In some of his illustrations to Lewis Carroll’s The Hunting of the Snark, Henry Holiday alluded to The Image Breakers, a 16th century print made by Marcus Gheeraerts the Elder. I see at least one of Holiday’s pigs in that print and also something which Henry Holiday could have turned into a Moritz bass tuba.
2019 is the year of the pig. Does that make me see pigs everywhere, or did Henry Holiday see that pig in Gheeraert’s print too?
Actually, I have to confess that I saw the pig already in 2009. And it wasn’t just that:
But perhaps Holiday’s ruff – and the pose of the Fit Five drawing – was inspired by the Elizabethan drama inherent in Millais’ Boyhood of Raleigh, (1869).
Louise Schweitzer, One Wild Flower (2012)
2017-09-04, updated 2019-01-05
Artists, who have played with their own paredolia first, know how to play with the pareidolia of the beholders of their works.
I incidentally found this in December 2017 as bycatch from my Snark hunt:
2017-12-23, updated to 2019-01-01 just for the heck of it
2017-09-13, update: 2018-10-11
The Butcher reasoning with the Beaver.
This is the illustration (partially inspired by various works of other artists) to the chapter The Beaver’s Lesson.
(Bycatch from my Snark hunt: Doré probably recycled Doré.)