Page 83


(Source: sheltonfamilystore.com)

Do you think that this “baker” on page 83 really proves that the book is a first edition and that it should be “butcher”? You find the answer in any contemporary Snark edition.

More Examples for advertising the first edition of “The Hunting of the Snark”, offered for prices between €200 and €1000:

First edition, first printing, with “Baker” for “Banker” on page 83.

First issue with “baker” not “butcher” on page 83. It is unknown how many copies were printed this way.

This is about line 560 on page 83, the last page of Lewis Carroll’s tragicomedy. A “Baker” in that line is no proof that the book is a rare first Snark edition. All copies are printed this way, because that is how it should be. In Henry Holiday’s illustration on page 82 you see the head and a hand of the Baker, not the Banker (and not the Butcher either). Remember, the Banker had to be left behind in the previous chapter, so he cannot show up in the final chapter.

Thus, there is nothing special about “Where the Baker had met with the Snark.” This alleged error is a myth. Those rare book traders just didn’d (and still don’t) check the facts.

Then there is the JubJub. If you read somewhere that the bird never will look at a “bride”, then better check line 386 on page 55 in the original Snark edition. It’s “bribe”. You can find “It will never look at a bride” in the Internet many times. But that’s wrong.

 

Discussion: Twitter 2 | Twitter 1 | Facebook (rare books) | Facebook (The hunting of the Snark)

 
2018-04-02, update 2019-07-02

 


Removed (not by me) from Wikipedia

Rare book sellers often claim, that the first edition of ”The Hunting of the Snark” can be identified by the word “Baker” instead of “Butcher” or “Banker” in the 560th line on page 83. However, “Where the Baker had met with the Snarkis correct. “Butcher” or “Banker” in the 560th line is wrong. Also “bribe” in the 386th line on page 55 is correct, even though in the Internet the erratic “It never will look at a bride” can be found.

(The hyperlinks in this text where not part of the WP text.)

 


Schilb Antiquarian (Columbia, MO, U.S.A.) via AbeBooks.com, 2020-02-13

[…] This rare first edition is complete with the nine illustrations by Henry Holiday and features the expected first edition points (noted below). Item number: #9505 Price: $750 CARROLL, Lewis The hunting of the snark: an agony in eight fits London: MacMillan, 1876. First edition Details: Collation: Complete with all pages xi, [3], 83, [3] 9 illustrations by Henry Holiday Edition points: p.83 baker instead of butcher rear board I Was a Boojum […]

 
2019-11-26, updated 2020-09-11

Knight Letter № 100

In July 2018, the members of the LCSNA (Lewis Carroll Society of North America) received the 100th Knight Letter.

Also in this issue, Goetz Kluge makes the case that a seventeenth-century engraving may have influenced Henry Holiday’s last illustration for The Hunting of the Snark. Goetz’s excellent blog about all things Snark is at http://snrk.de/

Preface to the Knight Letter № 100, LCSNA, 2018
 

 
On pages 55~56 you find a few lines which I wrote about the Baker and Thomas Cranmer in The Hunting of the Snark.

There also is an accompanying web page.
In the end, the Baker met the Boojum. As an allusion to Thomas Cranmer, the hero in Carroll’s Snark tragicomedy had been named “Baker” and also got some “hot” nicknames. Carroll went to the limits of black humor: The Baker got baked.

Incidentally, in parallel to my little note (p. 55~56 in the Knight Letter № 100) on the Baker’s hot names and on Henry Holiday’s pictorial reference to Thomas Cranmer’s burning, a paper «Life, Eternity and Everything, Hidden Eschatology in the Works of Lewis Carroll» suggesting textual references from The Hunting of the Snark to Thomas Cranmer’s Forty-Two Articles has been published in The Carrollian (July 2018, № 31, p.25~41), a journal of the Lewis Carroll Society in the UK. The author, Karen Gardiner, is an Anglican priest. She also addresses the objections of Revd. C.L. Dodgson (aka Lewis Carroll) against the dogma addressed by Article № 42 of Thomas Cranmer’s Forty-Two Articles.

Angus MacIntyre (1994), myself (2010, 2010, 2015), Mary Hibbs (2017), as well as Karen Gardiner (2018), we all independently from each other suggested that there are such references to Thomas Cranmer and his Forty-Two Articles (the Baker’s forty-two boxes). We arrived there coming from different starting points and different backgrounds. As for me, I initially just looked for Lewis Carroll’s (C.L. Dodgson’s) textual references as guidance for finding pictorial references in Henry Holiday’s illustrations.

 
Twitter | Reddit | Seven Coats | 42 Boxes

 
(MG064)

PS: A friend told me that the caterpillar (here without hookah) on the front page of the 100th Knight Letter is a Hickory Horned Devil.

2018-07-28, updated 2019-09-08

Benjamin Jowett

[…]
Need I rehearse the history of Jowett?
I need not, Senior Censor, for you know it.
That was the Board Hebdomadal, and oh!
Who would be free, themselves must strike the blow!
[…]

C.L. Dodgson, from Notes by an Oxford chiel (1874)

 
For comparison (inspired by Dodgson?):

First come I. My name is J-W-TT.
There’s no knowledge but I know it.
I am Master of this College,
What I don’t know isn’t knowledge.

Source: The Balliol Rhymes (written in the 1880s), ed. W. G. Hiscock, 2nd edn. (1939; Oxford: printed for the editor, 1955): 1-25. PN 6110 C7H5 Robarts Library (Wikipedia: In 1880, seven undergraduates of Balliol published 40 quatrains of doggerel lampooning various members of the college under the title The Masque of B–ll––l, now better known as The Balliol Masque, in a format that came to be called the “Balliol rhyme“.The college authorities suppressed the publication fiercely.)

I suggest that The Barrister’s Dream in Lewis Carroll’s The Hunting of the Snark is about E.B. Pusey’s attempt to trial Jowett for heresy at the Vice-Chancellor’s Court for unpaid bills for heresy. According to Karen Gardiner (see p. 55 below), the trial began on 1863-03-20. The judge was an academic common lawyer. Jowett’s lawyer objected to the formally civilian court being turned into something like a court of common law, which had no jurisdiction in spiritual matters. The Punch (the anonymous author Dodgson?) called it the “small debts and heresies court“. The judge disagreed, provided it could be shown that Jowett had been guilty of breaking any of the university statues. As this could not be shown, the case was dismissed. Thus, the trial was a mess like the trial in the Barrister’s dream.

“In the matter of Treason the pig would appear
      To have aided, but scarcely abetted:
While the charge of Insolvency fails, it is clear,
      If you grant the plea ‘never indebted.’

 
See also:
※ John Tufail, The Jowett Controversy
※ Karen Gardiner, Escaping Justice in Wonderland (An adaption of a paper given at the Glasgow International Fantasy Conference 2018), published in The Carrollian No. 33 p. 47 ~ 60, March 2020 (abstract, 2018).

 
Instagram | Reddit

2-10-04-06, update: 2020-09-08

Pursuit of Happiness

Part of C.L. Dodgson’s (Lewis Carroll’s) Snark marketing was to claim that he doesn’t know the meaning of The Hunting of the Snark. But there was a meaning which he liked

To Mary Barber

The Chestnuts, Guildford
January 12, 1897

My dear May,

        In answer to your question, “What did you mean the Snark was?” will you tell your friend that I meant that the Snark was a Boojum. I trust that she and you will now feel quite satisfied and happy.

        To the best of my recollection, I had no other meaning in my mind, when I wrote it: but people have since tried to find the meanings in it. The one I like best (which I think is partly my own) is that it may be taken as an Allegory for the Pursuit of Happiness. The characteristic “ambition” works well into this theory—and also its fondness for bathing-machines, as indicating that the pursuer of happiness, when he has exhausted all other devices, betakes himself, as a last and desperate resource, to some such wretched watering-place as Eastbourne, and hopes to find, in the tedious and depressing society of the daughters of mistresses of boarding-schools, the happiness he has failed to find elsewhere.

        With every good wish for your happiness, and for the priceless boon of health also, I am

Always affectionately yours,
C.L. Dodgson

In The Selected Letters of Lewis Carroll (1982, edited by Morton Cohen) and in all copies of this letter in the internet, C.L. Dodgson (aka Lewis Carroll) is being quoted as having addressed Mary Barber with “My dear May”, not with “My dear Mary”. I learned that “My dear May” is correct: Quora | Yahoo Groups | Twitter

 
2018-04-29, update: 2020-09-02

Bathing-Machines

Snarks have five marks:

The fourth is its fondness for bathing-machines,
      Which it constantly carries about,
And believes that they add to the beauty of scenes—
      A sentiment open to doubt.

[The New Belfry of Christ Church, Oxford] is of the best of Dodgson’s Oxford squibs, a good humored but cutting attack on Dean Liddell (the father of Alice) and the wooden cube built to contain the Cathedral bells during operations to build a new tower. Though it can still be found today behind the stone walls of the tower, the wooden cube was always a temporary plan but Dodgson was impatient and the Governing body were slow.

Source: Cristies, 2009-12-04

The Bell in The Hunting of the Snark might be interpreted as a symbol for time and time pressure. But it also might have been used by C.L. Dodgson to continue lampooning Dean Henry Liddell‘s “bonnet-box” project, a meekly geometric belfry to go up on the cathedral at Christ Church. In The New Belfry of Christ Church, a certain “D. C. L.” wrote:

§ 7. On the impetus given to Art in England by the new Belfry, Ch. Ch.

The idea has spread far and wide, and is rapidly pervading all branches of manufacture. Already an enterprising maker of bonnet-boxes is advertising ‘the Belfry pattern’: two builders of bathing-machines[MG025] at Ramsgate have followed his example: one of the great London houses is supplying ‘bar-soap’ cut in the same striking and symmetrical form: and we are credibly informed that Borwick’s Baking Powder and Thorley’s Food for Cattle are now sold in no other shape.

In The Belfry at Christ Church by E.G.W. Bill, edited by Michael Hall and published in Oxoniensia 2013 (Oxfordshire Architectural and Historical Society), I found this quote from a letter by C.L. Dodgson to The Pall Mall Gazette (1874-10-31):

During the restoration of the Cathedral, when the bells had been removed from the tower, which had become too weak to support them, it was proposed to hang them outside the cathedral in a wooden belfry, which we were assured would be quite inoffensive, as it would hardly be visible from any point of the compass. In an evil hour we consented, and the resulting erection, which cost about a thousand pounds, speedily made us famous for having inflicted upon Oxford the ugliest and most conspicuous monstrosity that probably she has ever seen. This, and the great expense already incurred, forced on us the conviction that we must now erect a stone bell-tower.

 
more

 
2018-05-24, update: 2020-09-02

De Morgan’s Snark

The tweet below has a link to https://www.demorgan.org.uk/which-snark-came-first-the-tiles-or-the-poem/.

The Jabberwock

en.wikipedia.org/wiki/Jabberwocky#Reception:

[…] [Jabberwocky] has also been interpreted as a parody of contemporary Oxford scholarship and specifically the story of how Benjamin Jowett, the notoriously agnostic Professor of Greek at Oxford, and Master of Balliol, came to sign the Thirty-Nine Articles, as an Anglican statement of faith, to save his job. […]

(Stephen Prickett (2005): Victorian Fantasy, Baylor University Press, p. 113, ISBN 1-932792-30-9)

Unlike Benjamin Jowett, the Rev. Dodgson (aka Lewis Carroll) didn’t sign, but managed to save his job nevertheless without being ordained as a priest.

 

Jabberwocky

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.

And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! and through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

 
See also: https://poemanalysis.com/lewis-carroll/jabberwocky

 


Composer: Ben Ponniah, rendition: Peter Noden


2018-04-06, update: 2020-08-31

Hunting the CoV

Projects 16800-16803,16805-16808

Cause: covid-19

This is the first COVID19 project from our lab. We are assembling the envelope protein, which is an ion channel important for viral function. Learning about how it forms can inform the design of molecules that will prevent proper assembly.

List of Contributors

This project is managed by Dr Lucie Delemotte at KTH /SciLifeLab.

URL: https://www.biophysics.se/index.php/projects/delemottelab/

2020-07-03
(Project: https://stats.foldingathome.org/project?p=16805. I pasted the text into the image.)

 

Proteins are not stagnant—they wiggle and fold and unfold to take on numerous shapes. We need to study not only one shape of the viral spike protein, but all the ways the protein wiggles and folds into alternative shapes in order to best understand how it interacts with the ACE2 receptor, so that an antibody can be designed. Low-resolution structures of the SARS-CoV spike protein exist and we know the mutations that differ between SARS-CoV and 2019-nCoV. Given this information, we are uniquely positioned to help model the structure of the 2019-nCoV spike protein and identify sites that can be targeted by a therapeutic antibody. We can build computational models that accomplish this goal, but it takes a lot of computing power.

(Source: https://foldingathome.org/2020/02/27/foldinghome-takes-up-the-fight-against-covid-19-2019-ncov/.)

 
=== Linux ===
I run folding@home (F@H) on two computers. One operates under MS Windows, the other one is a five years old computer with a Linux operating system. That old computer became very slow due to mitigations against Intel CPU vulnerabilities, so I didn’t use it anymore. But I reactivated it for F@H operated under a bare bone Linux OS. As that computer doesn’t do anything else than folding, I disabled the Intel CPU protection by starting the kernel with “mitigations=off”. (Don’t do that if you use your computer on the network for other tasks besides folding.) It works for kernels at and above version 5.2 and increases the speed (and the F@H point count) significantly. If your computer boots into Linux with GRUB, add mitigations=off to the settings in GRUB_CMDLINE_LINUX_DEFAULT.

=== Teams ===
As part of the “gamification” concept of F@H, your protein model folding computer collect points during folding. (It’s just for fun. Competition is in our genes, F@H plays with that.) You can join teams in order to get to the top in a ranking of teams together with other contributors. By default you are in a Zero team. That’s fine. You don’t have to change anything if you just want to help folding protein models.
        Some contributors join teams of organizations (e.g. companies) in order to let these organizations look good. That’s fine too. There are various kind of teams.
        You also easily can create your own team. Due to my obsession, I of course created a The Hunting of the Snark team. (So far it consist of only one member, but as of already is among the top 10% of all teams.)
        Curecoin: The top team is the Curecoin team. There you not only get points, you also get some kind of currency. It’s not my thing. One reason for me not to join Curecoin is that the blockchain technology applied would add additional workload to my computer. On the other side, Curecoin isn’t bad either. The Curecoin team has even more points than the Zero team, but much less work units. I think, that is because many contributors in that team run computers with powerful CPUs and GPUs. They get work units done faster than less powerful machines, and the points computation algorithm of F@H acknowledges that. (Thanks to the required number crunching power, blockchain technologies helped the market for graphics cards and GPUs a lot.) Personally I don’t like Curecoin, but as always: Use it if you like it and if you know what you are doing. (Links: Am Rechner nebenher die Welt retten | http://ftreporter.com/all-you-need-to-know-about-Curecoin/)

=== Caveats ===
Depending on the setting (Light/Medium/Full) of FAHcontrol, your computer can get quite hot. The older one of my computers does 24 hours/day folding in a cool room in the basement. It consumes a power of 26 Watts. The F@H setting is “Full”. It’s a fan-less mini computer, so no tear&wear of an internal fan needs to be considered. The computer won’t get damaged by the heat, because it adapts the CPU clock frequency in a way which doesn’t let it get too hot. In winter it won’t reach maximum temperature anyway. But in summer its temperature limits will get tested, even though the ambient temperature will stay below the 50°C maximum. So I added an external fan (14W). My other computer is a laptop computer. I chose the “Light” setting (which means that the GPU will not be used for folding).
        Super contributors use gaming computers with powerful CPUs and GPUs. And some show off impressive cooling machinery. Those gamers know what they are doing and can run F@H with maximum performance.

=== Smartphones ===
F@H does not run on smartphones, but there is a project for such devices. The Vodaphone “DreamLab” is a proprietary app. Of course it only runs during charging. I recommend to read the privacy statement.

=== Scams ===
Due to Covid19, F@H became much more popular, so take care not to install malware like fake applications which e.g. steal passwords. Don’t panic, but wherever scams are possible, you’ll have to deal with them. F@H is no exception. Possible scams are no reason not to contribute to F@H, but be aware of scams, e.g. foldingathomeapp.exe is malware! If you want to be on the save side, only install F@H software from foldingathome.org and don’t touch anything else.

=== Snark Hunters ===
There are quite a few Snark related contributors to F@H (2020-08-27)

=== Join ===
You can share computer time too.

F@H Team 263865 | COVID19 | Wikipedia |Twitter | Facebook (en) | Facebook (de)

2020-03-31, update: 2020-08-27

10 Assumptions About The Hunting of the Snark

Annotations to “10 Interesting Facts About The Hunting of the Snark (Rose Theatre, 2017-09-21)

  1. One out of several (but perhaps less important) reasons to write the Snark might have been that Carroll wrote his tragicomedy The Hunting of the Snark to bring much needed escape and light while nursing his seriously ill godson and cousin Charlie Wilcox who eventually died from tuberculosis.
     
  2. Part of the Snark ballad is Carroll’s story that he was walking on a hillside near Guildford, alone, one bright summer day (1874-07-18 , allegedly not so bright in reality), when suddenly there came into his head one line of verse — one solitary line — “For the Snark was a Boojum, you see.” With more that 500 lines the book was published in 1876. He ended up with more chapters (fits) than initially planned. This of course also affected the illustrator Henry Holiday and the engraver Joseph Swain. The sequence of making the illustrations is described in the centennial edition of The Hunting of the Snark published by William Kaufmann in 1981.
     
  3. Carroll left the meaning of the Snark deliberately vague refusing to answer questions about its meaning. He stated that whatever good meanings are in the book, he was glad to accept an of them as the meaning of the book. The best that in his viev he had seen was by a lady (she published it in a letter to a newspaper), that the whole book is an allegory on the pursuit of happiness.
     
  4. The poem was published on April 1st 1876 (the date chosen being April Fools Day and before Easter, which was a good time to sell the book). The first print was 10,000 copies and the book has rarely if ever been out of print since.
     
  5. Unlike Carroll’s many other fantastical creatures, we never see the Snark and its appearance remains a mystery. His lifelong friend, the famous illustrator Henry Holiday proposed something which to Carroll was a “delightful monster“. But Carroll nevertheless refused to allow his lifelong friend to include his drawing of a Boojum turned Snark in the original edition. The Snark only was allowed to applear in the Barrister’s dream.
     
  6. Snarks are harmless. You even may fetch a Snark home, but keep the greens ready.
    WARNING: If a Snark turns into a Boojum and you get too close to one, you will “softly and suddenly vanish away.”
     
  7. The Bellman is an expert on Snarks and knows how to describe Snarks.
     
  8. The Jubjub appeared in Carroll’s Jabberwocky. Some think that the Jubjub might be a pun on the word jug-jug, an English word expressing one of the notes of a nightingale. I believe (and may be wrong with that) that the noisy beast has something to do with jubjubbing chronometers
     
  9. Acording to the Rose Theatre, Snark clubs dedicated to ‘the glorification of the Snark and its creator’ still flourish and meet to recite the poem. The band of declared Snarkists included W.H. Auden, Willa Cather, John Galsworthy, A.P. Herbert, Elspeth Huxley and C.S. Lewis.
     
  10. Some believe that the Baker might be a self-deprecating self-portrait in which Carroll pokes fun at his well-known forgetfulness. I don’t think so. The Baker has 42 boxes of luggage. I think he forgot them like Thomas Cranmer forgot his Forty-Two articles for a while. Incidentally, Carroll was 42 years old when he wrote Snark.

snrk.de

About this site:
Snrk.de mostly is about Henry Holiday‘s illustrations (engraved by Joseph Swain) to Lewis Carroll‘s tragicomical ballad The Hunting of the Snark.
        If – and the thing is wildly possible – the charge of writing nonsense were ever brought against the author of this great blog, I will not (as I might) point to the fact that throughout my Snark hunt, my two greatest assets have been mental stability and being, like, really smart; and that the crooked Boojum also played its cards very hard and, as everyone knows, failed to stop me – which would qualify me as not smart, but genius….and a very stable genius at that!
        As promised, I will not point to that – even though it would be true if I would state it three times. Very true. Very, very true. Rather, I point to those (like John Tufail and Mahendra Singh) who really helped and encouraged me and, last not least, to those many people who turned the Internet into a humongous museum through which I could stroll while loafing on my sofa. That was the place where my Snark hunt started in December 2008, and snrk.de is place for presenting my trophies since 2012.
        On 2017-10-09, snrk.de underwent a major change. I added a blog to the site and rearranged it completely. If you previously used links to snrk.de and your browser now doesn’t find them anymore: Some of these links still may work if you replace snrk.de by old.snrk.de.

In snrk.de you’ll find a few assumptions:

  • The Beaver‘s lace making is “wrong” (in Carroll’s view) if lace making stands for vivisection.
  • Lewis Carroll liked to create “portmanteau words”. I think that the Boots is the maker of Bonnets and Hoods and that the Snark hunting party consists of nine members only, not ten.
  • Last not least, since 2010 I think that the most important assumption is that Thomas Cranmer could be among the historical persons to whom the Baker (with four nicknames related to something which was heated or burned) might be related.
            As a protestant, Cranmer wrote the Forty-Two Articles. Under threat, he left those articles behind like the Forty-Two Boxes, which the Baker left behind on the beach. Then Carroll associated the Baker with pets of catholic saints: Macarius’ hyenas and Corbinian’s bear.
            Already in 1994, Angus MacIntyre suggested: “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” in The Reverend Snark, Jabberwocky 23(1994), p. 51~52. Henry Holiday’s pictorial reference to Thomas Cranmer’s burning confirms the link between The Hunting of the Snark and Thomas Cranmer.


About me:
I am an electronics and mechatronics engineer living near Munich in Germany. I know how to work scientifically, but not in the field of arts and literature. In that field of research I am an amateur. Therefore I don’t have to protect any reputation in academic Snarkology ;-). Nevertheless, if you publish papers about, for example, references from The Hunting of the Snark to Thomas Cranmer, please give credit to those, who addressed that topic already. That’s me (2010, 2010, 2015), but also Karen Gardiner (2018), Mary Hibbs (2017, pen names: Mary Hammond and Sandra Mann) and Angus MacIntyre (1994).


Blog:
※ Posts and Pages: I use WordPress to run snrk.de. WordPress offers to publish “posts” and “pages”. In this blog you will often find pairs of articles where one of them is a post and the other one is a page. In such a pair of articles, both have the same title where the post is a brief blog article and the associated page then goes into more detail.
Comments: I disabled the commenting function for almost all articles. Sorry, there is too much bot spam.


Contact:

In order to avoid collecting personal user data and to minimize spam, I disabled blog registration.


Privacy policy and data protection:
This site complies with the European General Data Protection Regulation. The blog snrk.de itself does not collect your private data. But some pages have embedded content (Twitter, Facebook, YouTube etc.) which might not respect your privacy sufficiently. If you don’t like that, don’t use snrk.de!


Licenses:
CC BY-NC-SA 4.0 is the license for images in this blog if not indicated otherwise.


Götz Kluge, Munich 2018-07-07, update: 2020-07-25

Greens

Some meanings might not have been what Carroll thought of, but he left lots of space for many meanings you can think of. I, for example, associate growing greens with high electricity bills. Others have other ideas.

“The Hunting of the Snark” by Lewis Carroll: It’s said of the Snark, “You may serve it with greens.” As the author is a mathematician, this means Green’s Theorem being applied as a minor step, and the Snark stands for a theorem that is fiendishly difficult to prove.

😉 Markian Gooley, 2020-07-17 😉

The Snark’s Significance

Henry Holiday: The Snark’s Significance, 1898-01-29 (The Academy, p. 128)

It is possible that the author was half-consciously laying a trap, so readily did he take to the inventing of puzzles and things enigmatic; but to those whok new the man, or who have divined him correctly through his writings, the explanation is fairly simple.

Mr.Dodgson had a mathematical, a logical, and a philosophical mind; and when these qualities are united to a love of the grotesque, the resultant fancies are sure to have a quite peculiar charm, a charm so much the greater because its source is subtle and eludes all attempts to grasp it.

Attached to Holiday’s article there also is a letter from Carroll/Dodgson.

Holiday’s Butcher and Millais’ Raleigh

But perhaps Holiday’s ruff – and the pose of the Fit Five drawing – was inspired by the Elizabethan drama inherent in Millais’ Boyhood of Raleigh, (1869).

Louise Schweitzer, One Wild Flower (2012)

A popular approach to avoid frustration and embarrassment is to claim that the meaning of the Snark is elusive. But some try to understand it nevertheless. For those courageous readers I take this post as an occasion to recommend Louise Schweitzer’s doctoral thesis One Wild Flower.

 
more

 
2017-09-04, updated 2020-07-16

Waistcoat Poetry

 

There was an old man of Port Grigor,
Whose actions were noted for vigour;
He stood on his head
till his waistcoat turned red,
That eclectic old man of Port Grigor.

Edward Lear, 1872

 

He was black in the face,
and they scarcely could trace
The least likeness to what he had been:
While so great was his fright
that his waistcoat turned white –
A wonderful thing to be seen!

Lewis Carroll, from “The Hunting of the Snark”, 1876

 
 

Martin Gardner annotated (MG058) to The Hunting of the Snark that Elizabeth Sewell pointed out in The Field of Nonsense (1952) that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear.

See also:



In The Field of Nonsense (I use a 2015 reprint), Elizabeth Sewell compared Carroll’s waistcoat stanza and Lears’s waistcoat limerick while taking a safe distance to considering “mutual plagiarism” by stating that “there is no evidence that either man was familiar with the other’s work”, adding that “the likeness do not in any case suggest borrowings…” (p. 9). However, Carroll/Dodgson knew Lear’s work (Marco Graziosi).

 
2017-09-11, update: 2020-07-10

Carroll’s Honest Lie

Authors, who say that they “don’t not know” whether their book is satire, quite probably lie. Such honest lies are less boring that telling that they won’t tell. (That is a difference to presidents who lie openly because it shows that they have the power to do that.)

Of course “The Hunting of the Snark” contains satire. Dodgson wasn’t stupid. Satirists who explain their work would kill their work. E.g. in case of the “bathing machines“, “The Hunting of the Snark” took a reference to one of Carroll’s obvious satires.

Twitter

 
2019-06-23, update: 2020-07-04