9.5±0.5 Snark Hunters

There is no tenth member in Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark. I think that the Snark hunting party consists of nine members only. Let us take them in order of their introduction:

  1. The Bellman, their captain.
  2. The Boots, a maker of Bonnets and Hoods
  3. The Barrister, brought to arrange their disputes, but repeatedly complained about the Beaver’s evil lace-making.
  4. The Broker, to value their goods.
  5. The Billiard-marker, whose skill was immense, might perhaps have won more than his share. From John Tufail I learned that in Henry Holiday’s illustration the Billiard-marker is preparing a cheat.
  6. The Banker, engaged at enormous expense, had the whole of their cash in his care.
  7. The Beaver, that paced on the deck or would sit making lace in the bow and had often (the Bellman said) saved them from wreck, though none of the sailors knew how.
  8. The Baker, also addressed by “Fry me!”, “Fritter my wig!”, “Candle-ends” as well as “Toasted-cheese”, and known for joking with hyenas and walking paw-in-paw with a bear.
  9. The Butcher, who only could kill Beavers, but later became best friend with the lace-making animal.

9 or 10 hunters? | Care and Hope | The Snark

 
2017-11-06, edited: 2018-11-07

The Wontrenator makes Boods

Try “Word”+”Contraction”+”Generator” on the Word Contraction Generator and you get (among other offers) Wontrenator. “Bonnets”+”Hoods” gives you (among other offers) a Boods.

The contractor doesn’t do it, but when selecting A WORD WITH SOME LETTERS in the Word Mixer, the tool yields (among many other offers) Boots for “Bonnets“+”Hoods”.

 
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Henry Holiday and the maker or Bonnets and Hoods

Watch those fingers: The photo has been “photoshopped” (by Henry Holiday or Joseph Swain?) already many years before I worked on it using GIMP. Holiday’s tinkering with the little finger and the thumb of his left hand might be a “Victorian craze“.

The image shows Henry Holiday and segments of one of Henry Holiday’s illustrations (cut by Joseph Swain) to Lewis Carroll’s The Hunting of the Snark. The Segments show the Bonnetmaker and a bonnet.

The Bonnetmaker could be a little self portrait of and by Henry Holiday. However, the photo is several years older than Holiday’s illustrations to The Hunting of the Snark. Perhaps it is a portrait taken by Joseph Swain or a self portrait taken by Henry Holiday quite a few years after the Snark was published. Henry Holiday was younger when he illustrated Carroll’s Snark tragicomedy.

Henry Holiday and the Bonnetmaker have one thing in common: They are creative artists. So is Joseph Swain, who engraved that illustration. How did his face look like in 1876?

 


Such little self portraits have a long tradition.

In German there is term “Assistenzfigur”. That is a person positoned in the background or beside the main person or main object depicted in a painting. You may think of such a person as the static version of a “film extra” in a movie. She or he serves a a kind of helper or assistant. Sometimes one of these extras is the artist who made the painting. In German we call such an image in the image an “Assistenzselbstbildnis” or “Assistenzselbstbild” or “Selbstbildnis in Assistenz”. Perhaps the first known self-portraits in assistance where a kind of signature of the artist.

The “self-portrait in assistance” first became available since the 14th century to master builders and sculpturer, shortly after that in Italy also to fresco painters, and since the 15th and 16th century also to painters of large altar- and panel paintings; see Raupp, S. 8

Source (in German): Footnote on p. 162 in Suzanne Valadon – Identitätskonstruktion… (2001) by Valeska Doll referring to Untersuchungen zu Künstlerbildnissen und Künstlerdarstellungen in den Niederlanden im 17. Jahrhundert (1984) by Hans-Joachim Raupp.

In that matter there also are references to Raupp in Melanie Munduch: Die Selbstbildnisse Luca Giordanos (2012)

 
#Assistenzselbstbildnis

Original post: 2017-09-28. Update: 2018-10-02

Three Creeds

To what could the Baker’s “three boots” refer?

This office [of the Helmsman] was usually undertaken by the Boots, who found in it a refuge from the Baker’s constant complaints about the insufficient blacking of his three pairs of boots.

029    The loss of his clothes hardly mattered, because
030        He had seven coats on when he came,
031    With three pairs of boots—but the worst of it was,
032        He had wholly forgotten his name.

In Understanding Carroll’s Theological and Philosophical Views” (2010), John Tufail wrote:

The Jowett controversy was just a small part of what he [Pusey] saw as an extremely serious challenge to the authority of the Anglican Church and the basic tenets (the 32 [typo: Tufail meant 39] articles and the three Creeds) upon which the Church was based. To Pusey three things were absolute both in terms of faith and of meaning. These were the inviolability of ‘The Word’ discussed above, the concept of ‘Original Sin’, and the idea of ‘Eternal damnation’ for those deemed unrepentant or beyond Salvation. Of the three, the one closest to Pusey’s heart – the thing that most of all kept the Christian flock close to the fold, was the idea of Eternal Damnation. Pusey’s views on this were clearly defined in a letter he wrote on the subject to Bishop Wilberforce in February 1864:

One can hardly think of anything for the hidden blasphemy of that judgement which declares to be uncertain which our Lord taught, and for the loss of the countless souls which it will involve, if not repudiated by the Church. For nothing, I suppose. Keeps men from any sin except the love of God or the fear of Hell.

People like lists with three points. They list up what a god may be (Trinity), and the Three Creeds are another list among such lists with three items.

The Baker’s “three boots” could be a reference to more than one of theese three items lists.


Links:

Frankly speaking, to me all this is more difficult to digest than one important apperance of “three” in nature, the three generations of matter.

Being Unwise


According to Karen Gardiner, “it would be unwise for anyone to imply that they have found the answer to the book’s mystery.” The book is Lewis Carroll’s and Henry Holiday’s The Hunting of the Snark (1876).

I started my Snark hunt in December 2008. Initially I probably had been quite unwise. That might explain the title The real story behind “The Hunting of the Snark” of an early post in The Lewis Carroll Forum. I am sorry for that botched exercise in self-irony.

Gardiner gave her warning to Snark hunters in her paper Life, Eternity, and Everything: Hidden Eschatology in the Works of Lewis Carroll, published on p.25~41 in THE CARROLLIAN, No. 31, mailed by the UK Lewis Carroll Society to me in June 2018 (yet not listed in http://thecarrollian.org.uk/).

As for “Article 42” in Thomas Cranmer’s 42 Articles and “Rule 42” in The Hunting of the Snark, the main argument of Gardiner’s June 2018 paper is “that Carroll’s frequent and unexplained use of the number 42, and in particular his development of Role 42 in the preface of The Hunting of the Snark and Rule 42 in Alice’s trial scene highlight the doctrine of eternal punishment that Carroll was so concerned about.” The issue was addressed in this Blog in December 2017: Eternal Disconnect.

As for Thomas Cranmer’s 42 Articles and the Baker’s 42 boxes in The Hunting of the Snark, Gardiner made me aware of Angus MacIntyre‘s comment (1994) “The Baker’s 42 Boxes are the original Protestant Articles of 1553, with Thomas Cranmer’s name on each.” Since 2010 I believe that too. Thanks to Karen Gardiner’s 2018 paper in THE CARROLLIAN and to Angus MacIntire’s suggestion I now know that linking the Baker in The Hunting of the Snark to Thomas Cranmer (among other references) is not such a weird idea after all.

Also Mary Hammond (a pen name of Mary Hibbs) recognized in 2017 that eternal damnation (Article 42 in the 42 Articles) was an issue which Carroll/Dodgson might have addressed in The Hunting of the Snark.

The Article 42 in the 42 Articles was of special interest to Carroll/Dodgson, who objected to the belief in an eternal punishment. But I don’t think that this explains why in The Hunting of the Snark Carroll came up with 42 boxes rather than 39 boxes as a reference to one of the most important foundations of the Anglican church. I suggest that Carroll chose the “42” as among several references to Thomas Cranmer, the author of the 42 Articles.

I started in December 2008 to be unwise with a single finding. But soon I understood, that there are many answers to Lewis Carroll’s and Henry Holiday’s textual and pictorial puzzles in The Hunting of the Snark. There are no references in Gardiner’s papers to my findings related to Thomas Cranmer and his 42 Articles, but it is good to learn that also theologists write about religious aspects of The Hunting of the Snark. Reverend Karen Gardiner is a Priest in the Church of England.

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Sharpening a Spade

When the crew of Lewis Carroll’s The Hunting of the Snark is making preparations for seeking that impossible creature, we read that “the Boots and the Broker were sharpening a spade”. This action is so outlandish that the editor and commentator (Martin Gardner) remarks ad locum: “Why in the world were they sharpening a spade?” (Gardner 2006: 44.)

Source: The Semantics and Semiotics of Sharpening a Spade: A possible Explanation of Carroll’s The Hunting of the Snark, Line 273; by Ezequiel Ferriol, 2017

Sharpening a spade is not outlandish. I saw farmers and gardeners doing that. Sharpening the spade before digging makes work easier. I think that Gardener simply asked what the Boots and the Broker wanted to do with a spade.

Quite probably the Boots and the Broker sharpened a spade because they were going to dig.