly vanish away —
              And the notion I cannot endure!”

       
      Important: The descriptions above are opinions of the Bellman, the Baker and the Baker’s Uncle. The views of these characters are not necessarily Lewis Carroll’s views: “I do not hold myself responsible for any of the opinions expressed by the characters in my book.” (Lewis Carroll, Sylvie and Bruno Concluded). However, the “delirious fight” “every night after dark” could be a reference to the author’s own “mental troubles“.

       
      Among the forks mentioned above (used to hunt the Snark and carried by this landing crew of a naval expedition) is a tuning fork (held by the Banker).
              On his naval expedition with the HMS Beagle, Charles Darwin used a tuning-fork to let spiders dance, and for dissection (don’t tell the spiders) he used lace-needles together with his microscope (like the one carried by the beaver).

       
      2017-09-18, edited 2026-03-28

A Starry Map

Source of the map: https://commons.wikimedia.org/wiki/File:MODIS_-_Great_Britain_-_2012-06-04_during_heat_wave_(cropped).jpg

Source of Henry Holiday's front cover illustration to Lewis Carroll's 'The Hunting of the Snark': https://snrk.de/snarkhunt/

John Tufail’s “The Illuminated Snark” (p. 15) lead me to this comparison. In 2004 he interpreted the starry night sky in Henry Holiday’s front cover illustration to Lewis Carroll’s “The Hunting of the Snark” (1876) as a map, where the white clouds represented land with rivers. I liked the suggestion, but did not find any real-world map to which Holiday might have alluded. Holiday engraved that illustration himself.

I discovered John Tufail’s paper in 2009. Only today, after 15 years, I got the idea to compress and flip a large segment of a map of the British isles vertically. That’s my “slowness in taking a jest”. You see the result. Sadly, I can’t tell John that anymore. I appreciated his guidance a lot. The white clouds weren’t the land, but as for a map having been hidden in the illustration, John was right.

Source of the map: https://commons.wikimedia.org/wiki/File:MODIS_-_Great_Britain_-_2012-06-04_during_heat_wave_(cropped).jpg

Source of Henry Holiday's front cover illustration to Lewis Carroll's 'The Hunting of the Snark': https://snrk.de/snarkhunt/

 
For comments: reddit: r/LewisCarroll, r/Maps, r/MapPorn

 
2024-05-12, update: 2026-03-28

SNARK! card game by ZZOTA

SNARK!, created by ZZOTA in 2006, is a card game based on Lewis Carroll’s “The Hunting of the Snark”. The game designer Jeremy Jexon Secker defined the rules in 1985. The beautiful artwork of the cards is by Xanna Eve Chown.

Sadly, ZZOTA vanished away in 2017.

 
In 2026 we can celebrate the 150th anniversary of the Snark. That’s a good occasion to revive SNARK! as a virtual card game (aligned with creators of the original card game, who like the idea to offer the game as virtual tabletop game free of charge). In a first step I already started to work on generating the cards. Later I will try out virtual tabletops, where the remote players still have to ensure themselves that the rules of the game are followed. I still don’t know whether after that I will move on to game engines like Godot.

Some cards of SNARK!
※ Rules (1985): Jeremy Jexon Secker
※ Design (2006): Xanna Eve Chown

http://snark.games

 

 
For comments and more: Bluesky (@snark.games) | mastodon

 
2025-09-19, updated: 2026-03-27

Lists of Snark illustrators

Herbjørn Andresen allowed me to mirror his list of illustrators of Lewis Carroll’s “The Hunting of the Snark”. It had been published in 2008. Therefore many URLs are not valid anymore. Herbjørn’s page has been removed from the server of the Oslo university in 2020 (and cannot be found in archive.org).

More lists:
※ Lewis Carroll Resources:
    ※ all illustrators
    ※ Henry Holiday
Steve and Geoff
Lewis Carroll Society (UK): Carroll’s illustrators.

2020-12-12, updated: 2026-03-25

Snark Radio Play

Sadly, it’s not online anymore.

 


https://www.bbc.co.uk/programmes/b06sbrxh/clips (2020-01-02):

Tony Robinson narrates this fresh adaptation of Lewis Carroll’s classic masterpiece following a strange assortment of characters on their quest for an elusive beast.

Led by a bell-ringing Captain, this motley crew must brave terrifying danger in their chaotic pursuit of a creature known as Snark. Accompanied by specially composed music and songs, this surreal tale questions whether anything is really what it seems. …

First broadcast on BBC Radio 4 in December 2015.

Streaming: 2020-01-02 – 2020-01-31

Credits:
– Narrator: Tony Robinson
– Bellman: Eric Potts
– Baker: Paul Barnhill
– Butcher: Everal A Walsh
– Barrister: Jonathan Keeble
– Snark (in the Barrister’s dream): Jonathan Keeble
– Beaver: Stephen Hoyle
– Music and songs (composer): Katie Chatburn
– Music (performers):
    – Katie Chatburn
    – Dorry Macaulay
    – Kathryn Williams
    – Stephen Cordiner
    – Jasper Wilkinson
– Director: Charlotte Riches
– Author: Lewis Carroll

 
For comments: Bluesky

 
2020-01-02, update: 2026-03-20

Crossover Literature

Lewis Carroll and Henry Holiday’s The Hunting of the Snark needs to be read at least twice. You read it differently at different ages, because the book is an excellent example for crossover literature (and crossover picture books): Children read it as a nonsense story. It is “dark”, but funny nevertheless. Adult readers know more than children. Some of them will recognize the textual and pictorial references in the Snark tragicomedy.

Henry Holiday’s illustration (engraved by Joseph Swain) to the final chapter of Lewis Carroll’s The Hunting of the Snark has been published almost 150 years ago. Children probably will not understand that the illustration is a reference to the burning of Thomas Cranmer. He and the Baker (the ambivalent hero in The Hunting of the Snark) perhaps hoped that after having left their 42 articles behind, the Boojum won’t get them.


Comparison of two illustrations:

  • Faiths Victorie in Romes Crueltie (published by Thomas Jenner, c. 1630). Immediately to the right side of the fire, Thomas Cranmer is depicted burning his hand.
    Source: British Museum
  • Henry Holiday’s illustration to the chapter The Vanishing in Lewis Carroll’s The Hunting of the Snark (1876). The complete illustration is on the lower left side. A 135° couterclockwise rotated detail from that illustration has been rendered on the upper right side of this comparison image.
    Source: 1st edition of The Hunting of the Snark (April 1876).

The rotated detail from Henry Holiday’s illustration neither is a “claw” nor a “beak”. I assume that it depicts a fire. And there is a hand in both fires. Carroll and Holiday almost too successfully made sure that the readers of The Hunting of the Snark don’t understand their references to Thomas Cranmer too early: Carroll’s tragycomedy was published in 1876. It took almost 120 years until Angus MacIntyre suggested in The Reverend Snark, Jabberwocky 23(1994), p. 51~52: “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” Henry Holiday’s pictorial reference (I started to search for it in 2010) to Thomas Cranmer’s burning confirms the link between The Hunting of the Snark and Thomas Cranmer.

 
2018-05-07, updated: 2026-03-17

Eternal Disconnect

All men shall not be saved at the length. They also are worthy of condemnation, who endeavour at this time in restore the dangerous opinion that all men, by they never so ungodly, shall at length be saved, when they have suffered pains for their sins a certain time appointed by God’s justice.

Article 42 on eternal damnation in Thomas Cranmer’s Forty-Two Articles (1552)

 

No one shall speak to the Man at the Helm, and the Man at the Helm shall speak to no one.

Rule 42 (possibly mocking Cranmer’s Article 42), with the second part of the sentence having been “completed” by the Bellman in Lewis Carroll’s The Hunting of the Snark (1876)

 

Pope Francis said eternal damnation is not a torture chamber but distance from God.

Vatican Radio, 2016-11-25 (archive)

 
If something like eternal damnation (Article 42) would exist, then that also would be an eternal disconnect (Rule 42) between the Abrahamic god and those who adhere to that god.
 


What are those Forty-Two Articles?

The Forty-Two Articles were intended to summarise Anglican doctrine, as it now existed under the reign of Edward VI, who favoured a Protestant faith. Largely the work of Thomas Cranmer, they were to be short formularies that would demonstrate the faith revealed in Scripture and the existing Catholic creeds. Completed in 1552, they were issued by Royal Mandate on 19 June 1553. The articles were claimed to have received the authority of a Convocation, although this is doubtful. With the coronation of Mary I and the reunion of the Church of England with the Catholic Church, the Articles were never enforced. However, after Mary’s death, they became the basis of the Thirty-nine Articles. In 1563, Convocation met under Archbishop Parker to revise the articles. Convocation passed only 39 of the 42, and Elizabeth reduced the number to 38 by throwing out Article XXIX to avoid offending her subjects with Catholic leanings. In 1571, the Article XXIX, despite the opposition of Bishop Edmund Gheast, was inserted, to the effect that the wicked do not eat the Body of Christ. This was done following the queen’s excommunication by the Pope Pius V in 1570. That act destroyed any hope of reconciliation with Rome and it was no longer necessary to fear that Article XXIX would offend Catholic sensibilities. The Articles, increased to Thirty-nine, were ratified by the Queen, and the bishops and clergy were required to assent.

Source: Wikipedia, 2018-03-15
 

Henry VIII was succeeded by his son, Edward VI, in 1547. During Edward’s reign, the Church of England adopted a stronger Protestant identity. The Book of Common Prayer of 1549 authorised a reformed liturgy, and this prayer book was revised in 1552 to make it more explicitly Protestant. To make the English Church fully Protestant, Cranmer also envisioned a reform of canon law and the creation of a concise doctrinal statement, which would become the Forty-two Articles. Work on a doctrinal statement was delayed by Cranmer’s efforts to forge a doctrinal consensus among the various Protestant churches to counter the work of the Catholic Council of Trent. When this proved impossible, Cranmer turned his attention to defining what the Church of England believed.
        The Forty-two Articles were drafted by Cranmer and a small group of fellow Protestants. The title page claimed that the articles were approved by Convocation when in reality they were never discussed or adopted by the clerical body. They were also never approved by Parliament. The articles were issued by Royal Mandate on 19 June 1553. The articles were to be short formularies that would demonstrate the faith revealed in Scripture and the existing ecumenical creeds. The theology of the articles has been described as a “restrained” Calvinism.
        Edward died in 1553. With the coronation of Mary I and the reunion of the Church of England with the Catholic Church, the articles were never enforced. However, after Mary’s death, they became the basis of the Thirty-nine Articles. In 1563, Convocation met under Archbishop Parker to revise the articles. Convocation passed only 39 of the 42, and Elizabeth reduced the number to 38 by throwing out Article XXIX to avoid offending her subjects with Catholic leanings. In 1571, despite the opposition of Bishop Edmund Gheast, Article XXIX was re-inserted, declaring that the wicked do not eat the Body of Christ. This was done following the queen’s excommunication by the Pope Pius V in 1570. That act destroyed any hope of reconciliation with Rome and it was no longer necessary to fear that Article XXIX would offend Catholic sensibilities. The Articles, increased to Thirty-nine, were ratified by the Queen, and the bishops and clergy were required to assent.

Source: Wikipedia, 2021-03-28
 
 


Eternal damnation still was a controversial issue in the era of the Oxford Movement.

ON APPEAL FROM THE ARCHES COURT OF CANTERBURY.
[…] An Article setting forth extracts of a review of a work that a Clergyman of the Church of England had reviewed, charging that he had therein advisedly declared, that after this life there would be no judgment of God, awarding either eternal happiness or eternal misery, contrary to the Three Creeds, the Absolution, the Catechism, and the Burial and Commination Service: Held not established by the passages of the work pleaded. It is not penal for a Clergyman to express a hope of the ultimate pardon of the wicked [2 Moo. P.C. (N.S.) 432, 433]. […]

Source: 15 E.R. (Essays and Reviews) 943; Date: 1863-06-26; Court: Privy Court; Appellant: Rev. Rowland Williams, D.D.; Respondent: Rev. Walter Kerr Hamilton, Lord Bishop of Salisbury; Appellant: Rev. Henry Bristow Wilson, Clerk; Respondent: Rev. James Fendall, Clerk
 

The Deacon C. L. Dodgson (aka Lewis Carroll) objected to the belief in eternal punishment in 1897, but his article on Eternal Punishment was not published during his lifetime. In that article, one of Dodgson’s points is that “αἰών” should be translated as “of indefinite duration”, not as “eternal”. (See p. 52 in Robert D. Sutherland’s Language and Lewis Carroll, 1970.) The controversy on eternal punishment seems not to have ended yet.

I assume, that Carroll’s “forty-two” serves as a reference to Thomas Cranmer’s Forty-Two Articles. And Revd. Karen Gardiner suggested in The Carrollian (July 2018, № 31, p.25~41), that this is a reference mainly to Article 42 (about eternal damnation) in Cranmer’s Forty-Two Articles.

The main argument of Gardiner’s June 2018 paper is “that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Rule 42 in the preface of The Hunting of the Snark and Rule 42 in Alice’s trial scene highlight the doctrine of eternal punishment that Carroll was so concerned about.”«But if Rule 42 is not just a random number, preferred by some inexplicable reason by Carroll, but is actually a theological nod to a discarded article of faith, then the riddle may be solved. The rule may indeed be the oldest (that is, from 1553 rather than 1571) and so the King, in some senses, is correct. But Alice is also correct. This rule has already been rejected as unnecessary and flawed and therefore cannot be used by the court to justify ejecting her.

It is therefore this paper’s argument that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Rule 42 in the preface of the 'Hunting of the Snark'; and Rule 42 in Alice’s trial scene, highlight the doctrine of eternal punishment that Carroll was so concerned about. The 42nd Article of Faith that had been eventually rejected by the reformers and yet which was insisted upon by the majority of senior clerics in the Victorian Anglican Church should, Carroll appears to be saying, be regarded as invalid (as he argues strongly in his paper on Eternal Punishment). Rule 42 in the Snark and in Alice is shown to be deficient in understanding, unenforceable, and pastorally and doctrinally inappropriate.

As has already been stated, Frederick Farrar believed that “the English Church showed the highest wisdom in rejecting the forty second article”. It appears that Lewis Carroll agrees.»

Today, “42” mostly is known as an answer to an unknown question. That answer had been revealed in a popular travel guide and invented by Douglas Adams as an answer to that unknown question. Of course neither Lewis Carroll nor Douglas Adams would have provided us with spoilers which could help us to understand their “42”. Holding your readers responsible for their interpretations is much more fun to writers like Adams and Carroll. Therefore Adams told us that the “42” just popped up in his mind out of the air when he enjoyed the view of his garden. And Carroll told us that the last line “For the Snark was a Boojum, you see!” in The Hunting of the Snark popped up in his mind during a walk near Guilford (incidentally the birthplace of Ford Prefect, and then again not his real birthplace).

Lewis Carroll’s Snark and Douglas Adams’ Guide (the BBC radio series) have more in common than just having fits instead of chapters. But among both authors, it probably was only the Deacon Dodgson to whom “42” had a special relevance in the history of the church, that vessel which had been snarked so many times.

 
Links:

 
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2017-12-25, updated: 2026-03-17

Eschatological Snark



According to Karen Gardiner, “it would be unwise for anyone to imply that they have found the answer to the book’s mystery.” The book is Lewis Carroll’s and Henry Holiday’s The Hunting of the Snark (1876).

I started my Snark hunt in December 2008. Initially I probably had been quite unwise and thought that I had found the answer. That might explain the title The real story behind “The Hunting of the Snark” of an early post in The Lewis Carroll Forum. I am sorry for that botched exercise in self-irony. There is not just one single “real story” behind Carroll’s Snark poem. There are many answers.

Gardiner gave her warning to Snark hunters in her paper Life, Eternity, and Everything: Hidden Eschatology in the Works of Lewis Carroll, published on p.25~41 in THE CARROLLIAN, No. 31, mailed by the UK Lewis Carroll Society to me in June 2018.
    As for “Article 42” in Thomas Cranmer’s 42 Articles and “Rule 42” in The Hunting of the Snark, the main argument of Gardiner’s June 2018 paper is “that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Rule 42 in the preface of The Hunting of the Snark and Rule 42 in Alice’s trial scene highlight the doctrine of eternal punishment that Carroll was so concerned about.”«But if Rule 42 is not just a random number, preferred by some inexplicable reason by Carroll, but is actually a theological nod to a discarded article of faith, then the riddle may be solved. The rule may indeed be the oldest (that is, from 1553 rather than 1571) and so the King, in some senses, is correct. But Alice is also correct. This rule has already been rejected as unnecessary and flawed and therefore cannot be used by the court to justify ejecting her.

It is therefore this paper’s argument that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Rule 42 in the preface of the 'Hunting of the Snark'; and Rule 42 in Alice’s trial scene, highlight the doctrine of eternal punishment that Carroll was so concerned about. The 42nd Article of Faith that had been eventually rejected by the reformers and yet which was insisted upon by the majority of senior clerics in the Victorian Anglican Church should, Carroll appears to be saying, be regarded as invalid (as he argues strongly in his paper on Eternal Punishment). Rule 42 in the Snark and in Alice is shown to be deficient in understanding, unenforceable, and pastorally and doctrinally inappropriate.

As has already been stated, Frederick Farrar believed that “the English Church showed the highest wisdom in rejecting the forty second article”. It appears that Lewis Carroll agrees.»

The issue was addressed in this Blog in December 2017: Eternal Disconnect.

As for Thomas Cranmer’s 42 Articles and the Baker’s 42 boxes in The Hunting of the Snark, Gardiner made me aware of Angus MacIntyre‘s comment (1994) “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” Since 2010 I believe that too. Thanks to Karen Gardiner’s 2018 paper in THE CARROLLIAN and to Angus MacIntire’s suggestion I now know that linking the Baker in The Hunting of the Snark to Thomas Cranmer (among other references) is not such a weird idea after all.

Also Mary Hammond (a pen name of Mary Hibbs) recognized in 2017 that eternal damnation (Article 42 in the 42 Articles) was an issue which Carroll/Dodgson might have addressed in The Hunting of the Snark.

The Article 42 in the 42 Articles was of special interest to Carroll/Dodgson, who objected to the belief in an eternal punishment. I suggest that Carroll chose the “42” as one among several references to Thomas Cranmer, the author of the 42 Articles.

I started in December 2008 to be unwise with a single finding. But soon I understood, that there are many answers to Lewis Carroll’s and Henry Holiday’s textual and pictorial puzzles in The Hunting of the Snark. When Reverend Karin Gardiner wrote her paper, she did not refer to my findings related to Thomas Cranmer and his 42 Articles. (She did that later in her Ph.D. thesis.) It is good to learn that also theologists write about religious aspects of The Hunting of the Snark.

more

 
2018-07-06, update: 2026-03-17

不佳

In the midst of the word he was trying to say,
In the midst of his laughter and glee,
He had softly and suddenly vanished away —
For the Snark was a Boojum, you see.

2021-12-23: Illustration mostly by Henry Holiday

How would Chinese call the Boojum?

  • Boojum can be approximately transcribed with 不佳 (bù jiā).
  • I also found 布经 (bù jīng) as a Chinese transcription.

在他想说的话中间,
在他的笑声和喜悦中,
他轻轻地突然消失了—
因为斯纳克变成了
一个不佳,你看

在他想說的話中間,
在他的笑聲和喜悅中,
他輕輕地突然消失了—
因為斯納克變成了
一個不佳,你看

 
So what is a Snark and what is a Boojum?
Lewis Carroll wrote about The Hunting of the Snark:

As to the meaning of the Snark, I’m very much afraid I didn’t mean anything but nonsense. Still, you know, words mean more than we mean to express when we use them; so a whole book ought to mean a great deal more than the writer means. So, whatever good meanings are in the book, I’m glad to accept as the meaning of the book. The best that I’ve seen is by a lady (she published it in a letter to a newspaper), that the whole book is an allegory on the search after happiness.

  • Snark: Neither the usage in the year 1866 nor the contemporary usage of the term help to understand the meaning of Carroll’s “Snark”. According to Carroll, The Hunting of the Snark has at least one meaning: The pursuit of happiness. To Carroll, that pursuit could be about the Anglican path to happiness. That path is “meagre and hollow, but crisp“, because it is void of any catholic decor and superstition. The dispute about how to achieve happiness is not always comfortable, but it is necessary, because for different people there always are different paths to happiness. In civilized societies the Snark helps us to find a path which optimizes our happiness. As people and their environments keep constantly changing, the Snark hunt will never end.
  • Boojum: I think that Lewis Carroll and Henry Holiday’s tragicomedy (a “tragedy” in Holiday’s opinion) is about how walking the meagre and hollow, but crisp path (Snark) towards happiness (whatever that might be) can turn into terrible fights with very sad ends (Boojum). Unfortunately, also in the 21st century too often good Snark hunters “softly and suddenly vanish away”. They and their work “disappear”, erased by those who walk along the path of the Boojum. It seems that this will never end as well.
            In a nutshell: In my view, a Boojum is a monster or a monstrous process. Once you encounter it (for example at the violent end of a fierce controversy), then you might softly and suddenly vanish away. Thomas Cranmer’s fate is just one out of many examples for how Boojum works.

 
2017-12-17, update: 2026-03-07

Thing-um-a-jig!

He would answer to “Hi!” or to any loud cry,
  Such as “Fry me!” or “Fritter my wig!”
To “What-you-may-call-um!” or “What-was-his-name!”
  But especially “Thing-um-a-jig!”

Always assumed that thingamajig derived from Lewis Carroll’s thing-um-a-jig (1876).

I’d seen an oft cited but unsourced reference to 1824 in dictionaries but now found it: June 1824 issue of The Casket a literary monthly “all the cute and curious thingumajigs of the Old Colony.”

Sandy Slynn (@Sandy_Slynn) [on Xwitter], February 17, 2020

See also: en.wiktionary.org/wiki/thingamajig and www.etymonline.com/search?q=thingamajig.

2020-02-25, update: 2026-02-05

Mike Batt’s Snark

※ 1987: The Hunting Of The Snark – Royal Albert Hall (1h)

«In 1987 Mike Batt recorded this concert of the early stage album of his “Snark” project. This is not a film of the eventual 1991 West End show, which was much more fully produced and had many more songs and more story. This early concert starred John Hurt, Roger Daltrey, Justin Hayward, Deniece Williams, Captain Sensible, Julian Lennon, Midge Ure, and Billy Connolly, with Batt conducting the London Symphony Orchestra. Music/lyrics/orchestrations by Mike Batt. Based on the poem (as recited in the narration) written by Lewis Carroll.»

UPDATE (2023-03-11): https://bsky.app/profile/snark150.bsky.social/post/3lk426ovzf22l is about an enhanced version of the video showing Mike Batt’s 1987 Snark musical.

 
※ 2010: The Hunting Of The Snark – Live at Cadogan Hall (9m40s)

 
Mike Batt’s Snark project

 


※ 2020-07-22, Interview: John Murray Lunchtime Show with Mike Batt. The whole show on k107FM is worth listening to, but if you are very impatient and want to learn more about Mike Batt’s Snark musical right away, start at 01:18:45 in the podcast: https://www.mixcloud.com/john-murray7/22-july-2020-john-murray-lunchtime-show-with-mike-batt/


If anyone's bored, my office have just posted my "Director Showreel". It's about 5 years old but someone found it! Anyway who knows, you might want me to direct your music spectacular feature! https://t.co/Y8EHIDeXMm

— Mike Batt (@Mike_Batt) September 2, 2020

Mike Batt – Director Showreel (YouTube, 2020)

 


Mike Batt – A Songwriters Tale (YouTube, 2012)

 

Wikipedia | Bluesky |Mike Batt page (in German) | more Snark music

2018-10-15, update: 2026-02-04

The Beaver’s Lesson

The Butcher reasoning with the Beaver.

This is the illustration (partially inspired by various works of other artists) to the chapter The Beaver’s Lesson.

 


Images:

 
2017-09-26, updated: 2026-01-20

Arne Nordheim’s Snark

As for the Snark music known to me, Arne Nordheim’s The Return of the Snark – For Trombone And Tape is among my favorites. Nordheim composed this 15 minutes piece in the year 1987. Gaute Vikdal plays the trombone.

The recording is part of the 7 CDs album Listen – The Art of Arne Nordheim. There are other recordings of Nordheim’s Snark compositions available in the Internet, like The Hunting of the Snark for Trombone only. But I like the Return most.

 
2018-11-02, update: 2026-01-20

Hunting Happiness

As to the meaning of the Snark, I’m very much afraid I didn’t mean anything but nonsense. Still, you know, words mean more than we mean to express when we use them; so a whole book ought to mean a great deal more than the writer means. So, whatever good meanings are in the book, I’m glad to accept as the meaning of the book. The best that I’ve seen is by a lady (she published it in a letter to a newspaper), that the whole book is an allegory on the search after happiness.

Lewis Carroll
Letter (1884-06-13?) to the Lowrie (Lowry?) children in the USA who had written to Lewis Carroll about the meaning of The Hunting of the Snark (see also: Evelyn Hatch, ed., A Selection of the Letters of Lewis Carroll to his Child-Friends, London, 1933, pp. 242-243)

 

What disturbs and depresses young people is the hunt for happiness on the firm assumption that it must be met with in life. From this arises constantly deluded hope and so also dissatisfaction. Deceptive images of a vague happiness hover before us in our dreams, and we search in vain for their original. Much would have been gained if, through timely advice and instruction, young people could have had eradicated from their minds the erroneous notion that the world has a great deal to offer them.

Arthur Schopenhauer (paraphrased)
Günther Flemming made me aware of this text (it’s not really a quote) in a comment to his translation of The Hunting of the Snark, p. 156, ISBN 978-3-8442-6493-7.
The original German text: Was nun den Rest der ersten Lebenshälfte, die so viele Vorzüge vor der zweiten hat, also das jugendliche Alter, trübt, ja unglücklich macht, ist das Jagen nach Glück, in der festen Voraussetzung, es müsse im Leben anzutreffen sein. Daraus entspringt die fortwährend getäuschte Hoffnung und aus dieser die Unzufriedenheit. Gaukelnde Bilder eines geträumten, unbestimmten Glückes schweben, unter kapriziös gewählten Gestalten, uns vor, und wir suchen vergebens ihr Urbild. Daher sind wir in unsern Jünglingsjahren mit unserer Lage und Umgebung, welche sie auch sei, meistens unzufrieden; weil wir ihr zuschreiben, was der Leerheit und Armseligkeit des menschlichen Lebens überall zukommt, und mit der wir jetzt die erste Bekanntschaft machen, nachdem wir ganz andere Dinge erwartet hatten. – Man hätte viel gewonnen, wenn man, durch zeitige Belehrung, den Wahn, daß in der Welt zu viel zu holen sei, in den Jünglingen ausrotten könnte. (Lebensweisheit, chapter 6 Vom Unterschiede der Lebensalter)

2019-12-11, update: 2025-12-13

Time

Here the Bellman is Father Time ringing his bell.


The image on the lower right side is an allegorical English School painting (ca. 1610, by an unknown painter) of Queen Elizabeth I at old age together with the allegories of Death and of Father Time.

The image on the upper right side is a detail from that painting. It shows the head of Father Time in mirror view.

The image on the left side is a depiction of the Bellman from Henry Holiday’s front cover illustration (inset) to Lewis Carroll’s The Hunting of the Snark (1876).

 

 
2018-10-11, updated: 2025-12-12

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