This perhaps is the first reference in academia to my findings: A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements by Marysa Demoor (@aphrabel), Springer Nature, 2022-03-21.
(Image from https://snrk.de/wp-content/uploads/2022/10/SnarkedSurrealistEntanglements.pdf)
📖 New #book announcement!
Excited to present Professor Emerita of Victorian and Modernist #culture at @ugent in Belgium @aphrabel Marysa Demoor's new book!
Read more at: https://t.co/WtxpMBHwBK pic.twitter.com/N5e9jsquc8
— OSL_nl (@OslNl) November 22, 2021
This perhaps is the first reference in academia to my findings: "A Cross-Cultural History of Britain and Belgium, 1815-1918: Mudscapes and Artistic Entanglements" by Marysa Demoor (@aphrabel), Springer Nature, 2022-03-21.
(Image from https://t.co/wzL5MXomnU) pic.twitter.com/GXrMKnG4px
— Sesquicentennial Snark (@Snark150) October 21, 2022
Also page 186: pic.twitter.com/WarXh0Gypc
— Sesquicentennial Snark (@Snark150) October 21, 2022
My article (https://t.co/rgGOeprdn6) about this finding: "Nose is a Nose is a Nose" (LCSNA "Knight Letter", № 99, Fall 2017, p. 30~31, https://t.co/2GRgQfiwza) pic.twitter.com/kqqYj2xEce
— Sesquicentennial Snark (@Snark150) October 21, 2022
Back to Marysa Demoor's book: I think that the Snark illustrator Henry Holiday didn't see the prints to which he referred in Belgium. Instead, he might have seen them in the British Museum. pic.twitter.com/xuJy30YoSr
— Sesquicentennial Snark (@Snark150) October 21, 2022
Prof. Marysa Demoor surely also likes this: https://t.co/Yia2Hwr6He
— Sesquicentennial Snark (@Snark150) October 21, 2022
Because of this: https://t.co/QhBpU0rB8Z. pic.twitter.com/HCe1XGnxiM
— Sesquicentennial Snark (@Snark150) October 21, 2022
Let's look at the details: pic.twitter.com/OxCfsSkbkn
— Sesquicentennial Snark (@Snark150) October 21, 2022
[blog]
2022-10-21