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Snark Themes for Firefox

Two chocolate colored Snark themes for the Firefox browser:

For those who prefer a dark blue Snark hunt:

More Firefox themes: Snark without image | Boojum (grey)
Thunderbird theme: The Hunting of the Snark
(Non-Snark Firefox themes: Ergodark | Pullepum | William Blake on Steroids | Mike Batt
)

Source of the scan: archive.org

Update 2021-01-17: The image below is an older version of “Dark Snark 2”.

I can’t make a Yoda theme for the Firefox browser, because Yoda is not my IP. I am using a design by Henry Holiday instead. It was published as an illustration to The Hunting of the Snark in 1876, so Holiday didn’t copy it from Star Wars.

 
Left image (2016): Concept art by Prince Mahlangu, Johannesburg, South Africa.
Right image (1876): Illustration by Henry Holiday (engraved by Joseph Swain) to Lewis Carroll’s The Hunting of the Snark.

 
For comments: Twitter | Reddit | Flickr | Carroll forum

How to make Firefox themes: Mozilla | gitlab.com/AtomRidge/

 
2017-08-28, updated: 2021-01-26

 


PS: I have to admit that at work I use my “Ergodark” theme instead of any of my Snark themes.
2021-01-26: >800 users.

«L.C. forgot that “the Snark” is a tragedy»

To the illustrator Henry Holiday, Lewis Carroll’s The Hunting of the Snark was a “tragedy”. That might have been Carroll’s intention in 1874, when he started to write the poem as one of the many chapters of his Sylvie and Bruno project. But when the poem was published as a separate book in 1876 with more than 500 lines, it turned out to be a tragicomedy.

Page from a letter (1876-01-04) by C.L. Dodgson (aka Lewis Carroll) to Henry Holiday about Holiday’s illustration to the chapter The Beaver’s Lesson. The two lines at the bottom are notes written by Henry Holiday.

Source: www.pbagalleries.com/…

I think the note is:

× L.C. forgot that “the Snark” is a tragedy and [should]
on no account be made jovial. h.h.

In the end, Carroll produced a tragicomedy.

 


Link: Twitter

 
Update 2018-09-01

See also: https://twitter.com/Bonnetmaker/status/1033366198535286785

 


2017-09-06, update: 2021-01-24

Monstrous Things from Walls

Look at walls splashed with a number of stains, or stones of various mixed colours. If you have to invent some scene, you can see there resemblances to a number of landscapes, adorned with mountains, rivers, rocks, trees, great plains, valleys and hills, in various ways. Also you can see various battles, and lively postures of strange figures, expressions on faces, costumes and an infinite number of things, which you can reduce to good integrated form. This happens on such walls and varicoloured stones, (which act) like the sound of bells, in whose peeling you can find every name and word that you can imagine.
        Do not despise my opinion, when I remind you that it should not be hard for you to stop sometimes and look into the stains of walls, or the ashes of a fire, or clouds, or mud or like places, in which, if you consider them well, you may find really marvelous ideas. The mind of the painter is stimulated to new discoveries, the composition of battles of animals and men, various compositions of landscapes and monstrous things, such as devils and similar things, which may bring you honor, because by indistinct things the mind is stimulated to new inventions.

Leonardo da Vinci

Reprinted from the Oxford edition of Selections from the Notebooks of Leonardo da Vinci, edited by Irma A. Richter. The selections are from da Vinci’s A Treatise on Painting (Trattato della pittura).
(Thanks to Jono Borden for asking.)

 
2017-12-29, updated: 2021-01-21

Tree of Life

In this image, Charles Darwin’s tree of life sketch of the evolutionary tree (c. July 1837, Notebook B, 1837-1838, page 36) is compared to a “weed” in the lower left corner of Holiday’s illustration.

To my knowledge, the earliest publishing of a facsimile from Darwin’s hand drawing occurred in the 20th century. A “tree” was published in Charles Darwin’s Origin of Species. But that was an image arranged by a typographer, not Darwin’s sketch from his Notebook B. Darwin did not keep his notebook B secret after the publication of On the Origin of Species, but I do not know of any presentation of his sketch before 1876. Thus, the resemblance between the “weed” and Darwin’s evolutionary tree probably may be purely incidental.

Are any earlier publishing dates for facsimile reproductions of his drawing known before 1876? Could Darwin’s supporters (probably not Darwin himself) have used his sketch for promoting The Descent of Man in 1871?

I am searching the earliest publishing date of that image e.g. in newspapers, magazines, books etc. Can you give me any hints?

In the illustration, there is no clear resemblance between Darwin and the Banker, who, however, is carrying a tuning fork. On his expedition with the HMS Beagle, Charles Darwin used such an instrument for experiments with spiders.
 

Links:

 
2018-12-09, updated: 2021-01-04


 

Crossover Literature

The Hunting of the Snark needs to be read at least twice. It is crossover literature. You read it differently at different ages. The book is an excellent example for crossover literature: Children read it as a nonsense story. It is “dark”, but funny nevertheless. Adult readers (at age hundred-forty or so) know more. Some of them will recognize the textual and pictorial references in Lewis Carroll, Henry Holiday and Joseph Swain’s tragicomedy..

Henry Holiday’s illustration to the final chapter of Lewis Carroll’s The Hunting of the Snark has been published more than 140 years ago. It is a reference to the burning of Thomas Cranmer. He and the Baker (the ambivalent hero in The Hunting of the Snark) perhaps hoped that after having left their 42 articles behind, the Boojum won’t get them.

...jum!

The image serves to compare two illustrations:

  • Henry Holiday’s illustration to the chapter The Vanishing in Lewis Carroll’s The Hunting of the Snark (1876). The complete illustration is on the upper left side. A 135° couterclockwise rotated detail from that illustration has been rendered on the upper right side of this comparison image.
    Source: 1st edition of The Hunting of the Snark (April 1876).
  • Faiths Victorie in Romes Crueltie (published by Thomas Jenner, c. 1630). Immediately to the right side of the fire, Thomas Cranmer is depicted burning his hand.
    License: CC BY-SA 4.0.
    Source: Folger Digital Image Collection

The rotated detail from Henry Holiday’s illustration neither is a “claw” nor a “beak”. I assume that it depicts a fire. And there is a hand in both fires. Carroll and Holiday almost too successfully made sure that the readers of The Hunting of the Snark don’t understand their references to Thomas Cranmer too early: Carroll’s tragycomedy was published in 1876. In 1994, Angus MacIntyre suggested: “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” in The Reverend Snark, Jabberwocky 23(1994), p. 51~52. Henry Holiday’s pictorial reference (I started to search for it in 2010) to Thomas Cranmer’s burning confirms the link between The Hunting of the Snark and Thomas Cranmer.

 
2018-05-07, update 2021-01-24

Mike Batt’s Snark

※ 1987: The Hunting Of The Snark – Royal Albert Hall (1h)

«In 1987 Mike Batt recorded this concert of the early stage album of his “Snark” project. This is not a film of the eventual 1991 West End show, which was much more fully produced and had many more songs and more story. This early concert starred John Hurt, Roger Daltrey, Justin Hayward, Deniece Williams, Captain Sensible, Julian Lennon, Midge Ure, and Billy Connolly, with Batt conducting the London Symphony Orchestra. Music/lyrics/orchestrations by Mike Batt. Based on the poem (as recited in the narration) written by Lewis Carroll.»

 
※ 2010: The Hunting Of The Snark – Live at Cadogan Hall (9m40s)

 


※ 2020-07-22: John Murray Lunchtime Show with Mike Batt. The whole show on k107FM is worth listening to, but if you are very impatient and want to learn more about Mike Batt’s Snark musical right away, start at 01:18:45 in the podcast.


Youtube: https://www.youtube.com/watch?v=AhTKZ5krAVg

 


A “Mike Batt Fans” theme for the Firefox browser:

With dark search text on white background:


Wikipedia | Mike Batt page (in German) | more Snark music

2018-10-15, update: 2020-12-03

Drugs

Lewis Carroll needed a clear mind for his writings. Drugs like laudanum would not have been helpful during writing.

The drug link is a homespun thing. You’ll find it on a host of random forums.

But the experts are usually sceptical. Carroll wasn’t thought to have been a recreational user of opium or laudanum, and the references may say more about the people making them than the author.

“The notion that the surreal aspects of the text are the consequence of drug-fuelled dreams resonates with a culture, particularly perhaps in the 60s, 70s and 80s when LSD was widely-circulated and even now where recreational drugs are commonplace,” says Dr Heather Worthington, Children’s Literature lecturer at Cardiff University.

Source: Is Alice in Wonderland really about drugs?
(by Sophie Robehmed, BBC magazine 2012-08-20)

 


Let me be perfectly clear here: Lewis Carroll didn’t do recreational drugs. Certainly there were drug references in Alice’s Adventures in Wonderland and these were picked up on by people with interests in that area, particularly in the late sixties. That is not to say that Carroll never took Laudanum for a medical problem on the advice of a doctor. There is NO direct proof (in his letters or his diaries) that he ever took narcotic drugs. You might ask yourself why students insist that he did and why some teachers teach that he did.

Source: lewiscarroll.org (2002)

 


2019-12-12, update: 2020-11-29

Blur

Blurring images is low pass filtering images. An artist’s blunted sight can have the same effects like blurring with computerized image processing. Sometimes you need to get rid of distracting details in order to get the whole picture.

Jay Clause‘s what Salvador Dali taught me about creative work will help you to (perhaps) get the whole picture. However, keep in mind that artists like to play with what the beholders of their work might want (or might not want) to percieve. Even without blurring, artists can deny anything you “see” in an ambiguous creation: They play with their own pareidolia as well as with the pareidolia of their audience.

Before computerized image processing was available, artists use simple techniques to blurr images. For example, squinting or looking at an image through a feather did the trick.

Squinting might help you to see things which you wouldn’t see with clear sight. It’s fine to try that with artwork which might have been intentionally created for such an exercise. But better make sure that it was an artist who created the face that is looking at you. I don’t know whether Mars ever has been inhabited by artists.
 


 

2017-12-28, updated: 2020-11-22

What I tell you three times is true!

001    “Just the place for a Snark!” the Bellman cried,
002        As he landed his crew with care;
003    Supporting each man on the top of the tide
004        By a finger entwined in his hair.

005    “Just the place for a Snark! I have said it twice:
006        That alone should encourage the crew.
007    Just the place for a Snark! I have said it thrice:
008        What I tell you three times is true.

329    “’Tis the voice of the Jubjub!” he suddenly cried.
330        (This man, that they used to call “Dunce.”)
331    “As the Bellman would tell you,” he added with pride,
332        “I have uttered that sentiment once.

333    “’Tis the note of the Jubjub! Keep count, I entreat;
334        You will find I have told it you twice.
335    ’Tis the song of the Jubjub! The proof is complete,
336        If only I’ve stated it thrice.

 
Referring to Edith Wharton’s biography of Theodore Roosevelt, Kelly Ramsdell Fineman told us …

… that President Theodore Roosevelt and Edith Wharton were huge fans of the Snark. On one visit to the White House, Wharton learned of the following exchange that occurred between the President and the Secretary of the Navy (undoubtedly unaware of Carroll’s poem, or at least unaware that Roosevelt was quoting):

During discussion, Roosevelt said to the secretary of the Navy,

“Mr. Secretary, what I tell you three times is true!”

The Secretary replied stiffly,

“Mr. President, it would never for a moment have occurred to me to impugn your veracity.”

Yes, better don’t impugn your leader’s veracity. Even though he will get rid of you rather sooner than later, you don’t need to push it.

 

The Bellman’s Rule is stated in Lewis Carroll’s The Hunting of the Snark, line #7 and line #335. I said it in Lua – wrote it in Python, I made that indeed, but I wholly forgot (when finally done), that Haskell is what you need! So, here is an example for how to implement that rule:

#! /usr/bin/haskell
import Data.List
assertments :: [String]
assertments =
  ["I am a very stable genius!"
  ,"There are 10 Snark hunters."
  ,"There are 9 Snark hunters."
  ,"There are 10 Snark hunters."
  ,"I am a very stable genius!"
  ,"Brexit promises will be kept!"
  ,"Brexit promises will be kept!"
  ,"Brexit promises will be kept!"
  ,"6 * 7 = 39"
  ,"6 * 7 = 39"
  ,"There are 10 Snark hunters."
  ,"6 * 7 = 42"
  ,"I am a very stable genius!"
  ,"There are 10 Snark hunters."
  ,"6 * 7 = 39"
  ,"There are 10 Snark hunters."
  ]
atLeastThrice :: [String] -> [String]
atLeastThrice assertmentsList =
  [head grp | grp <-
    group $ sort assertmentsList, length grp >= 3]

Result (if loaded and executed in GHCi):

*Main> atLeastThrice assertments
["6 * 7 = 39","Brexit promises will be kept!","I am a very stable genius!","There are 10 Snark hunters."]

 
PS: It’s not easy. Truth isn’t truth, however, there also is a Double Rule of Three.

 
2017-12-16, update: 2020-11-03

On Borrowing

One of the surest tests [of a poet’s superiority or inferiority] is the way in which a poet borrows. Immature poets imitate; mature poets steal; bad poets deface what they take, and good poets make it into something better, or at least something different. The good poet welds his theft into a whole of feeling which is unique, utterly different than that from which it is torn; the bad poet throws it into something which has no cohesion. A good poet will usually borrow from authors remote in time, or alien in language, or diverse in interest.

T. S. Eliot, p. 114 in The Sacred Wood: Essays on Poetry and Criticism, 1920

 
Likewise, a good illustrator welds the theft into a whole of feeling which is unique, utterly different and sometimes even funnier than that from which it is torn.

And Lewis Carroll may have borrowed from Thomas Gray.

 

All art is infested by other art.

(Leo Steinberg, in Art about Art, 1979)

 
2018-02-18, update: 2020-11-01

Breakfast at five-o’clock tea

Snark mark 2/5:

Its habit of getting up late you’ll agree
 That it carries too far, when I say
That it frequently breakfasts at five-o’clock tea,
 And dines on the following day.

In November 1859, Dodgson gave a lecture at a meeting of the Ashmolean Society on “Where does the Day begin?”. A clock traveling around the earth with the sun always exactly above of it could stand still but always would be correct. (It’s almost like the mad tea-party having always six o’clock while moving around the table.) Only the day date suddenly would change somewhere. (That’s where in Alice’s Adventures in Wonderland the March Hare quickly changes the topic.)

There neither were internationally defined time zones yet, nor an internationally agreed date line when Charles Darwin and the HMS Beagle travelled around the world, but when he (and the Snark) breakfasted in Tahiti, it probably already was around tea time back home in Carroll’s Oxford. From there it carries us far away, when we imagine breakfasting in Tahiti.

On 2020-10-22 I found a twitter thread, where John Pretorius showed, that he interpreted (and applied) Lewis Carroll’s “breakfasts at five-o’clock tea” stanza in the same way as I did.

 
Discussion: Facebook | Twitter [2][1]

 
2019-08-16, updated 2020-10-22

Snarks Have Five Unmistakable Marks

As I reported in the Associations Blaster (2014-03-08), Charles Lutwidge Dodgson and Henry Holiday kept a Snark as a pet. They fed it with «greens», but as growing greens led to horrible electricity bills, Dodgson and Holiday could not afford to keep their Snark any longer. It took many years until 2014, before in Colorado planting greens became legal and affordable enough to breed Snarks again. I assumed then that we would see more of these beasts in the future.
        Since I predicted that in 2014, more and more biotopes for Snarks had been created, not only in Colorado. The top of the tide seems to have been approached in 2017, when the White House too became a habitat especially for those Snarks who were able to quickly adapt to such a challenging environment: In order to survive there, Snarks now are born as Boojums right away.

Luckily, there still are regions where most Snarks just are Snarks (🎶🎶🎶):

    “Come, listen, my men, while I tell you again
        The five unmistakable marks
    By which you may know, wheresoever you go,
        The warranted genuine Snarks.

    Let us take them in order.

  1.     “The first is the taste,
            Which is meagre and hollow, but crisp:
        Like a coat that is rather too tight in the waist,
            With a flavour of Will-o’-the-wisp.
  2.     “Its habit of getting up late you’ll agree
            That it carries too far, when I say
        That it frequently breakfasts at five-o’clock tea,
            And dines on the following day.
  3.     “The third is its slowness in taking a jest.
            Should you happen to venture on one,
        It will sigh like a thing that is deeply distressed:
            And it always looks grave at a pun.
  4.     “The fourth is its fondness for bathing-machines,
            Which it constantly carries about,
        And believes that they add to the beauty of scenes –
            A sentiment open to doubt.
  5.     “The fifth is ambition.
    1.  
       


          It next will be right
              To describe each particular batch:
          Distinguishing
             
      those that have feathers, and bite,
             
      And those that have whiskers, and scratch.

          “For, although common Snarks do no manner of harm,
              Yet, I feel it my duty to say,
          Some are Boojums –” The Bellman broke of in alarm,
              For the Baker had fainted away.
       

       
          “He remarked to me then,” said that mildest of men,
              “ ‘If your Snark be a Snark, that is right:
          Fetch it home by all means – you may serve it with greens,
              And it’s handy for striking a light.

          “ ‘You may seek it with thimbles—and seek it with care;
              You may hunt it with forks and hope;
          You may threaten its life with a railway-share;
              You may charm it with smiles and soap –’ ”

          (“That’s exactly the method,” the Bellman bold
              In a hasty parenthesis cried,
          “That’s exactly the way I have always been told
              That the capture of Snarks should be tried!”)

       
      Among the forks mentioned above (used to hunt the Snark and carried by this landing crew of a naval expedition) is a tuning fork (held by the Banker). Charles Darwin used a tuning-fork to let spiders dance, and for dissection (don’t tell the spiders) he used lace-needles together with his microscope (like the one carried by the beaver).

       
      2017-09-18, edited 2020-10-12

Snark Forum

My snrk.de blog has no forum. I don’t want do deal with privacy issues caused by storing user data. More important, I am too lazy to manage a forum. (That might change after my retirement from my engineering job in September 2021.)

But there is a nice (albeit presently not too active) Snark sub-forum managed by Mahendra Singh in thecarrollforum.proboards.com. It’s just the place to discuss Snark.

There you also will find some of my old posts. As I try to keep learning, I of course would write many of them differently today.

Hunting Snark in thecarrollforum.proboards.com

If you want to comment on anything you find in the web about The Hunting of the Snark, I recommend to open a thread in that forum, enter the link you are referring to in the post, and write there what you want to discuss.

Comments: Twitter | Forum

2020-09-24