Holiday’s Butcher and Millais’ Raleigh

  • Left: Depiction of the Butcher in the illustration by Henry Holiday to the 5th fit The Beaver’s Lesson in Lewis Carroll’s The Hunting of the Snark (1876). The cutter of Holiday’s illustration was Joseph Swain.
  • Right: The Boyhood of Raleigh by J. E. Millais (1869)

The comparison is based on Louise Schweitzer’s assumption in One Wild Flower (2012, page 223, ISBN 978-1-84963-146-4):

But perhaps Holiday’s ruff – and the pose of the Fit Five drawing – was inspired by the Elizabethan drama inherent in Millais’ Boyhood of Raleigh, (1869).

I think that Louise Schweitzer is right. In Holiday’s illustraton not only the ruff was inspired by Millais’ painting. As so often in Holliday’s pictorial Snark conundrums, in this pair of images we find a resemblance of shapes and their re-interpretation: A hat turns into a little tax collector who inspects the Butcher’s pocket. This reinterpretation of shapes (which take almost the same position which they also have in the source image) seems to be Henry Holiday’s technique to leave traces for us to find the relation between his illustrations and the sources to which he alluded.

 

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