Henry Holiday hid a pictorial reference to Thomas Cranmer's burning in his illustration to the last "fit" of Lewis Carroll's "The Hunting of the Snark" (https://t.co/TVo2mQTqVl). He did that in parallel to the Rev. Dodgson's textual references to Cranmer's forty-two articles. pic.twitter.com/M0HoTyLzix
— Sesquicentennial Snark (@Snark150) May 30, 2022
+++ https://t.co/yBhcmKB5Jc +++https://t.co/IolcJbZ1cJ pic.twitter.com/45v5HPszlR
— Sesquicentennial Snark (@Snark150) January 16, 2022
A closer look at the details: pic.twitter.com/GBxN7zuLIr
— Sesquicentennial Snark (@Snark150) April 10, 2021
Allegory of Iconoclasm,
Gheeraerts, 1570 pic.twitter.com/HImYdUr9L3— WH (@hastifliche) April 18, 2022
There is a reference to a print used in a page of the Amsterdam @rijksmuseum in one of Henry Holiday's illustrations to Lewis Carroll's "The Hunting of the Snark" (https://t.co/WFJ3bBXMEq).https://t.co/HC4IoAJGE5: pic.twitter.com/CXjMOKto8d
— Sesquicentennial Snark (@Snark150) May 5, 2022
Detail: pic.twitter.com/FpzJqyMfRu
— Sesquicentennial Snark (@Snark150) May 5, 2022
The face of the "Bellman" in Henry Holiday's front cover illustration to Lewis Carroll's "The Hunting of the Snark" might have been inspired by the depiction of Father Time in that allegorical painting (https://t.co/W5uTv0LoEh). pic.twitter.com/f5aT5LLocp
— Sesquicentennial Snark (@Snark150) June 9, 2022