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@Snark150

@Snark150 is just the place for a Snark! And it stays in the European Union, together with https://t.co/q0aekyCltx. pic.twitter.com/OUKTFwZJHd

— Goetz Kluge (@Bonnetmaker) June 30, 2019


I started @Bonnetmaker in July 2010 on Twitter. In May 2019 I set up a second Twitter account @Snark150 which focuses on Snark only.

About Henry Holiday's and Lewis Carroll's tragicomedy "The Hunting of the Snark".https://t.co/sP4PrmU03H pic.twitter.com/A1EEUavPkA

— Snark Sesquicentennial (@Snark150) June 16, 2019

Where Gardner went too far

In the introduction to The Hunting of the Snark (Penguin Classics edition, 1962, 1974,p. 17), Martin Gardner wrote:

How well the academician Holiday succeeded in producing grotesques for the Snark (it is the only work of Carroll’s that he illustrated) is open to debate. Ruskin was certainly right in thinking him inferior to Tenniel. His drawings are, of course, thoroughly realistic except for the overzize heads and the slightly surrealist quality that derives less from the artist’s imagination than from the fact that he was illustrating a surrealist poem.

I think that Gardner certainly was wrong. And Ruskin certainly was wrong as well. But, of course, that is open to debate.

Twitter

Carroll’s comments on an Oxford Belfry

In The New Belfry of Christ Church, a certain “D. C. L.” wrote:

§ 7. On the impetus given to Art in England by the new Belfry, Ch. Ch.

The idea has spread far and wide, and is rapidly pervading all branches of manufacture. Already an enterprising maker of bonnet-boxes is advertising ‘the Belfry pattern’: two builders of bathing-machines[MG025] at Ramsgate have followed his example: one of the great London houses is supplying ‘bar-soap’ cut in the same striking and symmetrical form: and we are credibly informed that Borwick’s Baking Powder and Thorley’s Food for Cattle are now sold in no other shape.

In https://snrk.de/page_the-new-belfry I wrote about that already earlier, but today I found a Twitter thread by Thomas Morris (@thomasngmorris) on C.L. Dodgson’s (Lewis Carroll’s) The New Belfry of Christ Church, Oxford.

I've just come across this very funny but little-known work by Lewis Carroll, published in 1873 under the not-very-anonymous pseudonym 'D.C.L.' (Dodgson, Charles Lutwidge – a rearrangement of his real initials). pic.twitter.com/twNBcahJp1

— Thomas Morris (@thomasngmorris) April 6, 2018


 
more

 
2019-06-08

Henry George Liddell

A Billiard-marker, whose skill was immense,
　Might perhaps have won more than his share—
But a Banker, engaged at enormous expense,
　Had the whole of their cash in his care.

The Times announces that Liddell of Westminster is to be the new Dean: the selection does not seem to have given much satisfaction in the college.

Quote: C.L. Dodgson, 1855-06-07, @DodgsonDiaries on Twitter

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2017-08-28, updated: 2019-06-08

Delightful Monster


Monsters, by Henry Holiday (left) and J. J. Grandville (right).
 

[…] One of the first three [illustrations] I had to do was the disappearance of the Baker, and I not unnaturally invented a Boojum. Mr. Dodgson wrote that it was a delightful monster, but that it was inadmissible. All his descriptions of the Boojum were quite unimaginable, and he wanted the creature to remain so. I assented, of course, though reluctant to dismiss what I am still confident is an accurate representation. I hope that some future Darwin in a new Beagle will find the beast, or its remains; if he does, I know he will confirm my drawing. […]

(Henry Holiday (1898): The Snark’s Significance)

 
Once you meet the Boojum, you might be Going Slightly Mad.

A Snark Excerpt as Graph


The image visualizes hypergraph properties of a part (lines 547 to 556) of Lewis Carroll’s The Hunting of the Snark. (I fixed the transposition error “Page 18” in the original image. In the 1st 1876 Snark edition it’s page 81.)

Image source:
Ronald Haentjens Dekker and David J. Birnbaum.
“It’s more than just overlap: Text As Graph.”
Presented at Balisage: The Markup Conference 2017,
Washington, DC, August 1 – 4, 2017.
In Proceedings of Balisage: The Markup Conference 2017.
Balisage Series on Markup Technologies, vol. 19 (2017).
https://doi.org/10.4242/BalisageVol19.Dekker01.

A remark which I received from David J. Birnbaum: Gijs Brouwer implemented the visualization, and Astrid Kulsdom transcribed the information based on the data model inside the application. Gijs’s animated version of the image is available at https://github.com/HuygensING/TAG/blob/master/snark-fly.mp4.

Page 81 visualization | Print/Mobile | EPUB | Twitter | Facebook

Said Thrice

In Lewis Carroll's "Hunting of the Snark", the Snark says ' What I tell you three times is true "

— John Cleese (@JohnCleese) February 3, 2018

What ? No he doesn't. It's the Bellman who says that.

— Monsieur Teubax (@TyphonBaalAmmon) February 3, 2018

No, it's the Snark. No, it's the Snark. No it's the Snark.

— Myles, Knight of Autumn (@TheThirdPolice) February 3, 2018

fair enough

— Monsieur Teubax (@TyphonBaalAmmon) February 3, 2018

The Broker and the Monk

In this image one of the elements has been marked (orange frame) which Henry Holiday borrowed from a 17th century painting (by an anonymous artist). This might be a bit different from the borrowing described by T. S. Eliot in 1920. In the example shown here, the borrowing of the pictorial allusion is inconspicuous. It doesn’t enrich Holiday’s illustration. It’s only purpose might be that of a signpost pointing to another work of art.

more.
 

2017-09-27, update: 2019-02-25

Pigs and a Tuba

Help! I am seeing pigs!

In some of his illustrations to Lewis Carroll’s The Hunting of the Snark, Henry Holiday alluded to The Image Breakers, a 16th century print made by Marcus Gheeraerts the Elder. I see at least one of Holiday’s pigs in that print (spoiler) and also something which Henry Holiday could have turned into a Moritz bass tuba.

2019 is the year of the pig. Does that make me see pigs everywhere, or did Henry Holiday see that pig in Gheeraert’s print too?

Actually, I have to confess that I saw the pig already in 2009. But I didn’t mark it then:

 
2019-02-14

Happy Chinese New Year

Wishing everyone a Happy Chinese New Year with this misericord of a pig playing the bagpipes in @riponcathedral! #YearOfThePig pic.twitter.com/cBqHUCWXoE

— National Churches Trust (@NatChurchTrust) February 5, 2019

More fun to be found with pigs in Lewis Carroll’s (whose dad was a resident canon at Ripon) “Hunting of the Snark” poem. Original book drawing included pigs playing musical instruments. A coincidence that they are fashioned similar to the Cathedral’s misericords? pic.twitter.com/oh7cqSuc5T

— Gail McMillan (@ww_gail) February 5, 2019


What was that? You wanted a pig sitting on a barrel playing a lyre while three of his companions dance to the music? OK, here you go… pic.twitter.com/Cey0RM08c2

— Ian Groves 🇪🇺 (@LandscapeIan) August 24, 2017

his hopeful relative joined a band in the early 13th century – what is his/her instrument of choice?
(Psalter – BL, Lansdowne MS 420, f. 12v)https://t.co/bNM4GOE0nK#PolonskyPre1200 pic.twitter.com/U4vecl8LY4

— Tuija Ainonen (@AinonenT) February 5, 2019


 

Update 2019-06-11

pic.twitter.com/2Twe0mS8N3

— JulesGirlGuiding (@JulesRPardoe) June 11, 2019

Know your Bard

You find many renderings of John Martin‘s The Bard in the Internet. I think that in this comparison the left one is the right one and that the right one is not John Martin’s.

In Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark there are several references to John Martin’s original painting. Some are funny, some are spooky.

 
2018-10-24, update: 2019-02-09

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