The Bandersnatched Banker

Just leaving some marks on Instragram.

#SnarkAllusion — ※ Left: The Banker after his encounter with the #Bandersnatch, depicted in an illustration (woodcut by #JosephSwain for block printing) by #HenryHoliday to the chapter "The Banker’s Fate" in #TheHuntingOfTheSnark" by #LewisCarroll (scanned from an original 1876 1st edition of the book) ※ Right: Slightly horizontally compressed rendering of "The Imagebreakers" (1566-1568) aka "Allegory of Iconoclasm" aka "The Iconoclasts", an #etching by #MarcusGheeraertsTheElder (#BritishMuseum, Dept. of Print and Drawings, 1933.1.1.3. (See also Edward Hodnett: Marcus Gheeraerts the Elder, Utrecht 1971, pp. 25-29.) Henry Holiday flipped the “nose” of Gheeraert’s “head” before using it as the Banker’s nose in his pictorial allusion to Gheeraerts’ etching. Probably not intended by Gheeraets but discovered by Holiday: Flipping the nose yields a different nose with a different shape. — I published an article about this in the “Knight Letter” 99 of the Lewis Carroll Society of North America: — #スナーク狩り #MarcusGheeraerts #ArtAnalysis #VictorianLiterature #VictorianIllustration #VictorianWoodcut #ReferentialArt #PictorialAllusion #LewisCarrollSociety #16thCenturyArt #16thCenturyPrint #16thCenturyEtching #19thCenturyArt #19thCenturyIllustration #UnusualArt #Bandersnatch #Reformation #Bildzitat #PictorialReference #SideBySide #Vergleich

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Nose is a Nose is a Nose


A Snark article in the Knight Letter
(with lots of help from Chris Morgan and Mark Burstein)

Source: Knight Letter (ISSN 0193-886X), Fall 2017, Number 99

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Update 2018-02-12:
My article is online (with permission of the Knight Letter editors). In the online copy, I fixed the wrong URL It’s Also four additional images have been attached to the article.

When the Queen met the Boojum

This blog is mostly about Lewis Carroll‘s, Henry Holiday‘s and Joseph Swain‘s illustrations to The Hunting of the Snark.


In his Illuminated Snark, John Tufail assumed that the night sky in the front cover of The Hunting of the Snark could be a map. Together with my assumption that Henry Holiday drew inspiration from several paintings by Marcus Gheeraerts the Younger, John’s paper helped me to find the Ditchley Portrait. That again helped me to find the painting by an anonymous artist depicting Elizabeth I at old age.

Goetz Kluge, Munich, 2017-08-28