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Knight Letter № 100

In July 2018, the members of the LCSNA (Lewis Carroll Society of North America) received the 100th Knight Letter.

A friend told me that the caterpillar (here without hookah) on the front page is a Hickory Horned Devil.

 
On pages 55~56 you find a few lines which I wrote about the Baker and Thomas Cranmer in The Hunting of the Snark.

There also is an accompanying web page.

Incidentally, in parallel to my little note in the Knight Letter № 100 on the Baker’s “hot” names and on Henry Holiday’s pictorial reference to Thomas Cranmer’s burning, a paper suggesting textual references from The Hunting of the Snark to Thomas Cranmer’s Forty-Two Articles has been published in The Carrollian (July 2018, № 31, p.25~41), a journal of the Lewis Carroll Society in the UK. The author, Karen Gardiner, is an Anglican priest. So Karen Gardiner (2018) and I (2014, as well as Angus MacIntyre in 1994 and Mary Hibbs in 2017) all were lead by Carroll’s The Hunting of the Snark and the Baker’s forty-two boxes to Thomas Cranmer – coming from different starting points and different backgrounds.

 
(MG064)

Original Date: 2018-07-28.
Date change: 2018-12-30 in order to move the post to the top.
Reason: To me this post was the most important post in 2018.

Nose is a Nose is a Nose

A Snark article in the Knight Letter
(with lots of help from Chris Morgan and Mark Burstein)


Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99

When I wrote this article, I failed to mention that already in 1973 Elizabeth Sewell pointed out in The Field of Nonsense that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear (MG058). I am sorry for that.

I posted my article online with permission of the Knight Letter editors. In the online copy, I fixed the wrong URL kl.snr.de. It’s kl.snrk.de. Furthermore, four additional images have been attached to my online version.

read more

 


2009


2018-02-09, update 2018-12-30: Reference to Elizabeth Sewell

snrk.de

About this site:
Snrk.de mostly is about Henry Holiday‘s illustrations (engraved by Joseph Swain) to Lewis Carroll‘s tragicomical ballad The Hunting of the Snark.
        If – and the thing is wildly possible – the charge of writing nonsense were ever brought against the author of this great blog, I will not (as I might) point to the fact that throughout my Snark hunt, my two greatest assets have been mental stability and being, like, really smart; and that the crooked Boojum also played its cards very hard and, as everyone knows, failed to stop me – which would qualify me as not smart, but genius….and a very stable genius at that!
        As promised, I will not point to that – even though it would be true if I would state it three times. Very true. Very, very true. Rather, I point to those (like John Tufail and Mahendra Singh) who really helped and encouraged me and, last not least, to those many people who turned the Internet into a humongous museum through which I could stroll while loafing on my sofa. That was the place where my Snark hunt started in December 2008, and snrk.de is place for presenting my trophies since 2012.
        On 2017-10-09, snrk.de underwent a major change. I added a blog to the site and rearranged it completely. If you previously used links to snrk.de and your browser now doesn’t find them anymore: Some of these links still may work if you replace snrk.de by old.snrk.de.

In snrk.de you’ll find a few assumptions:
The Beaver‘s lace making is “wrong” (in Carroll’s view) if lace making stands for vivisection.
Lewis Carroll liked to create “portmanteau words”. I suggest that the Boots is the maker of Bonnets and Hoods.
Last not least, since 2010 I think that the most important assumption is that Thomas Cranmer could be among the historical persons to whom the Baker (with four nicknames related to something which was heated or burned) might be related. As a protestant, Cranmer wrote the Forty-Two Articles. Under threat, he left those articles behind like the Forty-Two Boxes, which the Baker left behind on the beach. Then Carroll associated the Baker with pets of catholic saints: Macarius’ hyenas and Corbinian’s bear. (See also: Angus MacIntyre’s suggestion “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” in The Reverend Snark, Jabberwocky 23(1994), p. 51~52.)


About me:
I am an electronics and mechatronics engineer living near Munich in Germany. I know how to work scientifically, but not in in arts and literature. In that field of research I am an amateur. Therefore I don’t have to protect any reputation in academic Snarkology. Nevertheless, if you publish papers about, for example, references from The Hunting of the Snark to Thomas Cranmer, please give credit to those, who addressed that topic already. That’s me (2014, after first attempts in 2010), but also Karen Gardiner (2018), Mary Hibbs (2017, pen names: Mary Hammond and Sandra Mann) and Angus MacIntyre (1994).


Blog:
※ Posts and Pages: I use WordPress to run snrk.de. WordPress offers to publish “posts” and “pages”. In this blog you will often find pairs of articles where one of them is a post and the other one is a page. In such a pair of articles, both have the same title where the post is a brief blog article and the associated page then goes into more detail.
Comments: I disabled the commenting function for almost all articles. Sorry, there is too much bot spam. But you can write to me.

2nd Blog:
I use boojum.snrk.de for rants and other stuff.


Contact:
In order to avoid collecting personal user data and to minimize spam, I disabled blog registration.

You can write to me by email.

You also can write to me in social networks.

Sometimes I also look into these sites:


Privacy policy and data protection:
This site complies with the European General Data Protection Regulation and obeys to the Do Not Track (DNT) header. In order to make things easy to me, nobody can register with snrk.de and leave personal data in the blog database. Therefore no such data are collected.


Licenses:
CC BY-NC-SA 4.0 is the license for images in this blog if not indicated otherwise.


Götz Kluge, Munich 2018-07-07, update: 2018-12-30

My 1st Snark Trophy

I entered the Snark hunting grounds in December 2008. http://www.artandpopularculture.com/User:Goetzkluge could give you an idea where I was in 2010.

Illustrations by Henry Holiday (from The Hunting of the Snark, 1876) and Marcus Gheeraerts the Elder (Allegory of Iconoclasts, aka The Image Breakers, around 1567): In the “mouth” of Gheeraerts’ “head” a praying priest is depicted. The shape of the priest also is visible in the “mouth” of Holiday’s vanishing “Baker”.

There is more — with acknowledgments to Mahendra Singh, to John Tufail and to the Internet.

 
2017-08-28, updated: 2018-12-30

Original Manuscript Found Among Brexit Impact Study Tables

Here is the manuscript (it’s so-so). Also I publish the secret road map used by the British government to navigate through the Brexit.

 
What I tell you three times is true:

349       “The thing can be done,” said the Butcher, “I think.
350        The thing must be done, I am sure.
351        The thing shall be done! …”


https://youtu.be/2N2kp1r-WkI

 


Links:

 
2017-11-14, update 2018-12-30

9.5±0.5 Snark Hunters

There is no tenth member in Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark. I think that the Snark hunting party consists of nine members only. Let us take them in order of their introduction:

  1. The Bellman, their captain.
  2. The Boots, a maker of Bonnets and Hoods
  3. The Barrister, brought to arrange their disputes, but repeatedly complained about the Beaver’s evil lace-making.
  4. The Broker, to value their goods.
  5. The Billiard-marker, whose skill was immense, might perhaps have won more than his share. From John Tufail I learned that in Henry Holiday’s illustration the Billiard-marker is preparing a cheat.
  6. The Banker, engaged at enormous expense, had the whole of their cash in his care.
  7. The Beaver, that paced on the deck or would sit making lace in the bow and had often (the Bellman said) saved them from wreck, though none of the sailors knew how.
  8. The Baker, also addressed by “Fry me!”, “Fritter my wig!”, “Candle-ends” as well as “Toasted-cheese”, and known for joking with hyenas and walking paw-in-paw with a bear.
  9. The Butcher, who only could kill Beavers, but later became best friend with the lace-making animal.

9 or 10 hunters? | Care and Hope | The Snark

 
2017-11-06, completely rewritten: 2018-11-07, shifted to the top 2018 posts: 2018-12-21

Bathing-Machines

[The New Belfry of Christ Church, Oxford] is of the best of Dodgson’s Oxford squibs, a good humored but cutting attack on Dean Liddell (the father of Alice) and the wooden cube built to contain the Cathedral bells during operations to build a new tower. Though it can still be found today behind the stone walls of the tower, the wooden cube was always a temporary plan but Dodgson was impatient and the Governing body were slow.

Source: Cristies, 2009-12-04

The Bell in The Hunting of the Snark might be interpreted as a symbol for time and time pressure. But it also might have been used by C.L. Dodgson to continue lampooning Dean Henry Liddell‘s “bonnet-box” project, a meekly geometric belfry to go up on the cathedral at Christ Church. In The New Belfry of Christ Church, a certain “D. C. L.” wrote:

§ 7. On the impetus given to Art in England by the new Belfry, Ch. Ch.

The idea has spread far and wide, and is rapidly pervading all branches of manufacture. Already an enterprising maker of bonnet-boxes is advertising ‘the Belfry pattern’: two builders of bathing-machines[MG025] at Ramsgate have followed his example: one of the great London houses is supplying ‘bar-soap’ cut in the same striking and symmetrical form: and we are credibly informed that Borwick’s Baking Powder and Thorley’s Food for Cattle are now sold in no other shape.

 
more (2018-12-04)

 
2018-05-24, edited: 2018-06-25, shifted to the top 2018 posts: 2018-12-21

Time

In this allegorical English School painting (ca. 1610, by an unknown painter) of Queen Elizabeth I at old age you see the allegories of Death and of Father Time.

In the inset you see on the left side a depiction of the Bellman from Henry Holiday’s front cover illustration to Lewis Carroll’s The Hunting of the Snark (1876).

Only now, after a few years of having found this painting, I recognized, that not only Henry Holiday’s Bellman looks like that unknown painter’s Father Time, But also the posture of the old queen and the old man are similar.

 

 
2018-10-11, shifted to the top 2018 posts: 2018-12-21