Sadly, it’s not online anymore.
Tony Robinson narrates this fresh adaptation of Lewis Carroll’s classic masterpiece following a strange assortment of characters on their quest for an elusive beast.
Led by a bell-ringing Captain, this motley crew must brave terrifying danger in their chaotic pursuit of a creature known as Snark. Accompanied by specially composed music and songs, this surreal tale questions whether anything is really what it seems. …
First broadcast on BBC Radio 4 in December 2015.
– Narrator: Tony Robinson
– Bellman: Eric Potts
– Baker: Paul Barnhill
– Butcher: Everal A Walsh
– Barrister: Jonathan Keeble
– Snark (in the Barrister’s dream): Jonathan Keeble
– Beaver: Stephen Hoyle
– Music and songs (composer): Katie Chatburn
– Music (performers):
– Katie Chatburn
– Dorry Macaulay
– Kathryn Williams
– Stephen Cordiner
– Jasper Wilkinson
– Director: Charlotte Riches
– Author: Lewis Carroll
2020-01-02, update 2020-05-15
HUNTING OF THE SNARK
Topics BBC Radio, Dramatised reading, Lewis Carroll, The Snark, nonsense verse
Michael Bakewell examines the various interpretations of Lewis Carroll’s nonsense verse published in 1876, about “an impossible voyage of an improbable crew to find an inconceivable creature” and introduces a dramatised reading.
Music: Steven Faux
Narrator: Alan Bennett
Bellman: Paul Daneman
Baker: David Collings
Butcher: David King
Snark: Peter Penry Jones
BBC Radio 3, 20 December 1992
Available in https://archive.org/details/THEHUNTINGOFTHESNARK
If you get the complete album, then you also have the original poem being sung to you.
Douglas YOUNG (b.1947)
The Hunting of the Snark (An Agony in 8 Fits)
Narrator – Peter Easton
Douglas Young – Piano and Percussion
The Leicestershire Chorale and Members of the Leicestershire Schools Symphony Orchestra/Peter Fletcher
rec. Bosworth College, Desford, 14 March 1982
CAMEO CLASSICS CC9106 [53.21]
What is so marvellous is how well the young instrumental musicians at the time, played and clearly reacted to the music (their names are listed in the booklet) and my colleague at the time on MusicWeb, John Whitmore, is quoted as saying “the playing is good absolute rather than good considering”, I can’t improve on those words.
The booklet contains the original, Monty Python type, illustrations you find in any good copy of the poem, by Henry Holiday (d.1927) as well as the complete Carroll text and biographies of the performers but no composer’s note on the work.
Mounty Python type! I like that.
Besides Lewis Carroll’s textual allusions and Henry Holiday’s pictorial allusions, I now also found a piece with musical allusions. Accompanying the Bellman’s “That English is what you speak” with Greensleeves is clear, whereas I don’t know whether Young meant to allude to Schnittke when I heared Schnittke. Then again, to choose Silent Night to accompany the Baker’s gruesome end is wonderfully naughty.
As far as I know, this recording is in the market since 2014. From MusicWeb it received three reviews, with Paul Corfield Godfrey‘s review inbetween Whitmore‘s and Higginson‘s reviews. As a layman I would like to add to these that if I ever would dare to try to learn The Hunting of the Snark by heart, I would use this recording to help me memorizing the text.
Remark: The links in the quoted text from MusicWeb had been added in snrk.de and were not part of the original text.
Media data: Libraries Australia