SNARK! card game by ZZOTA

SNARK!, created by ZZOTA in 2006, is a card game based on Lewis Carroll’s “The Hunting of the Snark”. The game designer Jeremy Jexon Secker defined the rules in 1985. The beautiful artwork of the cards is by Xanna Eve Chown.

Sadly, ZZOTA vanished away in 2017.

Rules: B&W (3 MB) | color (48 MB)

In 2026 we can celebrate the 150th anniversary of the Snark. That’s a good occasion to revive SNARK! as a virtual card game (aligned with creators of the original card game, who like the idea to offer the game as virtual tabletop game free of charge). In a first step I already started to work on generating the cards. Later I will try out virtual tabletops, where the remote players still have to ensure themselves that the rules of the game are followed. I still don’t know whether after that I will move on to game engines like Godot.

Some cards of SNARK!
※ Rules (1985): Jeremy Jexon Secker
※ Design (2006): Xanna Eve Chown

http://snark.games

 
For comments and more: Bluesky (@snark.games) | mastodon

 
2025-09-19, updated: 2026-02-12

Arne Nordheim’s Snark

As for the Snark music known to me, Arne Nordheim’s The Return of the Snark – For Trombone And Tape is among my favorites. Nordheim composed this 15 minutes piece in the year 1987. Gaute Vikdal plays the trombone.

The recording is part of the 7 CDs album Listen – The Art of Arne Nordheim. There are other recordings of Nordheim’s Snark compositions available in the Internet, like The Hunting of the Snark for Trombone only. But I like the Return most.

 
2018-11-02, update: 2026-01-20

The Jabberwock

en.wikipedia.org/wiki/Jabberwocky#Reception:

[…] [Jabberwocky] has also been interpreted as a parody of contemporary Oxford scholarship and specifically the story of how Benjamin Jowett, the notoriously agnostic Professor of Greek at Oxford, and Master of Balliol, came to sign the Thirty-Nine Articles, as an Anglican statement of faith, to save his job. […]

Stephen Prickett (2005): Victorian Fantasy, Baylor University Press, p. 113, ISBN 1-932792-30-9

Unlike Benjamin Jowett, the Rev. Dodgson (aka Lewis Carroll) didn’t sign, but managed to save his job nevertheless without being ordained as a priest. (I am not so sure about the Jowett link, because «the first stanza of “Jabberwocky” was originally written by Carroll at the age of 13 under the title “Stanza of Anglo-Saxon poetry”.» [Darien Graham-Smith, p. 36])

 

Jabberwocky

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

“Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!”

He took his vorpal sword in hand:
Long time the manxome foe he sought—
So rested he by the Tumtum tree,
And stood awhile in thought.

And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! and through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

“And hast thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!”
He chortled in his joy.

’Twas brillig, and the slithy toves
Did gyre and gimble in the wabe;
All mimsy were the borogoves,
And the mome raths outgrabe.

 
See also:
https://poemanalysis.com/lewis-carroll/jabberwocky
Vogon poetry
Chamutal Noimann, Empowering Nonsense: Reading Lewis Carroll’s “Jabberwocky” in a Basic Writing Class (2014)
※ Etching of Saint George and the Dragon by Paolo Uccello (c. 1470). But there also are other inspiring sources:

Christian’s fight with Appollyon in John Bunyan’s Pilgrim’s Progress,
London: Carington Bowles, 1781.
(Source: John Bunyan Society)

 


Games (unfortunately not available anymore from the app shop):
Jabberwocky, Confounded, app for iOS by Christopher Gross

 


Music:
composer: Zoë Tweed, rendition: Sylva Winds
(flute: Yi-Hsuan Chen, bassoon: Guylaine Eckersley, oboe & voice: Drake Gritton,
clarinet: Rowan Jones, french horn: Zoë Tweed)

 
composer: Ben Ponniah, rendition: Peter Noden

 


Muppets

 


2018-04-06, update: 2025-10-27

Maurice Saylor’s Snark

Naxos: «SAYLOR, M.: Hunting of the Snark (The) / New Music for Vintage Silent Film Comedies (Cantate Chamber Singers, Snark Pit-band, Snark Ensemble, Becker)

Maurice Saylor’s setting of Lewis Carroll’s The Hunting of the Snark is written for a chorus and ‘Snarkestra’, Saylor’s word for his quirky, misfit pit-band. This includes all manner of percussion and woodwinds, as well as such exotica as harmonica, bass accordion and washtub, instruments “reviled by society at large”, in Saylor’s words. To the nonsense text he brings a riot of colour and wit as well as a series of traditional devices such as refrains, sea chanties, and a chorale. The result is music of vibrancy, excitement, and even dangerous volatility. The three silent film scores are pacey, dapper and splendidly jazzy.»

(Thank you, Magnus, for your comment.)

2025-03-13

Simon Davison’s Snark Movie

2023-01-12, update: 2023-05-21

 


2023-05-06

The poster:

See also: Simon Davison | Snark film | Steampunk Carroll

 


2022-11-14

Preview screening: 2022-11-14

 


2018-10-06

Enjoy the six seconds:
»The Bellman, who was almost morbidly sensitive about appearances, used to have the bowsprit unshipped once or twice a week to be revarnished, and it more than once happened, when the time came for replacing it, that no one on board could remember which end of the ship it belonged to. They knew it was not of the slightest use to appeal to the Bellman about it— he would only refer to his Naval Code, and read out in pathetic tones Admiralty Instructions which none of them had ever been able to understand— so it generally ended in its being fastened on, anyhow, across the rudder. The helmsman (this office was usually undertaken by the Boots, who found in it a refuge from the Baker’s constant complaints about the insufficient blacking of his three pairs of boots) used to stand by with tears in his eyes; he knew it was all wrong, but alas! Rule 42 of the Code, “No one shall speak to the Man at the Helm,” had been completed by the Bellman himself with the words “and the Man at the Helm shall speak to no one.“ So remonstrance was impossible, and no steering could be done till the next varnishing day. During these bewildering intervals the ship usually sailed backwards.«

There is a crowd funding page associated with this project run by Imperious Films. Simon already managed to crowd fund one earlier project. To me this crowd funding looks more like an offer to pre-order a personal copy of the movie rather than to cover the production cost. Good idea.

Mike Batt: The Composing of the Snark

LCSNA Fall Meeting, 2021
WCLD Radio Alice
2021-10-16
«Mike Batt presents “The Composing of the Snark”: Does setting Snark to music involve more forks and hope, or smiles and soap? Mike Batt takes us behind the music and details the creation of his concept album and West End stage musical The Hunting of the Snark

Mike’s session is scheduled
from 18:50 UTC to 19:25 UTC.

More: https://lewiscarroll.org/event/lcsna-fall-2021-meeting/.

 
2021-10-16


 
Mike Batt‘s presentation now is available on YouTube:

2021-10-21

François Tusques — La Chasse Au Snark

※ La Chasse Au Snark (studio version, 1968, 15:53)
※ Sa Triste Histoire Il S’Offrit à Dire (live version, 1969, 15:49)
※ Car Le Jubjub Etait Un Boojum, Voyez-Vous (Happening At La Vieille Grille 1967-8/Biennale de Paris 1971, 16:54)
※ Survint Un Silence Suprême (live version, 1968, 20:12)

Cover illustration: Tove Jansson
Links: jazzmusicarchives | YouTube

Snark Radio Play

Sadly, it’s not online anymore.

 


https://www.bbc.co.uk/programmes/b06sbrxh/clips (2020-01-02):

Tony Robinson narrates this fresh adaptation of Lewis Carroll’s classic masterpiece following a strange assortment of characters on their quest for an elusive beast.

Led by a bell-ringing Captain, this motley crew must brave terrifying danger in their chaotic pursuit of a creature known as Snark. Accompanied by specially composed music and songs, this surreal tale questions whether anything is really what it seems. …

First broadcast on BBC Radio 4 in December 2015.

Streaming: 2020-01-02 – 2020-01-31

Credits:
– Narrator: Tony Robinson
– Bellman: Eric Potts
– Baker: Paul Barnhill
– Butcher: Everal A Walsh
– Barrister: Jonathan Keeble
– Snark (in the Barrister’s dream): Jonathan Keeble
– Beaver: Stephen Hoyle
– Music and songs (composer): Katie Chatburn
– Music (performers):
    – Katie Chatburn
    – Dorry Macaulay
    – Kathryn Williams
    – Stephen Cordiner
    – Jasper Wilkinson
– Director: Charlotte Riches
– Author: Lewis Carroll

 
2020-01-02, update: 2020-05-15

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