Arne Nordheim’s Snark

Among all Snark music known to me, Arne Nordheim’s The Return of the Snark – For Trombone And Tape is my favorite. Nordheim composed this 15 minutes piece in the year 1987. Gaute Vikdal plays the trombone.

The recording is part of the 7 CDs album Listen – The Art of Arne Nordheim. There are other recordings of Nordheim’s The Hunting of the Snark available in the Internet, for Trombone only. But I like the Return most.

Mike Batt’s Snark Relaunch

Mike Batt’s latest Snark project is to make the first-ever recording of the FULL-LENGTH version of his musical The Hunting Of The Snark, based on Lewis Carroll’s famous nonsense poem. He invites you in his PledgeMusic campain to support to finance this ambitious recording.

Links:
※ 2018: Facebook | Twitter | PledgeMusic campaign
※ 1987: Twitter | The Hunting Of The Snark – Royal Albert Hall

 
2018-10-15, update: 2018-11-02

Douglas Young’s Snark

MusicWeb international, by Gary Higginson:

Douglas YOUNG (b.1947)
The Hunting of the Snark (An Agony in 8 Fits)
Narrator – Peter Easton
Douglas Young – Piano and Percussion
The Leicestershire Chorale and Members of the Leicestershire Schools Symphony Orchestra/Peter Fletcher
rec. Bosworth College, Desford, 14 March 1982
CAMEO CLASSICS CC9106 [53.21]

… … …

What is so marvellous is how well the young instrumental musicians at the time, played and clearly reacted to the music (their names are listed in the booklet) and my colleague at the time on MusicWeb, John Whitmore, is quoted as saying “the playing is good absolute rather than good considering”, I can’t improve on those words.

The booklet contains the original, Monty Python type, illustrations you find in any good copy of the poem, by Henry Holiday (d.1927) as well as the complete Carroll text and biographies of the performers but no composer’s note on the work.

Mounty Python type! I like that.

Besides Lewis Carroll’s textual allusions and Henry Holiday’s pictorial allusions, I now also found a piece with musical allusions. Accompanying the Bellman’s “That English is what you speak” with Greensleeves is clear, whereas I don’t know whether Young meant to allude to Schnittke when I heared Schnittke. Then again, to choose Silent Night to accompany the Baker’s gruesome end is wonderfully naughty.

As far as I know, this recording is in the market since 2014. From MusicWeb it received three reviews, with Paul Corfield Godfrey‘s review inbetween Whitmore‘s and Higginson‘s reviews. As a layman I would like to add to these that if I ever would dare to try to learn The Hunting of the Snark by heart, I would use this recording to help me memorizing the text.

 

Remark: The links in the quoted text from MusicWeb had been added in snrk.de and were not part of the original text.

Media data: Libraries Australia


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