- [left]: Illustration The Crew on Board by Henry Holiday to Lewis Carroll’s The Hunting of the Snark (1876)
- [right]: Crossing the Line (1839), based on a print by Thomas Landseer, after Augustus Earle. You will find the print in Robert Fitz-Roy’s Narrative of the surveying voyages of HMS Adventure and Beagle, Vol II (1839).
In his Illuminated Snark, John Tufail assumed that the night sky in the front cover of The Hunting of the Snark could be a map. Together with my assumption that Henry Holiday drew inspiration from several paintings by Marcus Gheeraerts the Younger, John’s paper helped me to find the Ditchley Portrait. That again helped me to find the painting by an anonymous artist depicting Elizabeth I at old age.
Goetz Kluge, Munich, 2017-08-28
The Classics TV
Published on Oct 9, 2017
As for The Hunting of the Snark, I think that this is the most important finding of my Snark hunt.
From Mahendra Singh’s The Dream Book of Mr. Pyridine
Lewis Carroll’s and Henry Holiday’s The Hunting of the Snark made me digging into British history and the history the Anglican church (especially the Oxford Movement).
It’s not history, at least not a finished one.
To me, Carroll’s tragicomedy (a tragedy in Henry Holiday’s view) is about the doctrinal conflicts (some of them lethal) arising along the travel to truth, whatever that might be. These conflicts within and between belief systems surely didn’t end today. Also the concrete disputes which might have inspired the Rev. Dodgson (aka Lewis Carroll) in the 19th century seem to be going on even today. All that is quite strange to me (not only because I am a German). I can’t take sides, because I don’t even understand how and why the disputed issues can be issues at all.
The Church of England has sent a clear message to its conservative churchgoers – you’re not wanted
The treatment of Bishop Philip North, an Anglo-Catholic, shows the Church’s prospects for unity are grim.
By Andrew Sabisky March 13, 2017 13:16 GMT
It is with a heavy heart that I must announce that the Church of England is at it again. Fresh off a truly disastrous session of General Synod (the Church’s parliament), it has plunged itself headlong into further public ignominy.
The latest disaster concerns Bishop Philip North, currently the Bishop of Burnley. He was chosen by the bureaucracy to be the new Bishop of Sheffield (a promotion from suffragan to diocesan status). […]
Not only the ongoing struggles in the Anglican Church still are turning Snarks into Boojums. The multicultural beasts are very alife today, perhaps more than ever.
In this image one of the elements has been marked (blue frame) which Henry Holiday borrowed from a 17th century painting (by an anonymous artist). This might be a bit different from the borrowing described by T. S. Eliot in 1920. The borrowing ot the pictorial allusion is inconspicuous. It doesn’t enrich Holiday’s illustration. It’s only purpose might be that of a signpost pointing to another work of art.