Seven Coats

021     There was one who was famed for the number of things
022         He forgot when he entered the ship:
023     His umbrella, his watch, all his jewels and rings,
024         And the clothes he had bought for the trip.

025     He had forty-two boxes, all carefully packed,
026         With his name painted clearly on each:
027     But, since he omitted to mention the fact,
028         They were all left behind on the beach.

029     The loss of his clothes hardly mattered, because
030         He had seven coats on when he came,
031     With three pairs of boots–but the worst of it was,
032         He had wholly forgotten his name.

“Seven coats” could stand for the protection given by the catholic seven sacraments. But it also could be a reference to Thomas Cranmer‘s seven recantations (or to something else or to nothing). I was struggeling with the count of Thomas Cranmer’s recantations. Are there six or six plus one? Carroll equipped the Baker (who in my view has lots in common with Thomas Cranmer) with seven coats. But as the illustration shows, Henry Holiday gave him six overcoats.

In his final days [Thomas] Cranmer’s circumstances changed, which led to several recantations. On 11 December [1555], Cranmer was taken out of Bocardo and placed in the house of the Dean of Christ Church. This new environment was very different from that of his two years in prison. He was in an academic community and treated as a guest. Approached by a Dominican friar, Juan de Villagarcia, he debated the issues of papal supremacy and purgatory.

[1st ~ 4th] In his first four recantations, produced between the end of January and mid-February, Cranmer submitted himself to the authority of the king and queen and recognised the pope as head of the church. On 14 February 1556, he was degraded from holy orders and returned to Bocardo. He had conceded very little and Edmund Bonner was not satisfied with these admissions. On 24 February a writ was issued to the mayor of Oxford and the date of Cranmer’s execution was set for 7 March.

[5th] Two days after the writ was issued, a fifth statement, the first which could be called a true recantation was issued. Cranmer repudiated all Lutheran and Zwinglian theology, fully accepted Catholic theology including papal supremacy and transubstantiation, and stated that there was no salvation outside the Catholic Church. He announced his joy of returning to the Catholic faith, asked for and received sacramental absolution, and participated in the mass. Cranmer’s burning was postponed and under normal practice of canon law, he should have been absolved. Mary, however, decided that no further postponement was possible.

[6th] His last recantation was issued on 18 March. It was a sign of a broken man, a sweeping confession of sin. Despite the stipulation in canon law that recanting heretics be reprieved, Mary was determined to make an example of Cranmer, arguing that “his iniquity and obstinacy was so great against God and your Grace that your clemency and mercy could have no place with him”, and pressed ahead with his execution.

[7th] Cranmer was told that he would be able to make a final recantation but this time in public during a service at the University Church. He wrote and submitted [on 20 March 1556] the speech in advance and it was published [together with the six previous recantations] after his death. At the pulpit on the day of his execution, he opened with a prayer and an exhortation to obey the king and queen, but he ended his sermon totally unexpectedly, deviating from the prepared script.

(Source: Wikipedia)

In his Thomas Cranmer (1996, rev. 2016), Diarmaid MacCulloch did not use the term “recantation” for what Cranmer wrote on March 20th. MacCulloch called it “a final discourse” (p. 599). That discourse, however, obviously was consistent with the previous six recantations, because shortly after Cranmer’s burning, the government in London let Bishop Bonner certify all of Cranmer’s recantations together with that discourse before quickly publishing these papers in a printed edition.

I found further remarks on Cranmer signing recantations in note 15 to chapter 25 of Thomas Cranmer by Jasper Ridley (1962, rev. 1966). Of course there is much more. But already what I saw is too much for me as an atheist to digest.

As for the “three pairs of boots” (Snark, line 31), I have no good clue yet what that could stand for. It could be a reference to Trinity, to the Three Creeds or some other list with three items. We probably never will find a satisfactory prove for such an assumption. There is an easy way out of this: “Nonsense” would be a convenient explanation as nobody can prove it wrong.

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