This is the beautiful result of a 1st year university project to create a video to go alongside a given prose. Charlotte Emerson made a shadow cranky, animating Lewis Carroll’s The Hunting of the Snark. She uploeded it to YouTube on 2016-05-12.
[left]: The Banker after his encounter with the Bandersnatch, depicted in Henry Holiday’s illustration (woodcut by Joseph Swain) to the chapter The Banker’s Fate in Lewis Carroll’s The Hunting of the Snark.
[right]: a slightly horizontally compressed rendering of The Imagebreakers (1566-1568, aka Allegory of Iconoclasm), an etching by Marcus Gheeraerts the Elder.
Usually elements borrowed by Henry Holiday from other artists are inconspicuously integrated into Holiday’s illustrations. Here is an exception. The monstrance-shaped tree is just a small element in John Martin’s The Bard. In Holiday’s illustration it is more prominent.
Lewis Carroll’s The Hunting of the Snark (1876) has been published “with nine illustrations by Henry Holiday”. But there are ten illustrations. One possible explanation: The Ocean-Chart (aka the Bellman’s map) has been made neither by Henry Holiday nor by Joseph Swain, but by a typesetter.
In the more recent British history, the map has been used by Britain’s contemporary Bellmen before 2016-06-23 to present their understanding of the impact of the Brexit to the rest of the crew. Admittedly, by now the majority of Britains understand the trouble they put themselves into. But as pride and face-saving of course is much more important than something profane like a healthy economy and rational thinking, that map won’t be updated.