There may be no tenth member in Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark. I think that the Snark hunting party consists of nine members only. Let us take them in order of their introduction:
To my knowledge, the earliest publishing of a facsimile from Darwin’s hand drawing occurred in the 20th century. A “tree” was published in Charles Darwin’s Origin of Species. But that was an image arranged by a typographer, not Darwin’s sketch from his Notebook B. Darwin did not keep his notebook B secret after the publication of On the Origin of Species, but I do not know of any presentation of his sketch before 1876. Thus, the resemblance between the “weed” and Darwin’s evolutionary tree probably may be purely incidental.
Are any earlier publishing dates for facsimile reproductions of his drawing known before 1867? Could Darwin’s supporters (probably not Darwin himself) have used his sketch for promoting The Descent of Man in 1871?
“No doubt,” said I, “they settled who
Was fittest to be sent
Yet still to choose a brat like you,
To haunt a man of forty-two,
Was no great compliment!”
In his 29th annotation (MG029) to The Hunting of the Snark, Martin Gardiner stated:
Curiously, Carroll refers to his age as 42 in his poem Phantasmagoria (Canto 1, Stanza 16) though at the time [1869 or earlier] the poem was written, he was still in his thirties. The number 42 certainly seems to have had some sort of special significance for Carroll.
To me that simply means that for Carroll the number 42 does not refer to his own age.
THE BELLMAN in real life! Ivan, one of the load-in crew at Gateshead is the spitting Image of Lewis Carroll’s Bellman from the Hunting Of The Snark. He allowed me to take and post this shot. He’s only got an invisible bell! 🙂 pic.twitter.com/PbreXCtj3s
The drawing depicts Dante Gabriel Rossetti lamenting the death of his second wombat. Mary Hibbs (pen names: Mary Hammond and Sandra Mann) made me aware of the image and of the possibility that the Beaver in Lewis Carroll’s The Hunting of the Snark could have been a reference to Rossetti’s wombat.
The fame of Rossetti’s Wombat is lasting much longer than that poor animal itself, after having been transported for its short life from Australia to Chelsea. But there also was a “Canadian marmot or woodchuck” in Rosetti’s estate in Chelsea, where he moved into the Tudor House in 1862. Actually, Rosetty had two wombats. We also learned from Angus Trumble (Rossetti’s Wombat: A Pre-Raphaelite Obsession in Victorian England, 2003-04-16) that Rosetti had a little zoo in his garden aas well as friends living in his big house like the “deeply unattractive poet and semi-professional sadomasochist Algernon Charles Swinburne — who liked to slide naked down the banisters giest”. I guess that Rosetti’s mini-zoo was kept not even semi-professionally, but together with his friends and his dormouse, Rosetti surely was well prepared for mad tea parties. (See also: G.A.H.! (Gardner’s Annotations Hyperlinked) – The Dormouse and Dante Gabriel Rossetti’s Wombat, LCNSA.)
In The Hunting of the Snark, the Beaver was the Bellman‘s pet and became the Butcher‘s friend. Can anything from the real world be associated with that Beaver-Bellman-Butcher triple? This might expand the Snark matrix, a matrix with elements from The Hunting of the Snark in its rows and elements from the real world in its columns.
001 “Just the place for a Snark!” the Bellman cried,
002 As he landed his crew with care;
003 Supporting each man on the top of the tide
004 By a finger entwined in his hair.
Henry Holiday interpreted “his hair” as the Banker’s hair, not as the Bellman’s hair. Among those who commented on The Hunting on the Snark, that also seems to be the the common understanding of the ambiguously used pronoun “his”. If the hair would be the Bellman’s hair, what kind of finger would have been used to support the Banker?