I entered the Snark hunting grounds in December 2008. http://www.artandpopularculture.com/User:Goetzkluge could give you an idea where I was in 2010.
Illustrations by Henry Holiday (from The Hunting of the Snark, 1876) and Marcus Gheeraerts the Elder (Allegory of Iconoclasts, aka The Image Breakers, around 1567): In the “mouth” of Gheeraerts’ “head” a praying priest is depicted. The shape of the priest also is visible in the “mouth” of Holiday’s vanishing “Baker”.
There is more — with acknowledgments to Mahendra Singh, to John Tufail and to the Internet.
2017-08-28, updated: 2018-12-30
[The New Belfry of Christ Church, Oxford] is of the best of Dodgson’s Oxford squibs, a good humored but cutting attack on Dean Liddell (the father of Alice) and the wooden cube built to contain the Cathedral bells during operations to build a new tower. Though it can still be found today behind the stone walls of the tower, the wooden cube was always a temporary plan but Dodgson was impatient and the Governing body were slow.
Source: Cristies, 2009-12-04
The Bell in The Hunting of the Snark might be interpreted as a symbol for time and time pressure. But it also might have been used by C.L. Dodgson to continue lampooning Dean Henry Liddell‘s “bonnet-box” project, a meekly geometric belfry to go up on the cathedral at Christ Church. In The New Belfry of Christ Church, a certain “D. C. L.” wrote:
§ 7. On the impetus given to Art in England by the new Belfry, Ch. Ch.
The idea has spread far and wide, and is rapidly pervading all branches of manufacture. Already an enterprising maker of bonnet-boxes is advertising ‘the Belfry pattern’: two builders of bathing-machines[MG025] at Ramsgate have followed his example: one of the great London houses is supplying ‘bar-soap’ cut in the same striking and symmetrical form: and we are credibly informed that Borwick’s Baking Powder and Thorley’s Food for Cattle are now sold in no other shape.
2018-05-24, edited: 2018-06-25, shifted to the top 2018 posts: 2018-12-21
There was an old man of Port Grigor,
Whose actions were noted for vigour;
He stood on his head
till his waistcoat turned red,
That eclectic old man of Port Grigor.
He was black in the face,
and they scarcely could trace
The least likeness to what he had been:
While so great was his fright
that his waistcoat turned white –
A wonderful thing to be seen!
Martin Gardner annotated (MG058) to The Hunting of the Snark that Elizabeth Sewell pointed out in The Field of Nonsense (1973) that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear.
- Alex Dalenberg (2014-04-02): A Sense for Nonsense: From Edward Lear to Lewis Carroll to Dr. Seuss
- Article in Knight Letter #99
- On Borrowing
- Discussion: Facebook | Twitter
- Bandersnatched Baker 6000×6000 (Alamy doesn’t own the image. They’ve got it all wrong. Here in the snrk.de blog you get the image segmentnfree of charge. It depicts the Bellman and the Banker and has nothing to to with “Alice”.)
2017-09-11, update: 2018-12-07
Even while the blinding bandage lies,
Daughter of a Judge, upon thine eyes,
If the scales thou wield with care
Truth and Justice will declare
Hunting Snarks is innocent and wise!
Source of the acrostic poem:
Rare, Uncollected, Unpublished & Nonexistent Verse of Lewis Carroll, Collected and Annoted by August A. Imholz, Jr. & Edward Wakeling, p. 30, LCSNA 2018, ISBN 978-0-930326-11-1.
The book is available to LCSNA members only.
The smartest people I know:
1 Don’t get easily offended
2 Read more than they talk
3 Enjoy intelligent discourse
4 Quickly admit when they’re wrong
5 Comfortable changing their opinion
6 Surround themselves w/ intelligence
7 Seek to understand every perspective on a topic
The Snark is not necessarily evil.
197 “He remarked to me then,” said that mildest of men,
198 “ ‘If your Snark be a Snark, that is right:
199 Fetch it home by all means—you may serve it with greens,
200 And it’s handy for striking a light.
Let’s strike a light and help the Snark not to turn into a Boojum: Snark taming.
Lewis Carroll’s and Henry Holiday’s The Hunting of the Snark made me digging into British history and the history the Anglican church (especially the Oxford Movement).
It’s not history, at least not a finished one.
To me, Carroll’s tragicomedy (a tragedy in Henry Holiday’s view) is about the doctrinal conflicts (some of them lethal) arising along the travel to truth, whatever that might be. These conflicts within and between belief systems surely didn’t end today. Also the concrete disputes which might have inspired the Rev. Dodgson (aka Lewis Carroll) in the 19th century seem to be going on even today. All that is quite strange to me (not only because I am a German). I can’t take sides, because I don’t even understand how and why the disputed issues can be issues at all.
The Church of England has sent a clear message to its conservative churchgoers – you’re not wanted.
The treatment of Bishop Philip North, an Anglo-Catholic, shows the Church’s prospects for unity are grim.
By Andrew Sabisky March 13, 2017 13:16 GMT
It is with a heavy heart that I must announce that the Church of England is at it again. Fresh off a truly disastrous session of General Synod (the Church’s parliament), it has plunged itself headlong into further public ignominy.
The latest disaster concerns Bishop Philip North, currently the Bishop of Burnley. He was chosen by the bureaucracy to be the new Bishop of Sheffield (a promotion from suffragan to diocesan status). […]
Not only the ongoing struggles in the Anglican Church still are turning Snarks into Boojums. The multicultural beasts are very alife today, perhaps more than ever.
106 … the Captain they trusted so well
107 Had only one notion for crossing the ocean,
108 And that was to tingle his bell.
109 He was thoughtful and grave—but the orders he gave
110 Were enough to bewilder a crew.
111 When he cried “Steer to starboard, but keep her headlarboard!”
112 What on earth was the helmsman to do?
113 Then the bowsprit got mixed with the rudder sometimes:
114 A thing, as the Bellman remarked,
115 That frequently happens in tropical climes,
116 When a vessel is, so to speak, “snarked.”
117 But the principal failing occurred in the sailing,
118 And the Bellman, perplexed and distressed,
119 Said he had hoped, at least, when the wind blew due East,
120 That the ship would not travel due West!
Beyond Oxford and beyond the church, Carroll’s tragicomedy also applies to the conflicts (some of them lethal) arising along the travel to truth in worldly matters. In the last years more and more Boojums got in the way of the travellers. Most of them are notorious liars. How evil they are you’ll understand if you see what kind of leadership they admire.
1st post: 2017-01-21, update: 2018-08-07
This is about Henry Holiday’s illustration to the final chapter of Lewis Carroll’s The Hunting of the Snark, published more than 140 years ago. This also is about Thomas Cranmer. He and the Baker (the ambivalent hero in The Hunting of the Snark) perhaps hoped that after having left their 42 articles behind, the Boojum won’t get them.
The Hunting of the Snark needs to be read at least twice. The book is an excellent example for crossover literature: Children read it as a nonsense story. It is “dark”, but funny nevertheless. However, mature readers (at age hundred-forty or so) might feel, that it ends with a reference to the burning of Thomas Cranmer in 1556.
The image serves to compare two illustrations:
- Henry Holiday’s illustration to the chapter The Vanishing in Lewis Carroll’s The Hunting of the Snark (1876). The complete illustration is on the upper left side. A 135° couterclockwise rotated detail from that illustration has been rendered on the upper right side of this comparison image.
Source: 1st edition of The Hunting of the Snark (April 1876).
- Faiths Victorie in Romes Crueltie (published by Thomas Jenner, c. 1630). Immediately to the right side of the fire, Thomas Cranmer is depicted burning his hand.
License: CC BY-SA 4.0.
Source: Folger Digital Image Collection
The rotated detail from Henry Holiday’s illustration neither is a “claw” nor a “beak”. I assume that it depicts a fire. And there is a hand in both fires. Carroll and Holiday almost too successfully made sure that the readers of The Hunting of the Snark don’t understand that too early.
Just leaving some marks on Instragram.
#SnarkAllusion — ※ Left: The Banker after his encounter with the #Bandersnatch, depicted in an illustration (woodcut by #JosephSwain for block printing) by #HenryHoliday to the chapter "The Banker’s Fate" in #TheHuntingOfTheSnark" by #LewisCarroll (scanned from an original 1876 1st edition of the book) ※ Right: Slightly horizontally compressed rendering of "The Imagebreakers" (1566-1568) aka "Allegory of Iconoclasm" aka "The Iconoclasts", an #etching by #MarcusGheeraertsTheElder (#BritishMuseum, Dept. of Print and Drawings, 19220.127.116.11. (See also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29.) Henry Holiday flipped the “nose” of Gheeraert’s “head” before using it as the Banker’s nose in his pictorial allusion to Gheeraerts’ etching. Probably not intended by Gheeraets but discovered by Holiday: Flipping the nose yields a different nose with a different shape. — I published an article about this in the “Knight Letter” 99 of the Lewis Carroll Society of North America: http://nose.snrk.de — #スナーク狩り #MarcusGheeraerts #ArtAnalysis #VictorianLiterature #VictorianIllustration #VictorianWoodcut #ReferentialArt #PictorialAllusion #LewisCarrollSociety #16thCenturyArt #16thCenturyPrint #16thCenturyEtching #19thCenturyArt #19thCenturyIllustration #UnusualArt #Bandersnatch #Reformation #Bildzitat #PictorialReference #SideBySide #Vergleich