Page 83


(Source: sheltonfamilystore.com)

Do you think that this “baker” on page 83 really proves that the book is a first edition and that it should be “butcher”? You find the answer in any contemporary Snark edition.

More Examples for advertising the first edition of “The Hunting of the Snark”, offered for prices between €200 and €1000:

First edition, first printing, with “Baker” for “Banker” on page 83.

First issue with “baker” not “butcher” on page 83. It is unknown how many copies were printed this way.

This is about line 560 on page 83, the last page of Lewis Carroll’s tragicomedy. A “Baker” in that line is no proof that the book is a rare first Snark edition. All copies are printed this way, because that is how it should be. In Henry Holiday’s illustration on page 82 you see the head and a hand of the Baker, not the Banker (and not the Butcher either). Remember, the Banker had to be left behind in the previous chapter.

So there is nothing special about “Where the Baker had met with the Snark.” This alleged error is a myth. Those rare book traders just didn’d (and still don’t) check the facts.

Then there is the JubJub. If you read somewhere that the bird never will look at a “bride”, then better check line 386 on page 55 in the original Snark edition. It’s “bribe”. You can find “It will never look at a bride” in the Internet. That’s just the place for alternative facts.

 

Discussion: Facebook (rare books) | Facebook (The hunting of the Snark) | Twitter

 

2018-04-02, update 2019-07-02

snrk.de

About this site:
Snrk.de mostly is about Henry Holiday‘s illustrations (engraved by Joseph Swain) to Lewis Carroll‘s tragicomical ballad The Hunting of the Snark.
        If – and the thing is wildly possible – the charge of writing nonsense were ever brought against the author of this great blog, I will not (as I might) point to the fact that throughout my Snark hunt, my two greatest assets have been mental stability and being, like, really smart; and that the crooked Boojum also played its cards very hard and, as everyone knows, failed to stop me – which would qualify me as not smart, but genius….and a very stable genius at that!
        As promised, I will not point to that – even though it would be true if I would state it three times. Very true. Very, very true. Rather, I point to those (like John Tufail and Mahendra Singh) who really helped and encouraged me and, last not least, to those many people who turned the Internet into a humongous museum through which I could stroll while loafing on my sofa. That was the place where my Snark hunt started in December 2008, and snrk.de is place for presenting my trophies since 2012.
        On 2017-10-09, snrk.de underwent a major change. I added a blog to the site and rearranged it completely. If you previously used links to snrk.de and your browser now doesn’t find them anymore: Some of these links still may work if you replace snrk.de by old.snrk.de.

In snrk.de you’ll find a few assumptions:
The Beaver‘s lace making is “wrong” (in Carroll’s view) if lace making stands for vivisection.
Lewis Carroll liked to create “portmanteau words”. I suggest that the Boots is the maker of Bonnets and Hoods.
Last not least, since 2010 I think that the most important assumption is that Thomas Cranmer could be among the historical persons to whom the Baker (with four nicknames related to something which was heated or burned) might be related. As a protestant, Cranmer wrote the Forty-Two Articles. Under threat, he left those articles behind like the Forty-Two Boxes, which the Baker left behind on the beach. Then Carroll associated the Baker with pets of catholic saints: Macarius’ hyenas and Corbinian’s bear. (See also: Angus MacIntyre’s suggestion “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” in The Reverend Snark, Jabberwocky 23(1994), p. 51~52.)


About me:
I am an electronics and mechatronics engineer living near Munich in Germany. I know how to work scientifically, but not in the field of arts and literature. In that field of research I am an amateur. Therefore I don’t have to protect any reputation in academic Snarkology. Nevertheless, if you publish papers about, for example, references from The Hunting of the Snark to Thomas Cranmer, please give credit to those, who addressed that topic already. That’s me (2015, 2015, 2016), but also Karen Gardiner (2018), Mary Hibbs (2017, pen names: Mary Hammond and Sandra Mann) and Angus MacIntyre (1994).


Blog:
※ Posts and Pages: I use WordPress to run snrk.de. WordPress offers to publish “posts” and “pages”. In this blog you will often find pairs of articles where one of them is a post and the other one is a page. In such a pair of articles, both have the same title where the post is a brief blog article and the associated page then goes into more detail.
Comments: I disabled the commenting function for almost all articles. Sorry, there is too much bot spam. But you can write to me.

2nd Blog:
I use boojum.snrk.de for rants and other stuff.

3nd Blog:
meikekluge.snrk.de is a blog which I maintain for my mother.


Contact:

  1. twitter.com
  2. mewe.com (or leave a message to me in my personal MeWe site)
  3. facebook.com (or leave a message to me in my personal FB site)
  4. ko-fi.com

Sometimes I also look into these sites:

In order to avoid collecting personal user data and to minimize spam, I disabled blog registration.


Privacy policy and data protection:
This site complies with the European General Data Protection Regulation and obeys to the Do Not Track (DNT) header. In order to make things easy to me, nobody can register with snrk.de and leave personal data in the blog database. Therefore no such data are collected.


Licenses:
CC BY-NC-SA 4.0 is the license for images in this blog if not indicated otherwise.


Götz Kluge, Munich 2018-07-07, update: 2019-04-06

Nose is a Nose is a Nose

A Snark article in the Knight Letter
(with lots of help from the editors Chris Morgan and Mark Burstein)


Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99

When I wrote this article, I failed to mention that already in 1973 Elizabeth Sewell pointed out in The Field of Nonsense that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear (MG058). I am sorry for that.

I posted my article online with permission of the Knight Letter editors. In the online copy, I fixed the wrong URL kl.snr.de. It’s kl.snrk.de. Furthermore, four additional images have been attached to my online version.

read more

 


2009


2018-02-09, update 2018-12-30: Reference to Elizabeth Sewell

9.5±0.5 Snark Hunters

There may be no tenth member in Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark. I think that the Snark hunting party consists of nine members only. Let us take them in order of their introduction:

  1. The Bellman, their captain.
  2. The Boots, a maker of Bonnets and Hoods
  3. The Barrister, brought to arrange their disputes, but repeatedly complained about the Beaver’s evil lace-making.
  4. The Broker, to value their goods.
  5. The Billiard-marker, whose skill was immense, might perhaps have won more than his share. From John Tufail I learned that in Henry Holiday’s illustration the Billiard-marker is preparing a cheat.
  6. The Banker, engaged at enormous expense, had the whole of their cash in his care.
  7. The Beaver, that paced on the deck or would sit making lace in the bow and had often (the Bellman said) saved them from wreck, though none of the sailors knew how.
  8. The Baker, also addressed by “Fry me!”, “Fritter my wig!”, “Candle-ends” as well as “Toasted-cheese”, and known for joking with hyenas and walking paw-in-paw with a bear.
  9. The Butcher, who only could kill Beavers, but later became best friend with the lace-making animal.

9 or 10 hunters? | Care and Hope | The Snark

 
2017-11-06, completely rewritten: 2018-11-07

Tree of Life

In this image, Charles Darwin’s tree of life sketch of the evolutionary tree (c. July 1837, Notebook B, 1837-1838, page 36) is compared to a “weed” in the lower left corner of Holiday’s illustration.

To my knowledge, the earliest publishing of a facsimile from Darwin’s hand drawing occurred in the 20th century. A “tree” was published in Charles Darwin’s Origin of Species. But that was an image arranged by a typographer, not Darwin’s sketch from his Notebook B. Darwin did not keep his notebook B secret after the publication of On the Origin of Species, but I do not know of any presentation of his sketch before 1876. Thus, the resemblance between the “weed” and Darwin’s evolutionary tree probably may be purely incidental.

Are any earlier publishing dates for facsimile reproductions of his drawing known before 1867? Could Darwin’s supporters (probably not Darwin himself) have used his sketch for promoting The Descent of Man in 1871?

I search the earliest publishing date of that image e.g. in newspapers, magazines, books etc. Can you give me any hints?

 

Links:

Waistcoat Poetry

 

There was an old man of Port Grigor,
Whose actions were noted for vigour;
He stood on his head
till his waistcoat turned red,
That eclectic old man of Port Grigor.

Edward Lear, 1872

 

He was black in the face,
and they scarcely could trace
The least likeness to what he had been:
While so great was his fright
that his waistcoat turned white –
A wonderful thing to be seen!

Lewis Carroll, from “The Hunting of the Snark”, 1876

 
 

Martin Gardner annotated (MG058) to The Hunting of the Snark that Elizabeth Sewell pointed out in The Field of Nonsense (1973) that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear.

See also:


 
2017-09-11, update: 2018-12-07

The Bandersnatched Banker

Just leaving some marks on Instragram.

#SnarkAllusion — ※ Left: The Banker after his encounter with the #Bandersnatch, depicted in an illustration (woodcut by #JosephSwain for block printing) by #HenryHoliday to the chapter "The Banker’s Fate" in #TheHuntingOfTheSnark" by #LewisCarroll (scanned from an original 1876 1st edition of the book) ※ Right: Slightly horizontally compressed rendering of "The Imagebreakers" (1566-1568) aka "Allegory of Iconoclasm" aka "The Iconoclasts", an #etching by #MarcusGheeraertsTheElder (#BritishMuseum, Dept. of Print and Drawings, 1933.1.1.3. (See also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29.) Henry Holiday flipped the “nose” of Gheeraert’s “head” before using it as the Banker’s nose in his pictorial allusion to Gheeraerts’ etching. Probably not intended by Gheeraets but discovered by Holiday: Flipping the nose yields a different nose with a different shape. — I published an article about this in the “Knight Letter” 99 of the Lewis Carroll Society of North America: http://nose.snrk.de — #スナーク狩り #MarcusGheeraerts #ArtAnalysis #VictorianLiterature #VictorianIllustration #VictorianWoodcut #ReferentialArt #PictorialAllusion #LewisCarrollSociety #16thCenturyArt #16thCenturyPrint #16thCenturyEtching #19thCenturyArt #19thCenturyIllustration #UnusualArt #Bandersnatch #Reformation #Bildzitat #PictorialReference #SideBySide #Vergleich

A post shared by Götz Kluge (@goetz.kluge) on

more: http://nose.snrk.de