Easter Greeting by Lewis Carroll, printed by James Parker & Co. (Oxford, 1876) for C. L. Dodgson (aka Lewis Carroll) privately on cream laid fine paper, watermarked by E. Towgood. Tipped in at front end paper of Lewis Carroll’s The Hunting of the Snark, 1st edition and 1st printing, Macmillan & Co. (London, 1876).
Shortly before publishing The Hunting of the Snark, Carroll perhaps became afraid of his own work and tried to prepare his readers for the tragedy: On his own expense, he inserted that Easter Greeting into the already printed first edition of the book.
[left]: Illustration The Crew on Board by Henry Holiday to Lewis Carroll’s The Hunting of the Snark (1876)
[right]: Crossing the Line (1839), based on a print by Thomas Landseer, after Augustus Earle. You will find the print in Robert Fitz-Roy’s Narrative of the surveying voyages of HMS Adventure and Beagle, Vol II (1839).
In his Illuminated Snark, John Tufail assumed that the night sky in the front cover of The Hunting of the Snark could be a map. Together with my assumption that Henry Holiday drew inspiration from several paintings by Marcus Gheeraerts the Younger, John’s paper helped me to find the Ditchley Portrait. That again helped me to find the painting by an anonymous artist depicting Elizabeth I at old age.
This is the beautiful result of a 1st year university project to create a video to go alongside a given prose. Charlotte Emerson made a shadow cranky, animating Lewis Carroll’s The Hunting of the Snark. She uploeded it to YouTube on 2016-05-12.
In this image one of the elements has been marked (blue frame) which Henry Holiday borrowed from a 17th century painting (by an anonymous artist). This might be a bit different from the borrowing described by T. S. Eliot in 1920. The borrowing ot the pictorial allusion is inconspicuous. It doesn’t enrich Holiday’s illustration. It’s only purpose might be that of a signpost pointing to another work of art.