“Thought to be based on Gheeraert’s iconoclasm image”

https://publicdomainreview.org/collections/the-art-of-hidden-faces-anthropomorphic-landscapes/
(Snapshot 2019-10-10)

Marcus Gheeraerts the Elder’s allegory of iconoclasm, ca.1566 — Source.

The next picture is an illustration by Henry Holiday for Lewis Carroll’s The Hunting of the Snark. The face hidden in the darkness of the trees is thought to be based on Geheert’s iconoclasm image above.

The tenth of Henry Holiday’s original illustrations to Lewis Carroll’s The Hunting of the Snark, 1876 — Source.


Info to the Public Domain Review: This was my first discovery of one of Henry Holiday’s allusions. This finding started my Snark hunt in December 2008.

By the way, Henry Holiday only contributed nine illustrations to The Hunting of the Snark and two illustrations for the book cover. The Ocean Chart probably had been made by a typesetter.

And there are various way’s to write Gheeraert’s name. 😉

Nose is a Nose is a Nose

A Snark article in the Knight Letter
(with lots of help from the editors Chris Morgan and Mark Burstein)


Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99

When I wrote this article, I failed to mention that already in 1973 Elizabeth Sewell pointed out in The Field of Nonsense that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear (MG058). I am sorry for that.

I posted my article online with permission of the Knight Letter editors. In the online copy, I fixed the wrong URL kl.snr.de. It’s kl.snrk.de. Furthermore, four additional images have been attached to my online version.

read more

 


2009


2018-02-09, update 2018-12-30: Reference to Elizabeth Sewell

My 1st Snark Trophy

I entered the Snark hunting grounds in December 2008. http://www.artandpopularculture.com/User:Goetzkluge could give you an idea where I was in 2010.

Illustrations by Henry Holiday (from The Hunting of the Snark, 1876) and Marcus Gheeraerts the Elder (Allegory of Iconoclasts, aka The Image Breakers, around 1567): In the “mouth” of Gheeraerts’ “head” a praying priest is depicted. The shape of the priest also is visible in the “mouth” of Holiday’s vanishing “Baker”.

There is more — with acknowledgments to Mahendra Singh, to John Tufail and to the Internet.

 
2017-08-28, updated: 2018-12-30

Kitty


 


 

Comment to tweet by Bono Jorden:

Retweeted by Musée Unterlinden (2017-12-27):more
 

Another finding (bycatch from my Snark hunt):