Do you think that this “baker” on page 83 really proves that this is a first edition and that it should be “butcher”? You find the answer in any contemporary Snark edition.
More Examples for advertising the first edition of “The Hunting of the Snark”, offered for prices between €200 and €1000:
First edition, first printing, with “Baker” for “Banker” on page 83.
First issue with “baker” not “butcher” on page 83. It is unknown how many copies were printed this way.
This is about line 560 on page 83, the last page of Lewis Carroll’s tragicomedy. A “Baker” in that line is no proof that the book is a rare first Snark edition. All copies are printed this way, because that is how it should be. In Henry Holiday’s illustration on page 82 you see the head and a hand of the Baker, not the Banker (and not the Butcher either). Remember, the Banker had to be left behind in the previous chapter.
So there is nothing special about “Where the Baker had met with the Snark.” This alleged error is myth. Those rare book traders just didn’d (and still don’t) check the facts.
Then there is the JubJub. If you read somewhere that the bird never will look at a “bride”, then better check line 386 on page 55 in the original Snark edition.
In this image one of the elements has been marked (orange frame) which Henry Holiday borrowed from a 17th century painting (by an anonymous artist). This might be a bit different from the borrowing described by T. S. Eliot in 1920. In the example shown here, the borrowing of the pictorial allusion is inconspicuous. It doesn’t enrich Holiday’s illustration. It’s only purpose might be that of a signpost pointing to another work of art.
[…] PLEDGE MUSIC – the crowd-funding platform that has for so many years offered a route to market for independent artists, have reported that they are in a cash-flow crisis and seeking a buyer. That leaves us unable to fund our SNARK project. […]
Mike Batt‘s latest Snark project is to make the first-ever recording of the FULL-LENGTH version of his musical The Hunting Of The Snark, based on Lewis Carroll’s famous nonsense poem. He invites you in his PledgeMusic campain to support to finance this ambitious recording.
I discovered that “face” in Matthias Grünewald’s painting in 2018, but perhaps I was not the first one. I think that Gustave Doré found it already in the year 1863 when looking for inspiration from other artwork.
In some of his illustrations to Lewis Carroll’s The Hunting of the Snark, Henry Holiday alluded to The Image Breakers, a 16th century print made by Marcus Gheeraerts the Elder. I see at least one of Holiday’s pigs in that print and also something which Henry Holiday could have turned into a Moritz bass tuba.
2019 is the year of the pig. Does that make me see pigs everywhere, or did Henry Holiday see that pig in Gheeraert’s print too?
Actually, I have to confess that I saw the pig already in 2009. And it wasn’t just that:
More fun to be found with pigs in Lewis Carroll’s (whose dad was a resident canon at Ripon) “Hunting of the Snark” poem. Original book drawing included pigs playing musical instruments. A coincidence that they are fashioned similar to the Cathedral’s misericords? pic.twitter.com/oh7cqSuc5T