left]: Henry Holiday: Segment from a depictionof the Baker’s visit to his uncle (1876) in Lewis Carroll’s The Hunting of the Snark (engraved by Joseph Swain).
[center]: Doesn’t this thumb look more like a piece of cloth rather than like a thumb?
[right]: John Everett Millais: Redrawn Segment from Christ in the House of His Parents aka The Carpenter’s Shop (1850), presently on display at Tate Britain (N03584).
See also: http://snrk.de/page_sphinx#4panels
Christ in the House of his Parents: Details from a stained glass window (Brechin Cathedral, source: BSMPG @ Twitter) by Henry Holiday and a painting by J.E. Millais.
The images are quite different. Important things they have in common with other Carpenter’s Shop paintings are the depiction of Joseph as a real carpenter at work and the wood shavings.
Bycatch from my Snark hunt:
- [left]: John Everett Millais: Detail from Christ in the House of His Parents aka The Carpenter’s Shop (1850).
Location: Tate Britain (N03584), London.
- [right]: Philip Galle after Maarten van Heemskerck: Detail from redrawn print Ahasuerus consulting the records (1564).
Location: Rijksmuseum, Amsterdam
Of course this could be incidental. It is said, that Joseph’s head was modelled after the head of Millais’ father.