Today I start to refer to Martin Gardner’s annotations to The Hunting of the Snark in a more systematical way. Admittedly, I should have done that much earlier. I didn’t read the annotations carefully enough. As an example, Martin Gardner annotated (MG058) to The Hunting of the Snark that Elizabeth Sewell pointed out in The Field of Nonsense (1973) that a line in Carroll’s poem has a similarity to a line in a limerick by Edward Lear. I found that in Google.
I should have mentioned Elizabeth Sewell in my article Nose is a Nose is a Nose in the LCSNA Kight Letter № 99, Fall 2017, p. 30~31.
“MG058” stands for the 58th annotation in the annotated Snark and links to articles and blog entries which contain issues to which Gardener had referred. In this case it is about Lewis Carroll’s and Edward Lear’s waistcoat poetry.
“MG0” leads you to all entries in snrk.de which refer to issues addressed by Martin Gardner.
There is no tenth member in Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark. I think that the Snark hunting party consists of nine members only. Let us take them in order of their introduction:
- The Bellman, their captain.
- The Boots, a maker of Bonnets and Hoods
- The Barrister, brought to arrange their disputes, but repeatedly complained about the Beaver’s evil lace-making.
- The Broker, to value their goods.
- The Billiard-marker, whose skill was immense, might perhaps have won more than his share. From John Tufail I learned that in Henry Holiday’s illustration the Billiard-marker is preparing a cheat.
- The Banker, engaged at enormous expense, had the whole of their cash in his care.
- The Beaver, that paced on the deck or would sit making lace in the bow and had often (the Bellman said) saved them from wreck, though none of the sailors knew how.
- The Baker, also addressed by “Fry me!”, “Fritter my wig!”, “Candle-ends” as well as “Toasted-cheese”, and known for joking with hyenas and walking paw-in-paw with a bear.
- The Butcher, who only could kill Beavers, but later became best friend with the lace-making animal.
9 or 10 hunters? | Care and Hope | The Snark
2017-11-06, edited: 2018-11-07
Among all Snark music known to me, Arne Nordheim’s The Return of the Snark – For Trombone And Tape is my favorite. Nordheim composed this 15 minutes piece in the year 1987. Gaute Vikdal plays the trombone.
The recording is part of the 7 CDs album Listen – The Art of Arne Nordheim. There are other recordings of Nordheim’s The Hunting of the Snark available in the Internet, for Trombone only. But I like the Return most.
Even while the blinding bandage lies,
Daughter of a Judge, upon thine eyes,
If the scales thou wield with care
Truth and Justice will declare
Hunting Snarks is innocent and wise!
Inscribed (1876-09-02) with an allusion to Justicia by Lewis Carroll into an edition (now owned by NYU) of The Hunting of the Snark owned by Charlotte Edith Denman, daughter of George Denman.
Source of the acrostic poem:
Rare, Uncollected, Unpublished & Nonexistent Verse of Lewis Carroll, Collected and Annoted by August A. Imholz, Jr. & Edward Wakeling, p. 30, LCSNA 2018, ISBN 978-0-930326-11-1.
The book is available to LCSNA members only.
2018-05-24, update: 2018-10-27
You find many renderings of John Martin‘s The Bard in the Internet. I think that in this comparison the left one is the right one and that the right one is not John Martin’s.
In Henry Holiday’s illustrations to Lewis Carroll’s The Hunting of the Snark there are several references to John Martin’s painting.
Bycatch from my Snark hunt:
I discovered that “face” in Matthias Grünewald’s painting recently, but I was not the first. I think that Gustave Doré found it much earlier.
2018-09-21, updated 2018-10-13
In this allegorical English School painting (ca. 1610, by an unknown painter) of Queen Elizabeth I at old age you see the allegories of Death and of Father Time.
In the inset you see on the left side a depiction of the Bellman from Henry Holiday’s front cover illustration to Lewis Carroll’s The Hunting of the Snark (1876).
Only now, after a few years of having found this painting, I recognized, that not only Henry Holiday’s Bellman looks like that unknown painter’s Father Time, But also the posture of the old queen and the old man are similar.