Mike Batt’s latest Snark project is to make the first-ever recording of the FULL-LENGTH version of his musical The Hunting Of The Snark, based on Lewis Carroll’s famous nonsense poem. He invites you in his PledgeMusic campain to support to finance this ambitious recording.
Among the interpretations known to me, Mary Hammond’s interpretation is the first one where Eternal Damnation is seen as one of the more important issues to which Lewis Carroll might have taken reference in The Hunting of the Snark. In Carroll’s poem, the Baker‘s Forty-Two Boxes led me to the same conclusion earlier.
I too associate Boojum with the vanishing of reason – which too often is the beginning of violence. Yet, I’ll probably never know, whether my association is similar to what the Boojum meant to Carroll.
549 “It’s a Snark!” was the sound that first came to their ears,
550 And seemed almost too good to be true.
551 Then followed a torrent of laughter and cheers:
552 Then the ominous words “It’s a Boo-”
553 Then, silence. Some fancied they heard in the air
554 A weary and wandering sigh
555 That sounded like “-jum!” but the others declare
556 It was only a breeze that went by.