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Knight Letter № 100

In July 2018, the members of the LCSNA (Lewis Carroll Society of North America) received the 100th Knight Letter.

A friend told me that the caterpillar (here without hookah) on the front page is a Hickory Horned Devil.

 
On pages 55~56 you find a few lines which I wrote about the Baker and Thomas Cranmer in The Hunting of the Snark.

There also is an accompanying web page.

Incidentally, in parallel to my little note in the Knight Letter № 100 on the Baker’s “hot” names and on Henry Holiday’s pictorial reference to Thomas Cranmer’s burning, a paper suggesting textual references from The Hunting of the Snark to Thomas Cranmer’s Forty-Two Articles has been published in The Carrollian (July 2018, № 31, p.25~41), a journal of the Lewis Carroll Society in the UK. The author, Karen Gardiner, is an Anglican priest. She also knows the objections of Revd. C.L. Dodgson (aka Lewis Carroll) angainst the dogma Article 42 of Thomas Cranmer’s Forty-Two Articles was about.

Karen Gardiner (2018) and I (2014), as well as Angus MacIntyre (1994) and Mary Hibbs (2017), we all suggested that there are references from Carroll’s The Hunting of the Snark and to Thomas Cranmer (e.g. the Baker’s forty-two boxes) – coming from different starting points and different backgrounds. As for me, initially I just looked for Lewis Carroll’s (C.L. Dodgson’s) textual references as guidance for finding pictorial references in Henry Holiday’s illustrations.

 
Twitter

 
(MG064)

2018-07-28, updated 2019-03-22

A Snark Excerpt as Graph


The image visualizes hypergraph properties of a part (lines 547 to 556) of Lewis Carroll’s The Hunting of the Snark. (I fixed the transposition error “Page 18” in the original image. In the 1st 1876 Snark edition it’s page 81.)

Image source:
Ronald Haentjens Dekker and David J. Birnbaum.
“It’s more than just overlap: Text As Graph.”
Presented at Balisage: The Markup Conference 2017,
Washington, DC, August 1 – 4, 2017.
In Proceedings of Balisage: The Markup Conference 2017.
Balisage Series on Markup Technologies, vol. 19 (2017).
https://doi.org/10.4242/BalisageVol19.Dekker01.

A remark which I received from David J. Birnbaum: Gijs Brouwer implemented the visualization, and Astrid Kulsdom transcribed the information based on the data model inside the application. Gijs’s animated version of the image is available at https://github.com/HuygensING/TAG/blob/master/snark-fly.mp4.

Page 81 visualization | Print/Mobile | EPUB | Twitter | Facebook

Said Thrice

Snarks Have Five Unmistakable Marks

As I reported in the Associations Blaster (2014-03-08), Charles Lutwidge Dodgson and Henry Holiday kept a Snark as a pet. They fed it with »greens«, but as growing greens led to horrible electricity bills, Dodgson and Holiday could not afford to keep their Snark any longer. It took many years until 2014, before in Colorado planting greens became legal and affordable enough to breed Snarks again. I assumed then that we would see more of these beasts in the future.
        Since I predicted that in 2014, more and more biotopes for Snarks had been created, not only in Colorado. The top of the tide seems to have been approached in 2017, when the White House too became a habitat especially for those Snarks, who were able to quickly adapt to such a challenging environment. In order to survive there, Snarks now are born as Boojums right away.

Luckily, there still are regions where most Snarks just are Snarks (Audio):

    “Come, listen, my men, while I tell you again
        The five unmistakable marks
    By which you may know, wheresoever you go,
        The warranted genuine Snarks.

    Let us take them in order.

  1.     “The first is the taste,
            Which is meagre and hollow, but crisp:
        Like a coat that is rather too tight in the waist,
            With a flavour of Will-o’-the-wisp.
  2.     “Its habit of getting up late you’ll agree
            That it carries too far, when I say
        That it frequently breakfasts at five-o’clock tea,
            And dines on the following day.
  3.     “The third is its slowness in taking a jest.
            Should you happen to venture on one,
        It will sigh like a thing that is deeply distressed:
            And it always looks grave at a pun.
  4.     “The fourth is its fondness for bathing-machines,
            Which it constantly carries about,
        And believes that they add to the beauty of scenes –
            A sentiment open to doubt.
  5.     “The fifth is ambition.
    1.  
       


          It next will be right
              To describe each particular batch:
          Distinguishing
             
      those that have feathers, and bite,
             
      And those that have whiskers, and scratch.

          “For, although common Snarks do no manner of harm,
              Yet, I feel it my duty to say,
          Some are Boojums –” The Bellman broke of in alarm,
              For the Baker had fainted away.
       

       
          “He remarked to me then,” said that mildest of men,
              “ ‘If your Snark be a Snark, that is right:
          Fetch it home by all means – you may serve it with greens,
              And it’s handy for striking a light.

          “ ‘You may seek it with thimbles—and seek it with care;
              You may hunt it with forks and hope;
          You may threaten its life with a railway-share;
              You may charm it with smiles and soap –’ ”

          (“That’s exactly the method,” the Bellman bold
              In a hasty parenthesis cried,
          “That’s exactly the way I have always been told
              That the capture of Snarks should be tried!”)

       
      Among the forks mentioned above (used to hunt the Snark and carried by this landing crew of a naval expedition) is a tuning fork. Charles Darwin used a tuning-fork to let spiders dance and, for dissection (don’t tell the spiders), lace-needles together with his microscope. And, just in case that the maker of the Ocean Chart missed something, a telescope can be quite helpful.

       
      2017-09-18, edited 2019-03-04

Page 83


(Source: sheltonfamilystore.com)

Do you think that this “baker” on page 83 is proves that this is a first edition and that it should be “butcher”? You find the answer in any contemporary Snark edition.

More Examples for advertising the first edition of “The Hunting of the Snark”, offered for prices between €200 and €1000:

First edition, first printing, with “Baker” for “Banker” on page 83.

First issue with “baker” not “butcher” on page 83. It is unknown how many copies were printed this way.

This is about line 560 on page 83, the last page of Lewis Carroll’s tragicomedy. A “Baker” in that line is no proof that the book is a rare first Snark edition. All copies are printed this way, because that is how it should be. In Henry Holiday’s illustration on page 82 you see the head and a hand of the Baker, not the Banker (and not the Butcher either). Remember, the Banker had to be left behind in the previous chapter.

So there is nothing special about “Where the Baker had met with the Snark.” This alleged error is myth. Those rare book traders just didn’d (and still don’t) check the facts.
 

Then there is the JubJub. If you read somewhere that the bird never will look at a “bride”, then better check line 386 on page 55 in the original Snark edition.

 

2018-04-02, update 2019-03-02

The Broker and the Monk

In this image one of the elements has been marked (orange frame) which Henry Holiday borrowed from a 17th century painting (by an anonymous artist). This might be a bit different from the borrowing described by T. S. Eliot in 1920. In the example shown here, the borrowing of the pictorial allusion is inconspicuous. It doesn’t enrich Holiday’s illustration. It’s only purpose might be that of a signpost pointing to another work of art.

more.
 

2017-09-27, updated 2019-02-25

Mike Batt’s Snark Relaunch

2019-02-09:

https://www.mikebatt.com/mike-batt-blog/2019/2/9/one-door-opens:

[…] PLEDGE MUSIC – the crowd-funding platform that has for so many years offered a route to market for independent artists, have reported that they are in a cash-flow crisis and seeking a buyer. That leaves us unable to fund our SNARK project. []


2018:

Mike Batt‘s latest Snark project is to make the first-ever recording of the FULL-LENGTH version of his musical The Hunting Of The Snark, based on Lewis Carroll’s famous nonsense poem. He invites you in his PledgeMusic campain to support to finance this ambitious recording.

Links:
※ 2018: PledgeMusic campaign | Facebook | Twitter
※ 1987: Twitter | The Hunting Of The Snark – Royal Albert Hall

 
2018-10-15, update: 2019-02-22